Search results for ""Author Richard Price""

In the pages of The Village Voice, Rolling Stone, Esquire, New York, Maxim, and GQ, Mark Jacobson has carried on in the tradition of such titans as Joe Mitchell, A. J. Liebling, Jimmy Breslin, and Pete Hamill as one of New York City's finest journalistic provocateurs. Now he collects the best of his years in Teenage Hipster in the Modern World. Jacobson has been witness to a decidedly different sort of history. His "beats" range far and wide, delving into the realms of politics, sports, and celebrity in pieces on such luminaries as Bob Dylan, Julius Erving, Chuck Berry, Pam Grier (in her Scream, Blacula, Scream days), Martin Scorsese, and many others. But for Jacobson, New York City has always been Topic Number One. Jacobson tells the story of the city in his classic essays on the beginnings of punk rock back in the times of "pregentrification" to the heart-wrenching days of 9/11. With a foreword from best-selling author Richard Price, Teenage Hipster in the Modern World is a hilarious and poignant snapshot of a city, a generation, and a man who wonders how he went from hanging out at CBGB to being an AARP card-holding father of three.

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A classic of historical anthropology, First-Time traces the shape of historical thought among peoples who had previously been denied any history at all. Each page of the book presents a transcript of oral histories told by living Saramakas about their eighteenth-century ancestors along with commentary from Price that places their accounts into a broader historical context.

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Shortlisted for the 2017 Saltire Society Poetry Book of the Year Award. The poems in Richard Price's Moon for Sale delight in linguistic play, turning over sound and sense with gleeful dexterity. But they are equally visually sensitive: Price's lyricism speaks as much to a cinematic sensibility as to a poetic one, to Terrence Malick's Tree of Life, to the carefully braided documentaries of Viera Cakanyova, and to the elegiac filmscapes of Margaret Tait. In the shadow of a culture in which even the moon is up for auction, Moon for Sale records the decadence of our times by incorporating and repurposing that culture's language. At the same time a haven of meaning is sought in the erotic, in the intimate transactions between bodies, that 'rush of unclevering' which both simplifies and intensifies the world.

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Late Gifts is a joyful and anxious book. The eponymous late gift, this book's occasion, is a son, born to a middle-aged father. How does this change his sense of present and future, of time itself? The poet focuses on this demanding and joyful relationship in terms that are funny and re-energising, his world renewed. The child's future makes more urgent the environmental and political themes which have long been a concern for the poet. Here Price has developed new forms for his subject matter, including striking longer pieces which survey contemporary worlds with arresting imagery and a hypnotic energy, the twin gatherings of prose poems 'Shore Gifts' and 'Shore Thefts', and quieter, meditative poems of elegy and awe-struck praise. As Maureen N. McLane has written, 'He is one of our most attentive, delicate, ferocious transmitters, singers, makers.'

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Small World tells a story of the changing relationship between a father and his two daughters, one severely disabled, a 'mermaid in a wheelchair', the other discovering the difference of her elder sister, the 'moon' to her 'earth'. Each succeeding poem gathers further telling detail as the father listens and observes with affection and surprise the strange world they inhabit, gradually reflecting on his own contrasting childhood. Finally, the book ends with a shock experience that brings all that has gone before into sharp focus.

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An election day massacre in colonial Martinique. A “mad” artist who lives in a cave. A satirical wooden bust of a white colonel. The artist’s banishment to the Devil’s Island penal colony for “impertinence.” And a young anthropologist who arrives in Martinique in 1962, on the eve of massive modernization.In a stunning combination of scholarship and storytelling, the award-winning anthropologist Richard Price draws on long-term ethnography, archival documents, cinema and street theater, and Caribbean fiction and poetry to explore how one generation’s powerful historical metaphors could so quickly become the next generation’s trivial pursuit, how memories of oppression, inequality, and struggle could so easily become replaced by nostalgia, complicity, and celebration.“A superb callaloo of a book. . . . Richard Price has a remarkable grasp of the literatures of the Caribbean, and draws on this resource to explore the underlying insanity of the colonial experience, as well as the bewildering complexities of the postcolonial world where memory is erased or invented according to the demands of a market modernity.”—George Lamming, author of The Pleasures of Exile“By beautifully crafting elements as disparate as biographical data, sociological studies, literary sources, and archival documents, Richard Price’s research is more fascinating than a piece of fiction.”—Maryse Condé, author of I, Tituba, Black Witch of Salem“Price does it again. Mixing eras, genres, and voices, he carries the reader through the contradictory streams of historical consciousness in the Caribbean island of Martinique. The result is as complex and as enticing as the sea it evokes.”—Michel-Rolph Trouillot, author of Silencing the Past“Filled with insights that are at once theoretical, methodological, and ethnographic, The Convict and the Colonel is required reading for anyone interested in colonialism, memory, and contemporary Caribbean societies.”—Jennifer Cole, American Ethnologist

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Beginning with a high schooler mesmerized by a stay on the Navajo and Hopi reservations and running through the founding of a university department and the aftermath of a decision to forego permanent academic affiliations, Richard Price’s story is told with humour and insight into the workings of academic politics from the 1960s to the present.

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In this electrifying novel, Richard Price, the author of Clockers and a writer on The Wire, gives us razor-sharp anatomy of an ever-changing Harlem.

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In the early 18th century, the Dutch colony of Suriname was the envy of all others in the Americas. There, seven hundred Europeans lived off the labor of over four thousand enslaved Africans. Owned by men hell-bent for quick prosperity, the rich plantations on the Suriname river became known for their heights of planter comfort and opulence-and for their depths of slave misery. Slaves who tried to escape were hunted by the planter militia. If found they were publicly tortured. (A common punishment was for the Achilles tendon to be removed for a first offense, the right leg amputated for a second.) Resisting this cruelty first in small numbers, then in an ever increasing torrent, slaves began to form outlaw communities until nearly one out of every ten Africans in Suriname was helping to build rebel villages in the jungle. Alabi's World relates the history of a nation founded by escaped slaves deep in the Latin American rain forest. It tells of the black men and women's bloody battles for independence, their uneasy truce with the colonial government, and the attempt of their great leader, Alabi, to reconcile his people with white law and a white God. In a unique historical experiment, Richard Price presents this history by weaving together four voices: the vivid historical accounts related by the slaves' descendants, largely those of Alabi's own villagers, the Saramaka; the reports of the often exasperated colonial officials sent to control the slave communities; the otherworldly diaries of the German Moravian missionaries determined to convert the heathen masses; and the historian's own, mediating voice. The Saramaka voices in these pages recall a world of powerful spirits-called obia's-and renowned heroes, great celebrations and fierce blood-feuds. They also recall, with unconcealed relish, successes in confounding the colonial officials and in bending the treaty to the benefit of their own people. From the opposite side of the negotiations, the colonial Postholders speak of the futility of trying to hold the village leaders to their vow to return any further runaway slaves. Equally frustrated, the Moravian missionaries describe the rigors of their proselytising efforts in the black villages-places of licentiousness and idol-worship that seemed to be "a foretaste of what hell must be like." Among their only zealous converts was Alabi, who stood nearly alone in his attempts to bridge the cultural gap between black and white-defiantly working to lead his people on the path toward harmony with their former enemies. From the confluence of these voices-set throughout the book in four different typefaces-Price creates a fully nuanced portrait of the collision of cultures. It is a confrontation, he suggests, that was enacted thousands of times across the slaveholding Americas as white men strained to suppress black culture and blacks resisted- determined to preserve their heritage and beliefs.

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Thirty-five years into his research among the descendants of rebel slaves living in the South American rain forest, anthropologist Richard Price encountered Tooy, a priest, philosopher, and healer living in a rough shantytown on the outskirts of Cayenne, French Guiana. Tooy is a time traveler who crosses boundaries between centuries, continents, the worlds of the living and the dead, and the visible and invisible. With an innovative blend of storytelling and scholarship, "Travels with Tooy" recounts the mutually enlightening and mind-expanding journeys of these two intellectuals. Included on the itinerary for this hallucinatory expedition: forays into the eighteenth century to talk with slaves newly arrived from Africa; leaps into the midst of battles against colonial armies; close encounters with double agents and femme fatale forest spirits; and trips underwater to speak to the comely sea gods who control the world's money supply. This enchanting book draws on Price's long-term ethnographic and archival research, but above all on Tooy's teachings, songs, stories, and secret languages to explore how Africans in the Americas have created marvelous new worlds of the imagination.

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The Council of Constantinople of 553 (often called Constantinople II or the Fifth Ecumenical Council) has been described as ‘by far the most problematic of all the councils’, because it condemned two of the greatest biblical scholars and commentators of the patristic era – Origen and Theodore of Mopsuestia – and because the pope of the day, Vigilius, first condemned the council and then confirmed its decisions only under duress. The present edition makes accessible to the modern reader the acts of the council, session by session, and the most important related documents, particularly those that reveal the shifting stance of Pope Vigilius, veering between heroic resistance and abject compliance. The accompanying commentary and substantial introduction provide a background narrative of developments since Chalcedon, a full analysis of the policy of the emperor Justinian (who summoned and dominated the council) and of the issues in the debate, and information on the complex history of both the text and the council’s reception. The editor argues that the work of the council deserves a more sympathetic evaluation that it has generally received in western Christendom, since it arguably clarified rather than distorted the message of Chalcedon and influenced the whole subsequent tradition of eastern Orthodoxy. In interpreting Chalcedon the conciliar acts provide a fascinating example of how a society – in this case the imperial Church of Byzantium – determines its identity by how it understands its past.

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A The Scotsman Book of the Year 2021. In re-telling the Inuit stories included here, Richard Price opens out remarkable northern vistas and unfamiliar narratives, strange gods and unforgettable characters. Carol Rumens described Price as a poet who is 'brilliant quietly: inventive, sometimes dazzling, but never merely showy': precisely the talents for rendering, rather than appropriating these great story-cycles of Inuit culture. Here we learn of 'Sedna the Sea Goddess' and 'Kiviuq the Hunter', the central protagonists of the book's remarkable stories. They are rich in extraordinary incident. In Sedna's world women can marry dogs and have half-puppy, half-human children; birds beat their wings so hard they call down a storm on a fugitive kayak; walruses originate from... well that would be telling. Each story-cycle abounds in natural wonder, celebrating our creaturely relations with our fellow inhabitants of land and sea. 'The Old Woman Who Changed Herself into a Man', a short narrative, bridges the major sequences, telling the story of an older woman and a younger one who become lovers in the isolation of their remote home.

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The First Council of Ephesus (431) was the climax of the so-called Nestorian Controversy. Convoked by the emperor Theodosius II to restore peace to the Church, it immediately divided into two rival councils, both meeting at Ephesus. Attempts by the emperor’s representatives to get the bishops on both sides to meet together had no success, and after four months the council was dissolved without having ever properly met. But a number of decrees by the larger of the two rival councils, in particular the condemnation of Nestorius of Constantinople, were subsequently accepted as the valid decrees of the ‘ecumenical council of Ephesus’. The documentation, consisting of conciliar proceedings, letters and other documents, provides information not only about events in Ephesus itself, but also about lobbying and public demonstrations in Constantinople. There is no episode in late Roman history where we are so well informed about how politics were conducted in the imperial capital. This makes the Acts a document of first importance for the history of the Later Roman Empire as well for that of the Church.

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'A masterpiece' MARTIN AMIS 'The best book about homicide detectives by an American writer' NORMAN MAILER Based on a year on the killing streets of Baltimore, David Simon's true crime masterpiece reveals a city few will ever experience. Day in day out citizens are shot, stabbed, or bludgeoned to death. At the centre of this hurricane of crime is the city's homicide unit, a small brotherhood of men who fight for whatever justice is possible in a deadly world.

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When Richard and Sally Price stepped out of the canoe to begin their fieldwork with the Saamaka Maroons of Suriname in 1966, they were met with a mixture of curiosity, suspicion, ambivalence, hostility, and fascination. With their gradual acceptance into the community they undertook the work that would shape their careers and influence the study of African American societies throughout the hemisphere for decades to come. In Saamaka Dreaming they look back on the experience, reflecting on a discipline and a society that are considerably different today. Drawing on thousands of pages of field notes, as well as recordings, file cards, photos, and sketches, the Prices retell and comment on the most intensive fieldwork of their careers, evoke the joys and hardships of building relationships and trust, and outline their personal adaptation to this unfamiliar universe. The book is at once a moving human story, a portrait of a remarkable society, and a thought-provoking revelation about the development of anthropology over the past half-century.

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Available for the first time in English, Maroons in Guyane reviews the history of Maroon peoples in Guyane, explains how these groups differ from one another, and analyses their current situations in the bustling, multicultural world of this far-flung outpost of the French Republic.

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The Council of Constantinople of 869-70 was highly dramatic, with its trial and condemnation of Patriarch Photius, a towering figure in the Byzantium of his day, and the tussle of wills at the council between the papal legates, the imperial representatives and the bishops. It was church politics and personalities rather than issues of doctrine, such as icon veneration, that dominated the debates. Out of all the acts of the great early councils, the acts of this council, of which this edition is the first modern translation, are the nearest to an accurate and complete record. Its protest against secular interference in ecclesiastical elections was taken up later in the West and led to this council’s being accorded full ecumenical status, although it had been repudiated in Byzantium soon after it was held. No early council expresses so vividly the tension between Rome’s claim to supreme authority and the Byzantine reduction of this to a primacy of honour.

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The Council of Constantinople of 869-70 was highly dramatic, with its trial and condemnation of Patriarch Photius, a towering figure in the Byzantium of his day, and the tussle of wills at the council between the papal legates, the imperial representatives and the bishops. It was church politics and personalities rather than issues of doctrine, such as icon veneration, that dominated the debates. Out of all the acts of the great early councils, the acts of this council, of which this edition is the first modern translation, are the nearest to an accurate and complete record. Its protest against secular interference in ecclesiastical elections was taken up later in the West and led to this council’s being accorded full ecumenical status, although it had been repudiated in Byzantium soon after it was held. No early council expresses so vividly the tension between Rome’s claim to supreme authority and the Byzantine reduction of this to a primacy of honour.

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Anthropological iconoclasts Richard and Sally Price have spent the last two decades not only creating an unparalleled oeuvre of scholarship in several areas of anthropology but also unabashedly calling foul on any untenable or patronizing concepts of "us" and "them," "primitive" and "modern," that cross their path. For this pamphlet, they crack the yellowing diaries kept by Melville and Frances Herskovits on their famous 1920s expedition deep into the South American jungle, exposing—with their trademark combination of deadpan wit and theoretical rigor—the origins of the field that has come to be known as African diaspora studies.

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When Richard and Sally Price stepped out of the canoe to begin their fieldwork with the Saamaka Maroons of Suriname in 1966, they were met with a mixture of curiosity, suspicion, ambivalence, hostility, and fascination. With their gradual acceptance into the community they undertook the work that would shape their careers and influence the study of African American societies throughout the hemisphere for decades to come. In Saamaka Dreaming they look back on the experience, reflecting on a discipline and a society that are considerably different today. Drawing on thousands of pages of field notes, as well as recordings, file cards, photos, and sketches, the Prices retell and comment on the most intensive fieldwork of their careers, evoke the joys and hardships of building relationships and trust, and outline their personal adaptation to this unfamiliar universe. The book is at once a moving human story, a portrait of a remarkable society, and a thought-provoking revelation about the development of anthropology over the past half-century.

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" . . . engrossing, nuanced, productively and honestly critical in the best sense of the term." —Richard BaumanAfter recounting their experiences as cultural mediators between African American Maroons from the Suriname rain forest and U.S. festival-goers on the Washington Mall, the authors reflect on how folklorists, anthropologists, and museum curators represent others, as well as themselves.

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This abridgement of the Prices' acclaimed 1988 critical edition is based on Stedman's original, handwritten manuscript, which offers a portrait at considerable variance with the 1796 classic. The unexpurgated text, presented here with extensive notes and commentary, constitutes one of the richest and most evocative accounts ever written of flourishing slave society.

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