Search results for ""Author Richard Osborne""

The single biggest and most difficult question that exists? From early religions through Greek Philosophy and Western Science, man has attempted to discover the meaning of the Universe and our place within it. In the last twenty year these debates have all been stood on their head by amazing discoveries, big bang theory and ideas about new sub-atomic layers. The nature of Time and Space are truly up for grabs. With a witty and accessible style Osborne leads us on a historical and informative adventure through the philosophies of the universe; including the importance of telescopes, mathematics and relativity theory and ending with contemporary mind-expanding concepts such as the reversibility of time and parallel universes.

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A witty, accessible and entertaining journey through teh philosophies of time and space.

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Herbert von Karajan was one of the twentieth century's most prodigiously gifted performing artists. Richard Osborne knew him and had many conversations with him. These, however, were only the starting point for a biography which draws on interviews with those who worked with Karajan during his sixty year career, and on a vast array of primary archive material which has never been previously examined. This biography explores Karajan's life and music-making against the background of European music and politics in the years 1908 - 1989. The Austrian theatre producer Otto Schenk once said of Karajan: 'He is not only a musician. He is a whole period. When I was a boy he was already a period in our history'. This epic biography explores that period, and the enigma of the man who made it.

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The conversations the 63-year-old Rossini had with Ferdinand Hiller in Trouville in Normandy in September 1855, and the finely drafted impression of Rossini himself with which Hiller prefaces the conversations, will be of exceptional interest to all music lovers. No other single source offers so vivid a sense of Rossini the man and the musician, not to mention the many composers, performers, and people of influence he knew and met. This is the first complete publication of the conversations in English.

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The music industries are fuelled by statistics: sales targets, breakeven points, success ratios, royalty splits, website hits, ticket revenues, listener figures, piracy abuses and big data. Statistics are of consequence. They influence the music that consumers get to hear, they determine the revenues of music makers, and they shape the policies of governments and legislators. Yet many of these statistics are generated by the music industries themselves, and their accuracy can be questioned. This original new book sets out to explore this shadowy terrain. While there are books that offer guidelines about how the music industries work, as well as critiques from academics about the policies of music companies, this is the first book that takes a sustained look at these subjects from a statistical angle. This is particularly significant as statistics have not just been used to explain the music industries, they are also essential to the ways that the industries work: they drive signing policy, contractual policy, copyright policy, economic policy and understandings of consumer behaviour. This edited collection provides the first in-depth examination of the use and abuse of statistics in the music industries. The international group of contributors are noted music business scholars and practitioners in the field. The book addresses five key areas in which numbers are employed: sales and awards; royalties and distribution; music piracy; music policy; and audiences and their uses of music. The authors address these subjects from a range of perspectives. Some of them test the veracity of this data and explore its tactical use by music businesses. Others are helping to generate these numbers: they are developing surveys and online projects and offer candid self-observations in this volume. There are also authors who have been subject to statistics; they deliver first-hand accounts of music industry reporting. The digital age is inherently numerical. Within the music industries this has prompted new ways of tracking the usage and recompense of music. In addition, it has generated new means of monitoring and engaging audience behaviour. It has also led to increased documentation of the trade. There is more reporting of the overall revenues of music industry sectors. There is also more engagement between industry and academia when it comes to conducting analyses and offering numerical recommendations to politicians. The aim of this collection is to expose the culture and politics of data. Music industry statistics are all-pervasive, yet because of this ubiquity they have been under-explored. This book provides new ways by which to learn music by numbers. A timely examination of how data and statistics are key to the music industries. Widely held industry assumptions are challenged with data from a variety of sources and in an engaging, lucid manner. Highly recommended for anyone with an interest in how the music business uses and manipulates the data that digital technologies have made available. Primary readership will be among popular music academics, undergraduate and postgraduate students working in the fields of popular music studies, music business, media studies, cultural studies, sociology and creative industries. The book will also be of interest to people working within the music industries and to those whose work encounters industry statistics.

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This book brings together key debates within cultural studies, media studies, criminology and sociology on the relationship between the media and crime in a postmodern society – highlighted by recent controversies on the effects of media portrayals of violence and crime on the community at large. Real-life crime, crime reconstruction and crime as entertainment are categories that are now so interdependent that the media itself is in danger of confusing the genres as it seeks to profit from their undoubted appeal. This intertextuality is a key theme in this collection. The contributors highlight and theorise the symbiosis that exists between real crime and its representations, from media moral panics, policing the crisis and representing order to the postmodern confusion of crime and spectacle, trial by media and trials on media. As recent debates have shown all too starkly, the media's neutrality in this critical area is ever more problematic. This is an invaluable introduction to new thinking in a pressing contemporary debate.

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