Search results for ""Author Richard Firth""

How have our emotions shaped the course of human history? And how have our experience and understanding of emotions evolved with us? We humans like to think of ourselves as rational creatures, who, as a species, have relied on calculation and intellect to survive. But many of the most important moments in our history had little to do with cold, hard facts and a lot to do with feelings. Events ranging from the origins of philosophy to the birth of the world’s major religions, the fall of Rome, the Scientific Revolution, and some of the bloodiest wars that humanity has ever experienced can’t be properly understood without understanding emotions. In A Human History of Emotion, Richard Firth-Godbehere takes readers on a fascinating and wide-ranging tour of the central and often under-appreciated role emotions have played in human societies around the world and throughout history – from Ancient Greece to Gambia, Japan, the Ottoman Empire, Britain, and beyond. Drawing on psychology, neuroscience, philosophy, art and religious history, A Human History of Emotion vividly illustrates how our understanding and experience of emotions has changed over time, and how our beliefs about feelings – and our feelings themselves – profoundly shaped us and the world we inhabit.

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How have our emotions shaped the course of human history? And how have our experience and understanding of emotions evolved with us? We humans like to think of ourselves as rational creatures, who, as a species, have relied on calculation and intellect to survive. But many of the most important moments in our history had little to do with cold, hard facts and a lot to do with feelings. Events ranging from the origins of philosophy to the birth of the world’s major religions, the fall of Rome, the Scientific Revolution, and some of the bloodiest wars that humanity has ever experienced can’t be properly understood without understanding emotions. In A Human History of Emotion, Richard Firth-Godbehere takes readers on a fascinating and wide-ranging tour of the central and often under-appreciated role emotions have played in human societies around the world and throughout history – from Ancient Greece to Gambia, Japan, the Ottoman Empire, Britain, and beyond. Drawing on psychology, neuroscience, philosophy, art and religious history, A Human History of Emotion vividly illustrates how our understanding and experience of emotions has changed over time, and how our beliefs about feelings – and our feelings themselves – profoundly shaped us and the world we inhabit.

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In Elf Queens and Holy Friars Richard Firth Green investigates an important aspect of medieval culture that has been largely ignored by modern literary scholarship: the omnipresent belief in fairyland. Taking as his starting point the assumption that the major cultural gulf in the Middle Ages was less between the wealthy and the poor than between the learned and the lay, Green explores the church's systematic demonization of fairies and infernalization of fairyland. He argues that when medieval preachers inveighed against the demons that they portrayed as threatening their flocks, they were in reality often waging war against fairy beliefs. The recognition that medieval demonology, and indeed pastoral theology, were packed with coded references to popular lore opens up a whole new avenue for the investigation of medieval vernacular culture. Elf Queens and Holy Friars offers a detailed account of the church's attempts to suppress or redirect belief in such things as fairy lovers, changelings, and alternative versions of the afterlife. That the church took these fairy beliefs so seriously suggests that they were ideologically loaded, and this fact makes a huge difference in the way we read medieval romance, the literary genre that treats them most explicitly. The war on fairy beliefs increased in intensity toward the end of the Middle Ages, becoming finally a significant factor in the witch-hunting of the Renaissance.

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In Elf Queens and Holy Friars Richard Firth Green investigates an important aspect of medieval culture that has been largely ignored by modern literary scholarship: the omnipresent belief in fairyland. Taking as his starting point the assumption that the major cultural gulf in the Middle Ages was less between the wealthy and the poor than between the learned and the lay, Green explores the church's systematic demonization of fairies and infernalization of fairyland. He argues that when medieval preachers inveighed against the demons that they portrayed as threatening their flocks, they were in reality often waging war against fairy beliefs. The recognition that medieval demonology, and indeed pastoral theology, were packed with coded references to popular lore opens up a whole new avenue for the investigation of medieval vernacular culture. Elf Queens and Holy Friars offers a detailed account of the church's attempts to suppress or redirect belief in such things as fairy lovers, changelings, and alternative versions of the afterlife. That the church took these fairy beliefs so seriously suggests that they were ideologically loaded, and this fact makes a huge difference in the way we read medieval romance, the literary genre that treats them most explicitly. The war on fairy beliefs increased in intensity toward the end of the Middle Ages, becoming finally a significant factor in the witch-hunting of the Renaissance.

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In the late fourteenth century the complex Middle English word "trouthe," which had earlier meant something like "integrity" or "dependability," began to take on its modern sense of "conformity to fact." At the same time, the meaning of its antonym, "tresoun," began to move from "personal betrayal" to "a crime against the state." In A Crisis of Truth, Richard Firth Green contends that these alterations in meaning were closely linked to a growing emphasis on the written over the spoken and to the simultaneous reshaping of legal thought and practice. According to Green, the rapid spread of vernacular literacy in the England of Richard II was driven in large part by the bureaucratic and legal demands of an increasingly authoritarian central government. The change brought with it a fundamental shift toward the attitudes we still hold about the nature of evidence and proof—a move from a truth that resides almost exclusively in people to one that relies heavily on documents. Green's magisterial study presents law and literature as two parallel discourses that have, at times, converged and influenced each other. Ranging deeply and widely over a huge body of legal and literary materials, from Anglo-Saxon England to twentieth-century Africa, it will provide a rich source of information for literary, legal, and historical scholars.

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The sixth edition of The Knossos Tablets brings for now to completion nearly 120 years of the study of the texts of the Linear B inscriptions from the preeminent Cretan palatial site of the late Minoan Bronze Age. Based on his career-long mastery of the many scholarly tools needed to interpret the contents and historical meaning of Mycenaean Greek clay tablet inscriptions, José L. Melena, with assistance on find-spots from Richard Firth and a check of the accuracy of each and every text by an editorial team of the Program in Aegean Scripts and Prehistory, offers here definitive readings of these archaeologically, linguistically and historically important records. The book presents accurate information on tablet joins, find-spots, assignments of texts to scribes, sets of texts identified by subject matter and administrative purpose, and conjectural readings of partially preserved texts. The systems of reference to tablets by inventory numbers and to coherent sets of tablets by alphabetic prefixes have been streamlined. Helpful appendices make clear the classification of series and sets, tablet find locations, and the history of reconstruction of tablets through fragment joins. The volume closes with an up-to-date overall ground plan and close-up sector plans of the Palace of Minos at Knossos keyed to tablet find-spots.

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