Search results for ""Author Richard Calvocoressi""

A prolific artist with a protean output, Georg Baselitz has rethought the conventions of a range of media, predominantly painting and sculpture, over the course of a career of some sixty years. Born in 1938, Baselitz was expelled from art school in East Berlin in 1956 for ‘socio-political immaturity’, and moved to the western half of the city. By the late 1950s, he had rejected the dominant tendencies of both sides of the country and his singular achievement was to reintroduce the figure, compromised and discredited though it was by both Nazism and Communism, into art. By drawing attention to art by ‘outsiders’, such as psychiatric patients, and invoking a Parisian model of existentialist art and literature, Baselitz proposed an alternative European tradition that did not eliminate the human subject. In alluding later to movements in German painting such as Expressionism as well as to artists like Munch, he also consciously rehabilitated the kind of art that was condemned by Hitler as ‘degenerate’. The book follows the development of Baselitz’s unique style from his earliest work through to the most recent creations of his eighth decade. Calvocoressi’s masterful construction of a chronological narrative helps us to evaluate Baselitz’s work in terms of the disruptions of his life – historical upheavals witnessed alongside an astonishing career.With 406 illustrations in colour

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Thirteen years after her first Rizzoli monograph, British artist Jenny Saville releases this much-anticipated volume--her most comprehensive to date--including many never-before-published paintings. One of the most renowned living figurative painters of our time, Saville has set auction records and her highly sensual canvases invite us to consider the female form in all its glory. Great artists are of their moment, but push boundaries to revitalize our world. The British artist Jenny Saville is best known for painting monumental close-ups of large nude women exposing things that are usually left unshown: flab, fat, bulge. Today, when the body has never mattered more or counted less, Saville is undoubtedly the painter for our times. Saville has specialized in subjects on the margins of society: the obese, the disfigured, and transsexuals; yet under her fluctuating light and painstaking hues and layers, her subjects transcend their strangeness to take on a universal quality. Among artists of her generation, Saville is unusual in her devotion to figurative painting. This much-anticipated volume unites new work with almost all of Saville's paintings and drawings to date, many of them unpublished works. Published in association with Gagosian Gallery, the book also features a complete and illustrated chronology of the artist's career. A conversation with acclaimed American photographer Sally Mann, and essays by art critic Mark Stevens and Gagosian Director, London Richard Calvocoressi complete the volume.

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The paintings of the Belgian Surrealist René Magritte (1898–1967) have exerted an extraordinary fascination, particularly since the enormous increase in awareness and popularity of his work during the 1960s. Magritte shows us a world of silence and isolation in which familiar objects are altered or juxtaposed in ‘impossible’ combinations in order to create a sense of disorientation and the absurd. Many of his most memorable paintings date from his three prolific years 1927–30, when he lived near Paris and was in close touch with the writer André Breton and other French Surrealists.In his pre-war painting, stylistic concerns were of secondary importance to Magritte, whose main interest was in ideas or propositions about the world; for example, many of his paintings explore the relation between objects and words or between the image of an object and the object itself. He deliberately cultivated a cold, unemotive, ‘style-less’ style. This quality renders the images of violence and macabre sexuality in some of his works all the more disturbing. His own ‘impressionist’ and vache (ugly, crude) pictures of the 1940s have been rediscovered in the last few years by a younger generation of painters and critics keenly responsive to the later work of other masters of parody and allusion such as Picabia and de Chirico.Richard Calvocoressi's highly successful introduction to Magritte was first published in 1979 and revised and enlarged by the addition of notes to the colour plates and many black-and-white illustrations.

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This book highlights a theme that preoccupied Francis Bacon throughout his career: the relationship between two people, both physical and psychological. At its heart are two of the most uninhibited images that Bacon ever painted: Two Figures (1953) and Two Figures in the Grass (1954). After completing these interrelated works, Bacon did not return to the subject until 1967, the year that homosexual acts in private were decriminalized in England and Wales, when he painted Two Figures on a Couch, also featured in this volume. In Bacon s paintings, the human presence is evoked sometimes viscerally, at other times more fleetingly, in the form of a shadow or a blurred, watchful figure. In certain instances, the portrayal takes the form of a composite in which male and female bodily traits are transposed or fused. A number of the works in Couplings were inspired by Bacon s own fraught relationships. Francis Bacon: Couplings features an introductory text by Richard Calvocoressi; a new essay and plate texts by Martin Harrison; and a never-before-published interview with Bacon by Richard Francis and Ian Morrison; as well as studio ephemera and working documents that illuminate Bacon s process.

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