Search results for ""Author Richard Ballard""

The French Revolution was a huge, brutal yet inspiring phenomenon that changed global political thinking and action, and its echoes resound even in the twenty-first century. It was an intensely complex mix of events, concepts and individuals and A New Dictionary is an invaluable aid to unravelling its complications, and an essential companion for students and general readers alike. There are some 400 entries covering the main events, personalities, parties, ideologies, political ideas, philosophers, writers, artists, rebellions and wars, as well as touching on colonial and international developments, the interaction of church and state, science, law reform, events in the provinces and overseas territories and the reverberations in other European states. The Dictionary provides a full and vibrant history from the outbreak of revolution in 1789 to the Terror, the Revolutionary state, its wars and the rise of Napoleon. Entries contain much more than just bare factual information: they provide a detailed commentary and include suggestions for further reading - both in print and online - which refer to the extensive literature of over 200 years of scholarship and recent historiography. Cross-referencing is extensive and the index points to information about minor but important subjects which do no receive entries of their own.

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This is a study of royal absolutism in a most extreme form in modern European history, and of the nature of Louis XIV's concept of personal glory and of the embodiment of France as a new superpower. It is a study of political ideas expressed in architecture to establish Versailles as the centre of French world power and royal prestige. It is also a personal story, full of social, cultural, and economic history of the period as seen in the life and work of Louis Le Vau, from a humble family of craftsmen, who was a self-taught architect in the early history of the profession, skilled in technical craft skills and even grand design. He was a major contributor to the architectural glories of Paris including the Louvre, Vincennes, Versailles and the College of the Four Nations. And all achieved despite interference from the great magnates of the age like Mazarin and Colbert and constant mind-changing by the King who wanted every feature in the buildings to reflect his concept of personal, royal, prestige. Le Vau was Louis XIV's First Architect from 1654 until his death and disgrace in 1670. The social, cultural, economic and political backdrop is striking with court intrigue, scandal, corruption, luxury, indulgence and the rise of a rich bourgeoisie, but the main thrust of the story concerns Louis XIV and the royal personal ambition, and the work of a stone-cutter's son who became the Sun King's instrument. The study is good on the more technical features of architectural history - reminiscent of Pevsner's marvellous Buildings of England series.

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