Search results for ""Author Reed Aw"

A Guardian, Sunday Times, Mojo, Daily Telegraph and Observer Book of the YearLonglisted for the Penderyn Music Book Prize 2017As the sixties dream faded, a new flamboyant movement electrified the world: GLAM! In Shock and Awe, Simon Reynolds explores this most decadent of genres on both sides of the Atlantic. Bolan, Bowie, Suzi Quatro, Alice Cooper, New York Dolls, Slade, Roxy Music, Iggy, Lou Reed, Be Bop Deluxe, David Essex -- all are represented here. Reynolds charts the retro future sounds, outrageous styles and gender-fluid sexual politics that came to define the first half of the seventies and brings it right up to date with a final chapter on glam in hip hop, Lady Gaga, and the aftershocks of David Bowie's death.Shock and Awe is a defining work and another classic in the Faber Social rock n roll canon to stand alongside Rip it Up, Electric Eden and Yeah Yeah Yeah.

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Mystic Parallax is the first major monograph by rising interdisciplinary artist Awol Erizku. Working across photography, film, video, painting, and installation, his work references and re-imagines African American and African visual culture, from hip hop vernacular to Nefertiti, while nodding to traditions of spirituality and Surrealism. This comprehensive monograph spans Erizku’s career, blending his studio practice with his work as an in-demand editorial photographer working regularly for the New Yorker, New York magazine, Time, and GQ, among others, and features his conceptual portraits of Black cultural icons, such as Solange, Amanda Gorman, and Michael B. Jordan. As Erizku recently told the New York Times, “It’s important for me to create confident, powerful, downright regal images of Black people.” Featuring essays by critically acclaimed author Ishmael Reed, curator Ashley James, and writer Doreen St. Félix, and interviews with the artist by Urs Fischer and Antwaun Sargent, Mystic Parallax is a luminous and arresting testament to the artist’s tremendous power and originality. Copublished by Aperture and The Momentary

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An unforgettably funny, animal adventure story about a little bird with big dreams from award-winning author Jeanne Willis. One of the fantastic titles in the brand new Awesome Animals series - the funniest fiction, starring the wildest wildlife, from prize winning authors. Rory the rockhopper penguin loves showing off, but with few visitors to the zoo, life has become a little dull. If things don’t improve the zoo might have to close. So when the keepers install PENGUINCAM Rory grabs his chance with both flippers, organising a dazzling penguin talent show to pull in the crowds…

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The second hilarious story about the irrepressible penguins of City Zoo, from award-winning author Jeanne Willis. One of the fantastic titles in the Awesome Animals series – the funniest fiction, starring the wildest wildlife, from prize winning authors. Two baby penguins are missing and the rest of the City Zoo penguins set out across the zoo on a daring rescue mission. They hang with the monkeys, fish for clues in the aquarium and try not to get spotted by the leopard in a fast-paced adventure full of fun.

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Explore the art of basketry in this idea-filled book for weavers at all levels. Over 300 how-to photographs, guidance on using a fascinating selection of woven styles, and 15 original new patterns combine to offer much more than traditional, historical weaving. Learn the basics, materials, dyes, tools, and techniques; then practice, using all or parts of the book to create your own award-winning designs. Traditional baskets are updated with new techniques, while contemporary patterns employ flat, flat oval, and round reed in plaids, twills, spiral, braids, arrows, diamonds, twining, waling, handle wraps, rim borders, and more. A gallery section features the inspiring artwork of experts who are bringing unique ideas to twenty-first-century woven art. This book will serve as a practical guide and an essential reference for every basket weaver.

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This book commemorates the 25th anniversary of the International Izatt-Christensen Award in Macrocyclic and Supramolecular Chemistry. The award, one of the most prestigious of small awards in chemistry, recognizes excellence in the developing field of macrocyclic and supramolecular chemistry Macrocyclic and Supramolecular Chemistry: How Izatt-Christensen Award Winners Shaped the Field features chapters written by the award recipients who provide unique perspectives on the spectacular growth in these expanding and vibrant fields of chemistry over the past half century, and on the role of these awardees in shaping this growth. During this time there has been an upsurge of interest in the design, synthesis and characterization of increasingly more complex macrocyclic ligands and in the application of this knowledge to understanding molecular recognition processes in host-guest chemistry in ways that were scarcely envisioned decades earlier.In October 2016, Professor Jean-Pierre Sauvage and Sir J. Fraser Stoddart (author for chapter 22 "Contractile and Extensile Molecular Systems: Towards Molecular Muscles" by Jean -Pierre Sauvage, Vincent Duplan, and Frédéric Niess and 20 "Serendipity" by Paul R. McGonigal and J. Fraser Stoddart respectively) were awarded the Nobel Prize in Chemistry alongside fellow Wiley author Bernard Feringa, for the design and synthesis of molecular machines.

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The two decades following the end of the Second World War was a period of great change in Britain. One of the most noticeable changes, apparent throughout the towns and countryside, was the switch from steam to diesel traction. It transformed the character of the railways, not only in the replacement of locomotives, but also in the enormous upheaval of infrastructure. Bill Reed's photographs capture all of this. The sight of grimy steam locomotives on turntables, trundling along branch lines, pausing in sleepy stations, waiting to be watered or coaled, and on the scrap lines, is now only to be witnessed in photographic archives such as this. Bill took the pictures when it was a privilege, not to mention a rarity, to have a decent camera. He also took them at time when it was not frowned upon, like it is today, to be interested in railways, and take pictures of locomotives. It was only natural for young lads to have a desire to gaze at the vast, almost human engines with awe, because maybe their dads, granddads or even great granddads had been part of building or working them. Looking back now, it is a shame that more locomotives and more pieces of infrastructure were not saved. Yet the 1950s and '60s was not a time for nostalgia and reflection; it was one, supposedly, for moving forward and embracing the new. But for those of us with an interest in Britain's great industrial and transport heritage, we have people like Bill Reed to thank for giving us a glimpse into the last years of this extraordinary era.

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