Search results for ""Author Rebecca Brown""

In The Last Time I Saw You, author Rebecca Brown returns to the obsessive, darkly humorous voice that has earned her comparisons to Samuel Beckett and Djuna Barnes. Some of the tales in this collection are told in the scrappy, breathless voice of a naif on the verge of a terrible revelation. Others are noir-baroque monologues that collapse in on themselves as a speaker at last abandons a much-needed delusion. Intense, artfully crafted, and oddly comic, the stories in this collection are bound to stay with you like an insistent, disturbing dream. Rebecca Brown is the winner of the 2003 Washington State Book Award. Her books include The Gifts of the Body, Excerpts From a Family Medical Dictionary, The Terrible Girls, and The End of Youth.

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Long out of print, Rebecca Brown's brilliant debut novel explores the psychic repercussions of growing up in an alcoholic family, and the ways in which one woman's past continues to inform and inhabit her life. Robin Daley's childhood is dominated by a sense of impermanence: Her hard-drinking father disappears as suddenly and unexpectedly as he arrives. Her adulthood offers an escape, but strange things happen when the dark corners and locked rooms of family life are revealed. Rebecca Brown is the author of The Gifts of the Body, The Last Time I Saw You, and The End of Youth. She lives in Seattle.

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"Everything and nothing is sacred in Rebecca Brown's essays. Tongue, word, thought, and intellect all conspire in a free language love of living history, divination, sex, solitude and amusement. She is America's only real rock n' roll schoolteacher. Lessons layered with profundity and protracted parallels. Where old world religion, Gertrude Stein and Oreo cookies co-exist in an actual and mystic world of wonder." --Thurston Moore, Sonic Youth "If Rebecca Brown's talent for prose were any tighter, it would be a lyric -- to a pop standard. An homage -- a menage -- to America, exposing what's laid bare in a comic tragic redux. I laughed till it hurt." --Van Dyke Parks, Composer/Arranger "Anyone who can get from the Eucharist, to a Necco Wafer, to the goo beween the Oreo wafers, to the Inquisition, to the goo between the legs of excited young women is a distant sibling of mine. She can dash and she can drift and she is not much interested in the really bad parts that might qualify as confession. She likes the float of quotidian living and I like to read the words upon which she floats." -- Dave Hickey, author of Air Guitar The impulse to tell our worst to a bunch of strangers has been fueling American self-hood for 300 years: there's a direct line from the Puritan confession narrative to today's lurid, inescapable exhibitionism. But whose stories are we telling? This collection of mordant, poignant, and playful essays shows Rebecca Brown at the height of her imaginative and intuitive powers. A wry, incisive social and literary critique is couched in a gonzo mix of pop culture, autobiography, fiction, literary history, misremembered movie plots, and fantasy that plays with the notion of what it is to be "American." Fantastical connections and unlikely meetings span the course of America's cultural history in a manic remix, featuring appearances by Brian Wilson, Gertrude Stein, Nathaniel Hawthorne, the Invisible Man, the Abligensian Crusade, John Wayne, Felix Mendelssohn, JFK, Shane, and God. Rebecca Brown's books include: The Gifts of the Body, The Last Time I Saw You, The Haunted House, Terrible Girls, and The End of Youth.

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The nameless narrator of The Dogs: A Modern Bestiary lives in her studio apartment with a pack of Doberman pinchers. The dogs, led by the cruel, charismatic bitch named Miss Dog, alternate between being brutal attack animals and loyal companions, being real and otherworldly. Some chapters draw upon the ecstatic and horrifying visions of Christian mystics; others take place in the landscapes of familiar fairytales; others in the banal settings of the late-night pick-up bars or suburban picnics. The narrator uneasily inhabits these worlds until the dogs force her to take irrevocable action. "A snarling attack on the fairytale form. A good girl's fears of inadequacy materialize as a pack of vicious dogs."--Publishers Weekly "A strange and wonderful first-person voice emerges from the stories of Rebecca Brown, who strips her language of convention to lay bare the ferocious rituals of love and need."--The New York Times "Using unsentimental language that slices, pries and exposes layers of emotion and sexuality as a scalpel does a body, Brown veers into the uncharted territory." --The San Francisco Chronicle "I read everything Rebecca Brown writes, watch for her books and hunt down her short stories. She is simply one of the best contemporary lesbian writers around."--Dorothy Allison "A dry, witty, graceful--if savage--gift."--Mary Gaitskill Rebecca Brown is the author of other fictions, including The Terrible Girls, Annie Oakley's Girl, and The Gifts of the Body. She is the winner of the 2003 Washington State Book Award, and was awarded a Genius Award and grant from Seattle's weekly magazine, The Stranger. She lives in Seattle.

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A quirky framing of the Civil War grounded in solid scholarship. The Brown twin sisters have built historical dioramas to tell the story of the Civil War with an unexpected twist. The thousands of Union and Confederate soldiers depicted in the battles and scenes are cats! Little Round Top, Pickett’s Charge, Andersonville come to life in this fun, fanciful, solidly researched and highly visual representation of the War. The cats pull you in, and soon you’ll find you’re immersed and engaged, learning details and gaining a new and different perspective.

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Asian Art is the first comprehensive anthology of important primary documents and key contemporary scholarship on Asian art history. Traces the rich artistic traditions in China, Japan, Korea, India, and Southeast Asia across time periods, media, cultural contexts, and geography - from the terracotta armies of the First Emperor of Qin to late 20th-century installation art Covers both imperially commissioned works and popular, vernacular art Includes an accessible introduction which provides suggestions of thematic connections across the vast array of visual culture and historical time covered Captures the diversity and depth of Asian art through primary documents - from inscriptions and imperial decrees to writings by artists and travellers - and through examples of the very best scholarship in the field Features introductory material for each extract, an easy-to-navigate chronological structure, and has been extensively tested by the editors and their colleagues in classrooms.

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Asian Art is the first comprehensive anthology of important primary documents and key contemporary scholarship on Asian art history. Traces the rich artistic traditions in China, Japan, Korea, India, and Southeast Asia across time periods, media, cultural contexts, and geography - from the terracotta armies of the First Emperor of Qin to late 20th-century installation art Covers both imperially commissioned works and popular, vernacular art Includes an accessible introduction which provides suggestions of thematic connections across the vast array of visual culture and historical time covered Captures the diversity and depth of Asian art through primary documents - from inscriptions and imperial decrees to writings by artists and travellers - and through examples of the very best scholarship in the field Features introductory material for each extract, an easy-to-navigate chronological structure, and has been extensively tested by the editors and their colleagues in classrooms.

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The relationship between writers and artists has long been a collaborative one. Plato used the word ekphrasis to describe what happens when a writer writes creatively, as opposed to critically, about art. Gertrude Stein claimed that her innovative writing style was inspired by the paintings of Cézanne -- and then went on to tell Hemingway to study Cézanne if he wanted to learn to write. In Looking Together, a dozen writers working in a range of styles and forms respond to works of art held in the permanent collection of Seattle's Frye Art Museum or exhibited there. Romantic and ironic, meticulously researched and fanciful, these poems, stories, monologues, and tales are invitations to any curious reader or lover of art to look again at what we see. "Sometimes what artists want to explore is something created by another artist. Making art about something created by another human being is a way to engage intimately with how another human being believes or sees or feels or thinks or wants. It can also be really fun." -- From the Introduction by Rebecca Brown

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