Search results for ""Author Raymond Tallis""

Since the time of the Ancient Greeks, philosophers have pondered on the nature and purpose of the arts, but artists have gone on making them and audiences enjoying them regardless of these musings. None of their theories have met with universal or even popular acceptance. But here is theory that places the arts - all the arts - firmly and squarely within everyone's everyday experiences. Summers of Discontent goes to the heart of the arts. It's an examination of why artists create them in the first place and why we all feel the need for them. Tallis thinks the arts spring from our inability as humans fully to experience our experiences; from our hunger for a more rounded, more complete sense of the world. Tallis's thesis is original and fresh, down-to-earth and life-enhancing. Above all it is practical and intelligible. It will inspire anyone who feels the creative urge today, or anyone who wants to understand why and how the arts enrich their lives and those of others.

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In The Hand, the first volume of his trilogy, Raymond Tallis looked at how humans have overcome the constraints of biology. The second volume, I Am, focused on two crucial aspects of the escape from being a mere organism: selfhood and agency. This, the final volume in the trilogy, argues that knowledge is unique to human beings and sufficiently important to call man 'the knowing animal'. Raymond Tallis examines the profound difference between knowledge 'That things are the case' and mere sentience. He criticises both accounts of knowledge that marginalise the consciousness of the knower and naturalistic accounts that assimilate knowledge to sense experience and, ultimately, neural activity. He argues that knowledge arises because humans are embodied subjects and not just organisms: knowing subjects know both about events in the material world which they can perceive as well as non-material 'facts'. It is because knowledge is relatively 'uncoupled' from the material world that active inquiry, reason-directed behaviour and deliberate manipulation of nature are possible. A critique of evolutionary psychology examines these phenomena and looks at the replacement of animal 'appetites' with propositional 'attitudes', at carnal knowledge and at explicit awareness of death. The various ways humans have dealt with the 'wound' opened in consciousness by knowledge - religion, art and philosophy - are also discussed. The Knowing Animal completes a trilogy that aims to revolutionise our understanding of what it is to be a human being without recourse to theology and supernatural explanations on the one hand or scientism and naturalistic explanations on the other. Features: *The question of humankind's unique ability to know things is covered in this volume and follows on from Ray Tallis' inquiry into humankind's unique 'handedness' (The Hand) and ability to reflect on itself (I Am) - he has explore our ability to know, to hold and handle things and to think of our own being. *The book provides a fascinating philosophical insight about the way humankind comes to know the things it does (as opposed to having sensations) because it (humankind) has awareness of itself. *It also provides a critique of other theories of knowledge. * The book continues Ray Tallis' argument that humans are distinctly different from animals while yet being creatures.

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From the act of blushing and the amount of manganese in our tears (tears of pain contain more than tears of distress) to the curiousness of a kiss, The Kingdom of Infinite Space explores the astonishing range of activities that go on inside our heads, most of which are entirely beyond our control. After escorting his readers on a fantastic voyage through every chamber of the head and brain, Raymond Tallis demonstrates that not only does consciousness not reside between our ears, but that our heads are infinitely cleverer than we are.

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What are the origins of human difference? The Hand, which is the first part of a bold philosophical inquiry into the nature of the difference between human beings and other animals, argues that it is the result of a complex sequence of events which began several million years ago with the evolution of the human hand. Possession of a fully developed hand profoundly transformed the relationship of the human being to its own body, thus altering the relationship between humans and the natural world. The interaction of the hand with the rest of the body brought about self-consciousness and laid the foundations for the unique sense of agency that is experienced by humans. Crucially, the hand inspired the tool-use that has come to dominate human life and which has led to the emergence of the complex symbolic systems - most importantly language - that underpin civilisation. The book also celebrates the hand in human life: the almost miraculous complexity of its manipulative, exploratory and communicative functions. Raymond Tallis combines philosophical reflection with a light-hearted look at gestures, the role of each finger, the origins of numbers - and the case for and against what he names 'handkind'. The Hand is the first of three volumes. The other titles are I Am: A Philosophical Inquiry into First-Person Being and The Knowing Animal: A Philosophical Inquiry into Truth and Knowledge.

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The Coalition Government passed into law an unprecedented assault on the NHS. Doctors, unions, the media, even politicians who claimed to be stalwart defenders failed to protect it. Now the effect of those devastating reforms are beginning to be felt by patients – but we can still save our country’s most valued institution if we take lessons from this terrible betrayal and act on them. Contributors to this eye-opening dissection include Dr Jacky Davis, Oliver Huitson, Dr John Lister, Stewart Player, Prof. Allyson Pollock, David Price, Prof. Raymond Tallis, Dr Charled West and Dr David Wrigley. Proceeds from the profits of this book will go to Keep Our NHS Public (www.keepournhspublic.com).

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