Search results for ""Author Raphael""

Our dreams can be wild, beautiful, and sometimes just bizarre, but what do they mean? First published in the 19th century, but now updated and revised for modern readers, The Dream Book is your guide to untangling the meaning of every midnight reverie. The Dream Book includes two ways to make sense of your dreams. First, guided by your intuition, you’ll learn to create a unique cipher that will guide you to the meaning of your dream. The second part of the book features a dictionary of symbols — from camels to kisses, kittens to coffee (don’t worry, your dream latte portends great happiness) — and their meanings. Beautiful and baffling, sacred and scary, The Dream Book is a lighthearted guide to deciphering the meaning of every dream.

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This book is recognised by astrologers as the most accurate and reliable ephemeris and aspectarian. It is being published annually since 1819. As interest in astrology grows, so too have the sales of this accurate working tool.Every astrologer preparing accurate birth charts needs the information in this book. It is widely recognised in its classic livery as a proven record of reliability and accuracy. "Raphael's Ephemeris" should be displayed in every astrology outlet, general bookshop and mind, body, spirit outlet for maximum sales. It contains daily longitudes of all the planets, tables of houses for London, Liverpool and New York, plus a complete lunar and planetary aspectarian.

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In this monumental work, Raphael Patai opens up an entirely new field of cultural history by tracing Jewish alchemy from antiquity to the nineteenth century. Until now there has been little attention given to the significant role that Jews played in the field of alchemy. Here, drawing on an enormous range of previously unexplored sources, Patai rev

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One of the world’s most multicultural cities, twentieth-century Cairo was a magnet for the ambitious and talented. During the 1920s and ’30s, a vibrant music, theater, film, and cabaret scene flourished, defining what it meant to be a “modern” Egyptian. Women came to dominate the Egyptian entertainment industry—as stars of the stage and screen but also as impresarias, entrepreneurs, owners, and promoters of a new and strikingly modern entertainment industry. Raphael Cormack unveils the rich histories of independent, enterprising women like vaudeville star Rose al-Youssef (who launched one of Cairo’s most important newspapers); nightclub singer Mounira al-Mahdiyya (the first woman to lead an Egyptian theater company) and her great rival, Oum Kalthoum (still venerated for her soulful lyrics); and other fabulous female stars of the interwar period, a time marked by excess and unheard-of freedom of expression. Buffeted by crosswinds of colonialism and nationalism, conservatism and liberalism, “religious” and “secular” values, patriarchy and feminism, this new generation of celebrities offered a new vision for women in Egypt and throughout the Middle East.

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Written for the student or professional interested in programming language design, this new book examines a wide range of programming language paradigms and issues, interspersing the discussion of these models with in-depth coverage of the key languages to reinforce them. The author begins his presentation with control structures and types, and then introduces the reader to seven programming paradigms: imperative, functional, object-oriented, dataflow, concurrent, logic, and aggregate-based. He concludes the book with a discussion of formal syntax and semantics.

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Hatred, Lies, and Violence in the World of Islam examines the torrential flood of anti-Israeli, anti-Jewish, and anti-Zionist propaganda that permeates many Muslim societies. Raphael Israeli locates the source of this anti-Semitic sentiment in the inadequacies and insecurities of Muslim states. By demonizing and delegitimizing Israel and Jews, they seek to eliminate a successful counterexample of their own failures, thus putting an end to their own "humiliation."Beyond mapping the distribution of anti-Israel and anti-Jewish propaganda in the Arab and Islamic worlds, Israeli uses case-studies to illustrate the premises of this study: the Palestinians, who have a direct stake in battling Israel; Turkey, which now claims leadership of the Arab and Sunni Muslim worlds; and Shi'ite Iran, which provides a more extreme example of both hatred and disregard for fact and history while threatening to destroy Israel.Israeli documents the worldwide collaboration between Jew-haters of all sorts, explaining the exponential growth of Jew-hatred on the Internet, with thousands of new hate sites added every year, outpacing Jew-hatred in the traditional media. He places anti-Semitism in a broader tradition of political lies and political deceit. In the final chapter, Israeli considers the possibility of reversing anti-Jewish agitation in Muslim countries, which he finds unlikely because so many of the region's regimes are built on foundations of anti-Semitism.

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Globalization is characterised by persistent poverty and growing inequality. Conventional wisdom has it that this global poverty is residual – as globalization deepens, the poor will be lifted out of destitution. The policies of the World Bank, the IMF and the WTO echo this belief and push developing countries ever deeper into the global economy. Globalization, Poverty and Inequality provides an alternative viewpoint. It argues that for many – particularly for those living in Latin America, Asia and Central Europe – poverty and globalization are relational. It is the very workings of the global system which condemn many to poverty. In particular the mobility of investment, and the large pool of increasingly skilled workers in China and other parts of Asia, are driving down global wages. This poses challenges for policy makers in firms and countries throughout the world. It also challenges the very sustainability of globalisation itself. Are we about to witness the implosion of globalisation, as occurred between 1913 and 1950? Using a variety of theoretical frameworks and drawing on a vast amount of original research, this book will be an invaluable resource for all students of globalization and its effects.

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Globalization is characterised by persistent poverty and growing inequality. Conventional wisdom has it that this global poverty is residual – as globalization deepens, the poor will be lifted out of destitution. The policies of the World Bank, the IMF and the WTO echo this belief and push developing countries ever deeper into the global economy. Globalization, Poverty and Inequality provides an alternative viewpoint. It argues that for many – particularly for those living in Latin America, Asia and Central Europe – poverty and globalization are relational. It is the very workings of the global system which condemn many to poverty. In particular the mobility of investment, and the large pool of increasingly skilled workers in China and other parts of Asia, are driving down global wages. This poses challenges for policy makers in firms and countries throughout the world. It also challenges the very sustainability of globalisation itself. Are we about to witness the implosion of globalisation, as occurred between 1913 and 1950? Using a variety of theoretical frameworks and drawing on a vast amount of original research, this book will be an invaluable resource for all students of globalization and its effects.

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The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition. In lucid prose, Raphael Falco demonstrates the similarity between what Renaissance writers called imitatio and the way Dylan borrows, digests, and transforms traditional songs. Although Dylan’s lyrical postures might suggest a post-Romantic, “avant-garde” consciousness, No One to Meet shows that Dylan’s creative process borrows from and creatively expands the methods used by classical and Renaissance authors. Drawing on numerous examples, including Dylan’s previously unseen manuscript excerpts and archival materials, Raphael Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan’s musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan’s songs and allows us to celebrate him as what he truly is: a great writer.

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The continuation of Paul Nogier's findings Auriculotherapy is based on proven correspondences between locations on the external ear and the internal organs and systems of the body. The ear acts like an input/output terminal in direct contact with the central nervous system. Information on viscerosomatic states can be accessed via visual clues, skin electro-conductivity, and pressure sensitivity at specific points. The first part of Raphael Nogier's Auriculotherapy shows how acupuncture needles are used in sophisticated and powerful therapeutic interventions. The second part introduces the principles and practice of auriculomedicine, a true frequency medicine that evolved from Dr. Paul Nogier's auriculotherapy, his discovery of the VAS (Vascular Autonomic Signal) in the pulse and his consequent observations of the diagnostic and therapeutic properties of radiant light frequencies on the skin. The material presented here builds on and updates the work of the author's father, Dr. Paul Nogier, who scientifically explored and charted the auricular microsystems in the 1950s. A serviceable, contemporary work for students of acupuncture as well as practitioners, offering clear and practical information to be applied directly for the benefit of patients.

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As the first person of mixed race with dreadlocks to be a reporter for the British Broadcasting Corporation, on both television and radio (Today Programme, Six O'clock News, Panorama and The One Show) I helped re-write the rules on what makes an international BBC correspondent. I am an experienced undercover and investigative journalist and presenter on both prime-time television and international platforms such as Netflix. Yet it is being an inspiration to an under-served and diverse audience across the globe that inspires me. I broke the mold on what an international reporter looks like, sounds like and has as a background; I am proud of the fact that in doing so I inspire others. Less than a year later I began a new career as a journalist and broadcast reporter for the BBC, starting at the Today programme, the pinnacle of BBC Radio 4. I had a voice, and I was lucky enough to be allowed to use it. There were many other reporters, but none were ex prisoners, non had dreadlocks and non were mixed race. From this most prestigious and influential show I moved to television reporting in 2003 for BBC1's The Six O'Clock News. This is the pinnacle of prime-time television, and here I was, dreadlocks and mixed race, with a long stretch of my life lost to incarceration and fighting to prove my innocence. Not exactly the stereotypical BBC reporter! However, it was precisely this that propelled my career even further and between 2004 and 2006 I made hard hitting documentaries for BBC2 and BBC3, covering issues such as serial killers, knife crime, drugs, corrupt UN peacekeepers, enviromental crime and terrorism. One of my investigations played a pivotal part in freeing a man convicted of the assasination of a high profile BBC celebrity. The BBC recognised that I have tenacity, courage and the life experience that most investigative journalists can only read about, and I became a correspondent for the prestigious Panorama show. This is World's longest running current affairs TV series and once again I was the first ex-prisoner and person of colour, with dreadlocks, to have achieved such a position. This was a far cry from those years in prison cells, fighting to prove I did not commit the crimes of which I was accused. I was now able to use that experience and the skills it taught me of patience and perseverance to become a recognised household name. My work has taken me to some of the world's most dangerous places, but I thrive on it. At times I had to operate undercover to expose injustice and crime. I smuggled conflict diamonds to show how the system was corrupted, secretly filmed Congolese militia rebels to expose their ruthless tactics and threw light on the illegal international logging and deforestation of some of the World's most precious resources. In undertaking that particular assignment I risked my own life to save the life of an orangutan and I would do it again in a heartbeat. I currently host Inside the World's Toughest Prisons on Netflix. Even with my experiences of life inside behind me, and my position as a free and innocent man confirmed, it has been one hell of a discovery. People ask me why go back into maximum security prisons, as an innocent man, after fighting for so many years to get out? "I am scarred by my life experience but I have not allowed it to hold me back."

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Have you ever stopped to consider what goes into a painting beyond what you can see? Welcome to a fascinating journey of discovery... The Geometry of the Last Supper skilfully blends the worlds of Renaissance art, geometry and symbolism, allowing the reader to uncover, for the very first time, the simple and delicate geometry at play in the composition of Leonardo da Vinci’s masterpiece. Never before has a single and unified solution been proposed to explain the making of the Last Supper. During the Renaissance, symbolic significance was ascribed to geometrical shapes. These symbols, such as those encountered in The Geometry of the Last Supper, have an ancient history, deeply rooted in a tradition that goes back to Pythagoras and beyond. Thanks to them, the geometry presented in this book comes to life as the inner message of the Last Supper is revealed. Once the meaning of the geometry becomes clear, you will be left with the feeling of having been let into a priceless secret. Ideal for any art-lovers or any reader who enjoys looking behind the layers.

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Mickey is angry all the time: at his divorced parents, at his sister, and at his two new step-mums, both named Charlie. And so he can’t resist the ad inside his pack of gum: “Do you ever wish everyone would go away? Buy The Anti-Book! Satisfaction guaranteed.” He orders the book, but when it arrives, it’s blank - except for one line of instruction: To erase it, write it. He fills the pages with all the things and people he dislikes… Next thing he knows, he’s wandering an anti-world, one in which everything and everyone familiar is gone. Or are they? His sister soon reappears - but she’s only four inches tall. A tiny talking house with wings looks strangely familiar, as does the mysterious half-invisible boy who seems to think that he and Mickey are best buds. The boy persuades Mickey to go find the Bubble Gum King - the king, who resides at the top of a mountain, is the only one who might be able help Mickey fix the mess he’s made.

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The totalizing scope of the combined effects of computerization and the worldwide network are the subject of the essays in The Digital Nexus, a volume that responds to McLuhan’s request for a “special study” of the tsunami-like transformation of the communication landscape. These critical excursions provide analysis of and insight into the way new media technologies change the workings of social engagement for personal expression, social interaction, and political engagement. The contributors investigate the terms and conditions under which our digital society is unfolding and provide compelling arguments for the need to develop an accurate grasp of the architecture of the Web and the challenges that ubiquitous connectivity undoubtedly delivers to both public and private life.

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1920s Cairo: singers were pressing hit records, dramatic troupes were springing up and cabarets were packed - a counterculture was on the rise. In bars, hash-dens and music halls, people of all backgrounds came together as a passionate group of artists captivated Egyptian society. Of these performers, Cairo's biggest stars were female, and they asserted themselves on the stage like never before. Two of the most famous troupes were run by women; Badia Masabni's dancehall became the hottest nightspot in town; pioneer of Egyptian cinema Aziza Amir made her stage debut; and legendary singer Oum Kalthoum first rose to fame. It is these women, who knew both the opportunities and prejudices that this world offered, who best reveal this cosmopolitan and raucous city's secrets. Midnight in Cairo tells the thrilling story of Egypt's interwar nightlife and entertainment industry through the lives of its pioneering women. Introducing an eccentric cast of characters, it brings to life a world of revolutionary ideas and provocative art - one which laid the foundations of Arab popular culture today. It is a story of modern Cairo as we have never heard it before.

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Early one morning among the magnificent honey-coloured buildings of the Sorbonne, the tranquillity of the university is shattered by a death. But why would Albert Cadas, a quiet, crumpled professor of medieval literature, have any reason to kill himself? Meanwhile in another part of Paris, Valentine Savi, a talented young restorer, receives a visit in her studio from an enigmatic elderly gentleman with a unique commission: to restore a priceless medieval palimpsest whose timeworn pages promise to reveal the truth of a mystery that has fascinated scholars and writers for hundreds of years. Valentine soon learns that the shadowy figures who seek to possess the secrets of the manuscript are far darker and more ruthless than she could ever have imagined...Together with her friend Hugo Vermeer -- aristocrat, epicure and incorrigible wheeler-dealer -- and David Scotto, Cadas's doctoral student, Valentine finds herself on a terrifying and thrilling adventure through the narrow streets and gloomily palatial mansions of the Latin Quarter.

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