Search results for ""Author Ralph Manheim""

Four essays on the psychological aspects of art. A study of Leonardo treats the work of art, and art itself, not as ends in themselves, but rather as instruments of the artist's inner situation. Two other essays discuss the relation of art to its epoch and specifically the relation of modern art to our own time. An essay on Chagall views this artist in the context of the problems explored in the other studies.

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Prometheus the god stole fire from heaven and bestowed it on humans. In punishment, Zeus chained him to a rock, where an eagle clawed unceasingly at his liver, until Herakles freed him. For the Greeks, the myth of Prometheus's release reflected a primordial law of existence and the fate of humankind. Carl Kerenyi examines the story of Prometheus and the very process of mythmaking as a reflection of the archetypal function and seeks to discover how this primitive tale was invested with a universal fatality, first in the Greek imagination, and then in the Western tradition of Romantic poetry. Kerenyi traces the evolving myth from Hesiod and Aeschylus, and in its epic treatment by Goethe and Shelley; he moves on to consider the myth from the perspective of Jungian psychology, as the archetype of human daring signifying the transformation of suffering into the mystery of the sacrifice.

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Herman Hesse remained clear-sighted and consistent in his political views and his passionate espousal of pacifism and the bloody absurdity of war from the start of the First World War to the end of his life. He wrote the earliest essay in this book in September 1914, before he cemented his fame with the novels Steppenwolf and Siddhartha, and continued writing a stream of letters, essays and pamphlets throughout the war. In his native Germany his views earned him the labels 'traitor' and 'viper', but after World War II he was moved to reiterate his beliefs in another series of essays and letters.If the War Goes On . . . resonates as strongly today as it did when originally published and begs the question: have our politicians learnt nothing in the last seventy years?

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This survey of North African history challenges both conventional attitudes toward North Africa and previously published histories written from the point of view of Western scholarship. The book aims, in Professor Laroui's words, "to give from within a decolonized vision of North African history just as the present leaders of the Maghrib are trying to modernize the economic and social structure of the country." The text is divided into four parts: the origins of the Islamic conquest; the stages of Islamization; the breakdown of central authority from the sixteenth to the eighteenth centuries; and the advent of colonial rule. Drawing on the methods of sociology and political science as well as traditional and modern historical approaches, the author stresses the evolution marked by these four stages and the internal forces that affected it. Until now, the author contends, North African history has been written either by colonial administrators and politicians concerned to defend foreign rule, or by nationalist ideologues. Both used an old-fashioned historiography, he asserts, focusing on political events, dynastic conflicts, and theological controversies. Here, Abdallah Laroui seeks to present the viewpoint of a Maghribi concerning the history of his own country, and to relate this history to the present structure of the region. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Read the book that inspired the classic coming-of-age film! From award-winning German author Michael Ende, The Neverending Story is a classic tale of one boy and the book that magically comes to life. When Bastian happens upon an old book called The Neverending Story, he's swept into the magical world of Fantastica--so much that he finds he has actually become a character in the story! And when he realizes that this mysteriously enchanted world is in great danger, he also discovers that he is the one chosen to save it. Can Bastian overcome the barrier between reality and his imagination in order to save Fantastica?"An instantaneous leap into the magical . . . Energetic, innovative, and perceptive"—The Washington Post"A trumpet blast for the imagination."—Sunday Times

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WINNER OF THE NOBEL PRIZE FOR LITERATURE'One of Europe's great writers' Karl Ove KnausgaardOne evening Marianne, a suburban housewife living in an identikit bungalow, is struck by the realization that her husband will leave her. Whether at that moment, or in years to come, she will be deserted. So she sends him away, knowing she must fend for herself and her young son. As she adjusts to her disorienting new life alone, what she thought was fear slowly starts to feel like freedom.'Knifelike clarity of evocation ... Handke is a kind of nature poet, a romantic whose exacerbated nerves cling like pained ivy to the landscape' John UpdikeTranslated by Ralph Manheim

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"A clearly intelligent synthesis of the work of this important psychologist. . . . The reader has within the compass of two covers the 'system' of this prolific writer."—Education Abstracts"A well organized and highly coherent summary."—Saturday Review Dr. C. G. Jung never took time out from his pioneering work in psychology to make a concise presentation of the elements of his psychological theories. Dr. Jolande Jacobi's synthesis--applauded by Jung in his Foreword--presents a comprehensive review of the central context of Jung's system by a student and colleague who worked closely with him for many years.

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"Henry Corbin's works are the best guide to the visionary tradition...Corbin, like Scholem and Jonas, is remembered as a scholar of genius. He was uniquely equipped not only to recover Iranian Sufism for the West, but also to defend the principal Western traditions of esoteric spirituality."--From the introduction by Harold Bloom Ibn 'Arabi (1165-1240) was one of the great mystics of all time. Through the richness of his personal experience and the constructive power of his intellect, he made a unique contribution to Shi'ite Sufism. In this book, which features a powerful new preface by Harold Bloom, Henry Corbin brings us to the very core of this movement with a penetrating analysis of Ibn 'Arabi's life and doctrines. Corbin begins with a kind of spiritual topography of the twelfth century, emphasizing the differences between exoteric and esoteric forms of Islam. He also relates Islamic mysticism to mystical thought in the West. The remainder of the book is devoted to two complementary essays: on "Sympathy and Theosophy" and "Creative Imagination and Creative Prayer." A section of notes and appendices includes original translations of numerous Su fi treatises. Harold Bloom's preface links Sufi mysticism with Shakespeare's visionary dramas and high tragedies, such as The Tempest and Hamlet. These works, he writes, intermix the empirical world with a transcendent element. Bloom shows us that this Shakespearean cosmos is analogous to Corbin's "Imaginal Realm" of the Sufis, the place of soul or souls.

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One of the founders of existentialism, the eminent philosopher Karl Jaspers here presents for the general reader an introduction to philosophy. In doing so, he also offers a lucid summary of his own philosophical thought. In Jaspers’ view, the source of philosophy is to be found “in wonder, in doubt, in a sense of forsakenness,” and the philosophical quest is a process of continual change and self-discovery. In a new foreword to this edition, Richard M. Owsley provides a brief overview of Jaspers’ life and achievement.“An eloquent expression of a great hope that philosophy may again become an activity really relevant not only to the perennial problems of life and death but to the unusual configurations of such problems in our time.”—Julian N. Hartt, Yale Review“Original, sincere, cultivated, and stimulating.”—Philosophy

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WINNER OF THE NOBEL PRIZE FOR LITERATURE'Repetition made a great and, as I have since learned, lasting impression on me' W. G. SebaldFilip Kobal, an Austrian teenager, is on the trail of his missing older brother Gregor, who he never knew. All he has is two of Gregor's books: a school copy book, and a dictionary in which certain words have been marked. As he enters Slovenia on his journey, Filip discovers something else entirely: the transformative power of language to describe the world, and the unnerving joy of being an outsider in a strange land.'One of the most moving evocations I have ever read of what it means to be alive, to walk upon this earth' Gabriel JosipoviciTranslated by Ralph Manheim

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"My mother has been dead for almost seven weeks: I had better go to work before the need to write about her, which I felt so strongly at her funeral, dies away and I fall back into the dull speechlessness with which I reacted to the news of her suicide." So begins Peter Handke's extraordinary confrontation with his mother's death. In a painful and courageous attempt to deal with the almost intolerable horror of her suicide, he sets out to piece together the facts of her life, as he perceives them. What emerges is a loving portrait of inconsolable grief, a woman whose lively spirit has been crushed not once but over and over again by the miseries of her place and time. Yet well into middle age, living in the Austrian village of her birth, she still remains haunted by her dreams.

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No other god of the Greeks is as widely present in the monuments and nature of Greece and Italy, in the sensuous tradition of antiquity, as Dionysos. In myth and image, in visionary experience and ritual representation, the Greeks possessed a complete expression of indestructible life, the essence of Dionysos. In this work, the noted mythologist and historian of religion Carl Kerenyi presents a historical account of the religion of Dionysos from its beginnings in the Minoan culture down to its transition to a cosmic and cosmopolitan religion of late antiquity under the Roman Empire. From the wealth of Greek literary, epigraphic, and monumental traditions, Kerenyi constructs a picture of Dionysian worship, always underlining the constitutive element of myth. Included in this study are the secret cult scenes of the women's mysteries both within and beyond Attica, the mystic sacrificial rite at Delphi, and the great public Dionysian festivals at Athens. The way in which the Athenian people received and assimilated tragedy in its immanent connection with Dionysos is seen as the greatest miracle in all cultural history. Tragedy and New Comedy are seen as high spiritual forms of the Dionysian religion, and the Dionysian element itself is seen as a chapter in the religious history of Europe.

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The Sanctuary of Eleusis, near Athens, was the center of a religious cult that endured for nearly two thousand years and whose initiates came from all parts of the civilized world. Looking at the tendency to "see visions," C. Kerenyi examines the Mysteries of Eleusis from the standpoint not only of Greek myth but also of human nature. Kerenyi holds that the yearly autumnal "mysteries" were based on the ancient myth of Demeter's search for her ravished daughter Persephone--a search that he equates not only with woman's quest for completion but also with every person's pursuit of identity. As he explores what the content of the mysteries may have been for those who experienced them, he draws on the study of archaeology, objects of art, and religious history, and suggests rich parallels from other mythologies.

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Along with Mother Courage, the character of Galileo is one of Brecht's greatest creations, immensely live, human and complex. Unable to resist his appetite for scientific investigation, Galileo's heretical discoveries about the solar system bring him to the attention of the Inquisition. He is scared into publicly abjuring his theories but, despite his self-contempt, goes on working in private, eventually helping to smuggle his writings out of the country.As an examination of the problems that face not only the scientist but also the whole spirit of free inquiry when brought into conflict with the requirements of government or official ideology, Life of Galileo has few equals.Written in exile in 1937-9 and first performed in Zurich in 1943, Galileo was first staged in English in 1947 by Joseph Losey in a version jointly prepared by Brecht and Charles Laughton, who played the title role. Printed here is the complete translation by Brecht scholar John Willett. The much shorter Laughton version is also included in full as an appendix, along with Brecht's own copious notes on the play making this the most trusted scholarly edition of the text.

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The Swiss thinker J. J. Bachofen is most often connected with his theory of matriarchy, or "mother right," but that concept is only a small part of his contribution to our understanding of cultural history. This book includes an autobiographical essay and selections from An Essay on Ancient Mortuary Symbolism, Mother Right, and The Myth of Tanaquil.

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When Céline’s first novel, Journey to the End of the Night was first published in 1932, it created an instant scandal, being extravagantly praised by its supporters and savagely attacked by its horrified opponents. Four years later came the sequel, Death on Credit. Both were a new kind of novel, frank about the author’s thoughts and actions in ways that readers had never encountered, ultra-realistic – and full of incidents that could not possibly be true to life – and characters that stretched the imagination. In Death on Credit, Ferdinand Bardamu, Céline’s alter ego, is a doctor in Paris, treating the poor who seldom pay him but who take every advantage of his availability. The action is not continuous but goes back in time to earlier memories and often moves into fantasy, especially in Bardamu’s sexual escapades; the style becomes deliberately rougher and sentences disintegrate to catch the flavour of the teeming world of everyday Parisian tragedies, the struggle to make a living, illness, venereal disease, the sordid stories of families whose destiny is governed by their own stupidity, malice, lust and greed. This fascinating book by one of the greatest twentieth-century novelists is an unforgettable experience for the reader.

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Death on the Installment Plan is a companion volume to Louis-Ferdinand Céline’s earlier novel, Journey to the End of the Night. Published in rapid succession in the middle 1930s, these two books shocked European literature and world consciousness. Nominally fiction but more rightly called “creative confessions,” they told of the author’s childhood in excoriating Paris slums, of service in the mud wastes of World War I and African jungles. Mixing unmitigated despair with Gargantuan comedy, they also created a new style, in which invective and obscenity were laced with phrases of unforgettable poetry. Céline’s influence revolutionized the contemporary approach to fiction. Under a cloud for a period, his work is now acknowledged as the forerunner of today’s “black humor.”

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First published in 1932, Journey to the End of the Night was immediately acclaimed as a masterpiece and a turning point in French literature. Told in the first person by Celine's fictional alter ego Bardamu, the novel is loosely based on the author's own experiences during the First World War, in French colonial Africa, in the USA and, later, as a young doctor in a working-class suburb in Paris. Celine's disgust with human folly, malice, greed and the chaotic state in which man has left society lies behind the bitterness that distinguishes his idiosyncratic, colloquial and visionary writing and gives it its force.

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In this chronicle of the European Thirty Years War and taking place between the years 1624 and 1636, Mother Courage follows the armies back and forth across Europe, selling provisions and liquor from her canteen wagon to whomever she can. One by one she loses her children to the war but will not part with her livelihood - the wagon. The Berlin production of 1949, with Helene Weigel as Mother Courage, marked the foundation of the Berliner Ensemble. Considered by many to be one of the greatest anti-war plays ever written and Brecht's masterpiece, the play is a powerful example of Epic Theatre and Brecht's use of alienation effect to focus attention not on individual characters but on the issues of the play. This edition published in Methuen Drama's Modern Classics series offers a full introduction as well as Brecht's own notes and textual variants, setting it apart from all other editions available in the English language. The play is presented in John Willett's trusted translation. 'One of the greatest poets and dramatists of our century' (Observer).

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This landmark book explores the Great Mother as a primordial image of the human psyche. Here the renowned analytical psychologist Erich Neumann draws on ritual, mythology, art, and records of dreams and fantasies to examine how this archetype has been outwardly expressed in many cultures and periods since prehistory. He shows how the feminine has been represented as goddess, monster, gate, pillar, tree, moon, sun, vessel, and every animal from snakes to birds. Neumann discerns a universal experience of the maternal as both nurturing and fearsome, an experience rooted in the dialectical relation of growing consciousness, symbolized by the child, to the unconscious and the unknown, symbolized by the Great Mother. Featuring a new foreword by Martin Liebscher, this Princeton Classics edition of The Great Mother introduces a new generation of readers to this profound and enduring work.

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Momo has been one of the ever-changing ragbag of whores’ children at Madame Rosa’s boarding house in Paris ever since he can remember. But when the check that pays for his keep no longer arrives and as Madame Rosa becomes too ill to climb the stairs to their apartment, he determines to support her any way he can. This sensitive, slightly macabre love story between Momo and Madame Rosa has a supporting cast of transvestites, pimps, and witch doctors from Paris’s immigrant slum, Belleville. Profoundly moving, The Life Before Us won France’s premier literary prize, the Prix Goncourt.

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This Student Edition of Brecht's classic satire on the rise of Hitler features an extensive introduction and commentary that includes a plot summary, discussion of the context, themes, characters, style and language as well as questions for further study and notes on words and phrases in the text. It is the perfect edition for students of theatre and literature.Described by Brecht as 'a gangster play that would recall certain events familiar to us all', Arturo Ui is a witty and savage satire of the rise of Hitler -- recast by Brecht into a small-time Chicago gangster's takeover of the city's greengrocery trade. Using a wide range of parody and pastiche - from Al Capone to Shakespeare's Richard III and Goethe's Faust - Brecht's compelling parable continues to have relevance wherever totalitarianism appears today. Written during the Second World War in 1941, the play was one of the Berliner Ensemble's most outstanding box-office successes in 1959, and has continued to attract a succession of major actors, including Leonard Rossiter, Christopher Plummer, Antony Sher and Al Pacino.

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Céline’s masterpiece—colloquial, polemic, hyper realistic—boils over with bitter humor and revulsion at society’s idiocy and hypocrisy: Journey to the End of the Night is a literary symphony of cruelty and violence that hurtles through the improbable travels of the petit bourgeois (and largely autobiographical) antihero, Bardamu: from the trenches of WWI, to the African jungle, to New York, to the Ford Factory in Detroit, and finally to life in Paris as a failed doctor. Ralph Manheim’s pitch-perfect translation captures Céline’s savage energy, and a dynamic afterword by William T. Vollmann presents a fresh, furiously alive take on this astonishing novel.

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