Search results for ""Author Professor Sascha Pöhlmann""
Boydell & Brewer Ltd Future-Founding Poetry: Topographies of Beginnings from Whitman to the Twenty-First Century
An investigation of how American poetry since Whitman makes its beginnings, with what means and to which political and aesthetic ends, and how it addresses fundamental questions about what the future is and how it may be affectednow. Although issues of futurity have become more and more central to literary and cultural studies in recent years, especially in environmental criticism, no scholarly work has yet addressed the topic of beginnings in American poetryin sufficient scope or detail or with adequate theoretical background. This book is a study of how beginnings are made in American poetry, and to what ends. It borrows Walt Whitman's term "future-founding" to establish a theory ofpoetic beginnings that asks how poetry relates to notions of the future and how it imagines, constructs, and influences this future in the present. Furthermore, it seeks to change the way literary scholars think about futurity with regard to American poetry: they most often conceive of it in terms of newness alone, yet a deeper theorization of beginnings must open up new ways of understanding the complexities of this relation. With chapters on Whitman, William Carlos Williams, Langston Hughes, Muriel Rukeyser, Allen Ginsberg, and future-founding poetry after 9/11, this book explains how American poetry makes its beginnings, with what means and to which political and aesthetic ends, and how it addresses fundamental questions about what the future is and how it may be affected now. Sascha Pöhlmann is Associate Professor of American Literary History at Ludwig-Maximilians-University, Munich.
£103.50
Boydell & Brewer Ltd Vote with a Bullet: Assassination in American Fiction
Conceptualizes the genre of American assassination fiction as a dramatization of the tension between individualism and mass society in US culture. Vote with a Bullet is the first systematic study of assassination in American fiction. It proffers not only a fundamental overview of the genre but also an argument about its larger cultural, aesthetic, and political significance in the present moment as well as in the respective historical contexts of the works themselves. The study argues that American assassination fiction is a symbolic condensation of the larger conflict between individual and society that is at the heart of modern democracy, and that has been especially contested in the democratic culture of the US. Starting with Henry James's The Princess Casamassima (1886) and ending with Noah Hawley's The Good Father (2012), the chapters analyze twelve works ranging from canonical classics to popular genre fiction. A conclusion considers Thomas Pynchon's Against the Day (2006). The book describes the loose continuum of assassination fiction as an imaginary laboratory in which fantasies of individual empowerment and social unity play out in different ways, negotiating the tension between individualism and mass society in a democracy that is based on the former but must restrict it to preserve the latter. Furthermore, the study connects the imaginary of assassination with a variety of related themes such as hegemonic masculinity and whiteness, electoral and non-electoral political choice, agency panic, subjectivity, as well as conspiracies and conspiracy theory.
£76.50
