Search results for ""Author Professor Linne R. Mooney""

The Library of Trinity College, Cambridge, contains the largest collection of medieval manuscripts of any college in Great Britain, and one of the most important collections in the world. The subjects contained therein cover the whole range of topics usual to medieval manuscripts, with the single bias being that the majority were produced in Britain. Particularly noteworthy are Wycliffite translations of the Bible, sermons, and Wycliffite tracts; three manuscripts containing Nicholas Love's 'Mirror of the Blessed Lif of Ihesu Crist'; and major collections of devotional texts. Trinity is also rich in medieval scientific manuscripts, many of which came through Roger Gale's interest in this field; they include a number of large medical manuscripts whose compilers were apparently trying to bring together much of the current knowledge of the day, from tracts by such men as John of Arderne and Gilbertus Angelicus, with recipes for treatments, under a single cover. The collection also contains major compilations of alchemical tracts; historical and legal material; and unique Middle English translations of classical and early medieval texts. Finally, a number of known Middle English texts not previously thought to be in the Trinity Collection are identified, opening new areas for study of Trinity's manuscripts, especially the medical and scientific texts which have much to tell of scientific learning in England in the later middle ages. LINNE R. MOONEY is Associate Professor of English at the University of Maine (and a former graduate of the Center for Medieval Studies at Toronto).

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Winner of the 2022 John Hurt Fisher Award from the John Gower Society First comprehensive catalogue of the manuscripts of one of the most important medieval works, with full descriptions of their features. The Confessio Amantis is John Gower's major work in English, written around the time that his acquaintance Geoffrey Chaucer was writing the Canterbury Tales. Extant manuscripts are numerous. At the end of the nineteenth century G. C. Macaulay had described the forty manuscripts then known to survive in the introduction to his edition, but some of these descriptions were very brief, and of course the other nine of whose existence he was then unaware were not included. This descriptive catalogue of all of the surviving manuscripts containing the Confessio is the first work to bring together extensive detailed descriptions of its forty-nine complete manuscripts and numerous fragments and excerpts; it will enable scholars of Middle English literature and manuscript studies to compare features across the corpus of surviving manuscripts or read detailed descriptions of individual manuscripts. Each description in this catalogue covers the manuscript's contents, artwork, physical qualities such as size, material, collation, foliation, etc., as well as additions by later users and provenance. There is also a lengthy introduction giving an overview of the corpus, and appendices for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts.

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New essays on late medieval manuscripts highlight the complicated network of their production and dissemination. One of the most important developments in medieval English literary studies since the 1980s has been the growth of manuscript studies. Long regarded as mere textual repositories, and treated superficially by editors, manuscripts are now acknowledged as centrally important in the study of later medieval texts. The essays collected here discuss aspects of the design and distribution of manuscripts in late medieval England, with a particular focus on vernacular manuscripts of the late fourteenth, fifteenth and early sixteenth centuries. Those in the first half consider material evidence for scribal decisions about design: these range from analysis of individual codices to broader discussions of particular types of manuscripts, both religious and secular. Later essays look at the evidence for the production and distribution of manuscripts of specific English texts or types of text. These include the major Middle English poems The Canterbury Tales and Piers Plowman, as well as key religious works such as Love's Mirror, Hilton's Scale of Perfection, the Speculum Vitae and The Pricke of Conscience, all of which survive in significant numbers of manuscripts. The comparison of secular and devotional texts illuminates shared networks of production and dissemination, and increases our knowledge of regional and metropolitan book production in the period before printing. Contributors: DANIEL W. MOSSER, JACOB THAISEN, TAKAKO KATO, SHERRY L. REAMES, AMELIA GROUNDS, ALEXANDRA BARRATT, JULIAN M. LUXFORD, LINNE R. MOONEY, MICHAEL G. SARGENT, JOHNJ. THOMPSON, MARGARET CONNOLLY, RALPH HANNA, GEORGE R. KEISER.

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Fresh contributions to the study of medieval manuscripts, texts, and their creators. This exciting collection of essays is centred on late medieval English manuscripts and their texts. It offers new insights into the works of canonical literary writers, including Geoffrey Chaucer, John Gower, William Langland, Walter Hilton and Nicholas Love, as well as lesser-known texts and manuscripts. It also considers medieval books, their producers, readers, and collectors. It is thus a fitting tribute to one the foremost scholars of the history of the book, Professor Toshiyuki Takamiya, whom it honours. Simon Horobin is Professor of English Language and Literature at the University of Oxford; Linne Mooney is Professor of Medieval English Palaeography in the Department of English and Related Literature at the University of York. Contributors: Timothy Graham, Richard Firth Green, Carrie Griffin, Gareth Griffith, Phillipa Hardman, John Hirsh, Simon Horobin, Terry Jones, Takako Kato, Linne R. Mooney, Mary Morse, James J. Murphy, Natalia Petrovskaia, Susan Powell, Ad Putter, Michael G. Sargent, Eric Stanley, Mayumi Taguchi, Isamu Takahashi, Satoko Tokunaga, R.F. Yeager

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