Search results for ""Author Professor Alastair J. Alastair J. Minnis""
Boydell & Brewer Ltd Chaucer's Boece and the Medieval Tradition of Boethius
Chaucer's translation of Boethius' work is related to medieval intellectual culture, with attention to Trevet's Boethius commentary. This collection seeks to locate the Boece within the medievaltradition of the academic study and translation of the Consolatiophilosophiae, thereby relating the work to the intellectual culturewhich made it possible.It begins with the fullest study yet undertakenof the Boethius commentary of Nicholas Trevet, this being a majorsource of the Boece. There follow editions and translationsof the major passages in Trevet's commentary whereNeoplatonic issuesare confronted, then Chaucer's debt to Trevet is assessed in a detailedreview. The many choices which faced Chaucer as a translator are indicated and the Boeceis placed in a long line of interpreters of Boethius in which both Latin commentators and vernacular translators played their parts. Finally, a view is offered of the Boece as anexample of late-medieval `academic translation': if the Boeceis assigned to this genre, it may be judged a considerable success.
£70.00
York Medieval Press Medieval Theology and the Natural Body
New interdisciplinary essays on the treatment of the body in medieval theology. The attitudes towards the human body held by different branches of medieval theology are currently a major focus of scholarly attention. This first volume from York Medieval Press includes studies of the metaphor of man as head and woman as body, Abelard, women and Catharism, the female body as an impediment to ordination, women mystics, and the University of York's 1995 Quodlibet Lecture given by Eamon Duffy on the early iconography and "lives" of St Francis of Assisi. PETER BILLER is Professor of Medieval History at the University of York; A.J. MINNIS is Douglas Tracy Smith Professor of English, Yale Univesrity. Contributors: PETER BILLER, ALCUIN BLAMIRES, DAVID LUSCOMBE, W.G. EAST, A.J. MINNIS, DYAN ELLIOTT, ROSALYNN VOADEN, EAMON DUFFY
£75.00
York Medieval Press Handling Sin: Confession in the Middle Ages
Penance and confession were an integral part of medieval religious life; essays explore literary evidence. Penance, confession and their texts (penitential and confessors' manuals) are important topics for an understanding of the middle ages, in relation to a wide range of issues, from medieval social thought to Chaucer's background. These essays treat a variety of different aspects of the topic: subjects include the frequency and character of early medieval penance; the summae and manuals for confessors, and the ways in which these texts (written by males for males) constructed women as sexual in nature; William of Auvergne's remarkable writing on penance; and the relevance of confessors' manuals for demographic history. JOHN BALDWIN's major study `From the Ordeal to Confession', delivered as a Quodlibet lecture, traces the appearance in French romances of the themes of a penitent's contrition, the priest's job in listening, and the application of the spiritual conseil and penitence. PETER BILLER is Professor of Medieval History at the University of York; A.J. MINNIS is Douglas Tracy Smith Professor of English, Yale University. Contributors: PETER BILLER, ROB MEENS, ALEXANDER MURRAY, JACQUELINE MURRAY, LESLEY SMITH, MICHAEL HAREN, JOHN BALDWIN
£75.00
York Medieval Press Medieval Obscenities
Obscenity is central to an understanding of medieval culture, and it is here examined in a number of different media. Obscenity is, if nothing else, controversial. Its definition, consumption and regulation fire debate about the very meaning of art and culture, law, politics and ideology. And it is often, erroneously, assumed to be synonymous with modernity. Medieval Obscenities examines the complex and contentious role of the obscene - what is offensive, indecent or morally repugnant - in medieval culture from late antiquity through to the end of the Middle Ages in western Europe. Its approach is multidisciplinary, its methodologies divergent and it seeks to formulate questions and stimulate debate. The essays examine topics as diverse as Norse defecation taboos, the Anglo-Saxon sexual idiom, sheela-na-gigs, impotence in the church courts, bare ecclesiastical bottoms, rude sounds and dirty words, as well as the modern reception and representation of the medieval obscene. They demonstrate not only the vitality of medieval obscenity, but its centrality to our understanding of the Middle Ages and ourselves. Contributors: MICHAEL CAMILLE, GLENN DAVIS, EMMA DILLON, SIMON GAUNT, JEREMY GOLDBERG, EAMONN KELLY, CAROLYNE LARRINGTON, NICOLAMCDONALD, ALASTAIR MINNIS, DANUTA SHANZER
£25.00
