Search results for ""Author Phillip Lopate""

Reader, you have in your hands a motley collection of essays, personal and critical. The advantage of the heterogeneous essay collection by a single author is that it shows you how a particular mind moves through the world. If you are attracted to an essayist's mentality and way of speaking, ideally you can surrender happily to his or her take on various subject matters, the more diverse the better. Let us see how our author will tackle this particular memory, neurotic tic, political or social problem, book, movie, play, comic strip, rock band, without requiring an over-arching theme. If there is a consistent theme in this particular collection, it is the discovery of limitations, and learning to live with them. The recognition of one's limits, painful as it may be, can have salutary side-effects.In my case, it absolves me of the need to be both a hero and a coward, an explorer and a stay-at-home, a saint and a villain, a loyal husband and a Don Juan, a political activist and a skeptic, a spiritual mystic and a rationalist atheist, a performing athlete and a sports fan, a great if excruciatingly self-demanding literary stylist and a prolific if merely good-enough writer.

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“Over the years I have developed a distaste for the spectacle of joie de vivre, the knack of knowing how to live,” begins the title essay by Phillip Lopate. This rejoinder to the cult of hedonism and forced conviviality moves from a critique of the false sentimentalization of children and the elderly to a sardonic look at the social rite of the dinner party, on to a moving personal testament to the “hungry soul.” Lopate’s special gift is his ability to give us not only sophisticated cultural commentary in a dazzling collection of essays but also to bring to his subjects an engaging honesty and openness that invite us to experience the world along with him. Also included here are Lopate’s inspiring account of his production of Chekhov’s Uncle Vanya with a group of preadolescents, a look at the tradition of the personal essay, and a soul-searching piece on the suicide of a schoolteacher and its effect on his students and fellow teachers. By turns humorous, learned, celebratory, and elegiac, Lopate displays a keen intelligence and a flair for language that turn bits of common, everyday life into resonant narrative. This collection maintains a conversational charm while taking the contemporary personal essay to a new level of complexity and candor.

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Notes on Sontag is a frank, witty, and entertaining reflection on the work, influence, and personality of one of the "foremost interpreters of ...our recent contemporary moment." Adopting Sontag's favorite form, a set of brief essays or notes that circle around a topic from different perspectives, renowned essayist Phillip Lopate considers the achievements and limitations of his tantalizing, daunting subject through what is fundamentally a conversation between two writers. Reactions to Sontag tend to be polarized, but Lopate's account of Sontag's significance to him and to the culture over which she loomed is neither hagiography nor hatchet job. Despite admiring and being inspired by her essays, he admits a persistent ambivalence about Sontag. Lopate also describes the figure she cut in person through a series of wry personal anecdotes of his encounters with her over the years. Setting out from middle-class California to invent herself as a European-style intellectual, Sontag raised the bar of critical discourse and offered up a model of a freethinking, imaginative, and sensual woman. But while crediting her successes, Lopate also looks at how her taste for aphorism and the radical high ground led her into exaggerations that could do violence to her own common sense, and how her ambition to be seen primarily as a novelist made her undervalue her brilliant essays. Honest yet sympathetic, Lopate's engaging evaluation reveals a Sontag who was both an original and very much a person of her time.

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Set against a vividly depicted background of fin de siécle New York, this novel centers on the conflict between a self-made millionaire and a fervent social revolutionary-a conflict in which a man of goodwill futilely attempts to act as a mediator, only to be forced himself into a crisis of conscience. Here we see William Dean Howells's grasp of the realities of the American experience in an age of emerging social struggle. His absolute determination to fairly represent every point of view is evident throughout this multifaceted work. Both a memorable portrait of an era and a profoundly moving study of human relationships, A Hazard of New Fortunes fully justifies Alfred Kazin's ranking of Howells as "the first great domestic novelist of American life."For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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Charles Lamb, one of the most engaging personal essayists of all time, began publishing his Elia essays in the ""London Magazine"" in 1820; they were so immediately popular that a book-length collection was published in 1823. Inventing the persona of ""Elia"" allowed Lamb to be shockingly honest and to gain a playful distance for self-examination. The resulting essays touched upon a wide range of compelling subjects from the humorous ""Dissertation upon Roast Pig"" to the poignantly reflective ""New Year's Eve"". Yet collectively, they also comprise a fascinating personal memoir, veiled under the pseudonymous disguise of Elia. This edition of the text features a foreword by Phillip Lopate and contains useful annotation throughout.

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Philip K. Dick was one of the most incisive, subversive, and entertaining American authors of the last half of the twentieth century. The cinematic adaptations of Dick’s fiction have generated so much interest since Blade Runner’s 1982 release that a comprehensive assessment of these films is necessary. Future Imperfect is the only book to examine the first eight cinematic adaptations of Dick’s fiction in light of their literary sources. In this book, Jason P. Vest explores how filmmakers as diverse as Ridley Scott, Paul Verhoeven, Steven Spielberg, and Richard Linklater have each, in their turn, expanded, extrapolated, and diverged from Dick’s fiction when translating its powerful and challenging insights to the silver screen. Future Imperfect gauges how well the film adaptations of Dick’s work have captured his unique vision of the human future and how deeply his storytelling abilities have influenced the development of science fiction movies from Blade Runner to the present day.

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The 40th anniversary edition of an American classic: a “minority student” pays the cost of social assimilation and academic success with a painful alienation—from his past, his parents, his culture. Exquisitely written, poignant and powerful, unsettling and controversial, this both a profound study of the importance of language and a moving, intimate portrait of a boy struggling to become a man.Forty years ago, readers met the extraordinary writer Richard Rodriguez through the story of his own education. He would go on to win a loyal readership with Days of Obligation: An Argument with My Mexican Father (a finalist for the Pulitzer Prize), Brown: The Last Discovery of America, and Darling: A Spiritual Autobiography. But first came Hunger of Memory, originally published by Godine in 1982. Hunger of Memory is the story of a young Mexican-American, who began school in Sacramento, California knowing just fifty words of English, yet concluded his university studies in the reading room of the British Museum. In between, he fought a dramatic struggle between his public and private self. A longtime resident of San Francisco, and an ardent opponent of easy labels and limited self-conceptions, Rodriguez describes himself as a “queer Catholic Indian Spaniard at home in a temperate Chinese city in a fading blond state in a post-Protestant nation.” Resisting the easy way of following received dogmatic and conventional thought, Rodriguez has also encountered hostility for his provocative positions on issues such as affirmative action and bilingual education. But the extraordinary clarity of his iconoclastic writing—the surprising twists in his thinking, the view of public policy as it limits individual lives, and the story he tells of an American education—have made this book endure for forty years and counting. This edition includes a new afterword by the author as well as an introduction by Phillip Lopate. Whether you’re hearing about Richard Rodriguez for the first time, or have read him for years, whether his life is like your own or far from it, if you care about the power of language and original thinking, you owe yourself to read Hunger of Memory.

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