Search results for ""Author Phil Smith""

As our relationship with the world around us becomes more fragile and unpredictable, more paraded and more desperate, the role of ecogothic literature is to give voice to some of the growing fears and deepest feelings we have about our environment and climate change. The three ecogothic novellas in this collection show us individuals and societies coming apart at the seams in the face of an eerieness that is often hiding from us in plain sight. The toolkit at the end proposes walking, hypnagogic and ‘new ritual’ practices that draw on the novellas and invite refl ection and reconnection. The whole book was written and devised as part of Phil Smith’s groundbreaking research as a member of the School of Society & Culture at the University of Plymouth (UK).

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Phil Smith is Associate Professor (Reader) at Plymouth University, UK. He is a performance-maker, writer and ambulatory researcher. He is a core member of Wrights & Sites and co-author of their The Architect-Walker' (2018), and company dramaturg for Munich-based TNT Theatre. His previous publications include Rethinking Mythogeography in Northfield, Minnesota' (2018, with photographer John Schott), Anywhere' (2017), Walking Stumbling Limping Falling' (2017, with poet Alyson Hallett), A Footbook of Zombie Walking' and Walking's New Movement' (2015), On Walking' and Enchanted Things' (2014), Counter-Tourism: The Handbook' (2012) and Mythogeography' (2010).

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From a first-hand account of working with Jerzy Grotowski to an analysis of the art of writing for the stage; from the hazards of touring in the Emirates to the dramas of touring behind the Iron Curtain in the 1980s; from an analysis of the role of the set and stage music to the story of taking Shakespeare to China... this is an extraordinary, wide-ranging, funny, clever account of 40 years in the life of TNT The New Theatre: the most successful touring theatre company of all time. This long-awaited new book is an extraordinary, wide-ranging, funny, clever account of 40 years in the life of the most successful touring theatre company of all time. The authors dance between magical storytelling... offering a masterclass on the skills and practice of acting, directing and writing for theatre... considering the role of theatre in different countries and continents... and offering a eye-opening history of TNT.

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In 2019 a group of book-lovers began to turn from their usual diet of contemporary novels to read classics of the ‘English eerie’ like Arthur Machen’s 'The Great God Pan'. The documents recovered, (edited by Phil Smith of 'Mythogeography'), and published here as 'Living In The Magical Mode', describe the subsequently inspired attempts of these readers – in a time of virus and social and climate catastrophe –– to live anew, with ‘magic-as-ordinary’, to do magic as if it were the washing up. At first, the readers fall on new ways of remaking their everyday lives in the magical mode, but the mode soon find ways to remake the readers. Challenging assumptions, magic turns lives upside down and shakes out mysteries. The documents of 'Living In The Magical Mode' describe a pulling back of veils, until all veils but one are exhausted; then the book-lovers put their hands upon the veil inside themselves.... 'Living In The Magical World' crosses dream wastelands, racecourses, motorway cafes, edgeland quarries and suburban valleys, in an adventure of encounters with ‘others’. It brings its readers to an occulted realm of unbounded desires that once unfolded refuses to recede. The surviving documents of the book club, reprinted here, describe the final frantic efforts of what remains of its members to understand a collision of many worlds and make novel webs of reconciliation.

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The Star of the Forthcoming Feature Film Gets Her Own Series! The Magdalena has been the official protector and warrior of the Catholic Church for over two thousand years, sworn to defend the Faith with the Spear of Destiny against all manner of supernatural threats. However, Patience, the latest Magdalena, has seen through the hypocrisy of her masters and struck out on her own. When her old mentor comes to her with a mission to prevent Armageddon, will she be able to resist the call? From writer Ron Marz (Witchblade, Angelus) and the art team of Pilot Season: Murderer, Nelson Blake II, Sal Regla, and Dave McCaig. Featuring covers by Ryan Sook (Wednesday Comics)!

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Phil Smith (Crabman/Mythogeography) and Tony Whitehead join forces with master photographer John Schott to lead readers on a `virtual’ journey to explore difference and change on their way to an unknown destination. “What is most real is what you have still to discover.” “Relax in your seat. Allow the train to take you along the water’s edge to the beginning point of your walking pilgrimage… When the train pulls into the platform, step off. Hidden behind the platform is a broken machine; a mechanised fortune teller – the `voice of truth’ – discarded from the nearby arcade of slot machines. Propped against the side of a building, its mouth is silent, its pronouncements have ceased; any truths you find today will be your own.” Pilgrimages – real and imagined - are always popular, sometimes compulsory. Bodh Gaya, Santiago, Mecca, Jerusalem, Puri: a few of the sites that beckon. The pilgrimage to the authentic self takes a similar path in an interior landscape. In the 15th century, Felix Fabri combined the two, using his visits to Jerusalem to write a handbook for nuns wanting to make a pilgrimage in the imagination, whilst confined to their religious houses. For Guidebook for an Armchair Pilgrimage, the authors followed Fabri’s example: first walking together over many weeks – not to reach a destination but simply to find one – then, in startling words and images, conjuring an armchair pilgrimage for the reader… along lanes and around hills, into caves and down to the coast. “We arrived again and again at what we assumed would be a final `shrine’, only to be drawn onwards and inwards towards another kind of finality… rather than reaching a destination, the pilgrimage was repeatedly reborn inside us, until its most recent rebirth in this book.” Over the course of the 19-day Armchair Pilgrimage, they invite us to experience the world around us just as they did as they walked. So, over the first three days, they suggest that we contemplate, among other things: • Our habit of generalising – acquired 40-50,000 years ago, when our `chapel’ mind of specialisms became a `cathedral’ mind • Our tendency to let one thing remind us of another thing • What it might be like to be an ocean where fish swim through us • How the world experiences us just as we experience it: `gently feel for the feelers feeling for you’ • A world where we tend to `add’ meaning and intensity • A world where we let go (without the aid of dementia) of memory, imagination, desire and wild fancy. And, as the pilgrimage concludes: “Returning is never going back to the same place.” “A brilliant idea, inviting us to `be present’ to a reality that is imagined and recorded, mediated by words and images. The feelings and emotions are no less `real’ than if we were actually standing in and experiencing that reality. I love the genius of words and images displayed here -- no less than the reality itself.” Carol Donelan, Professor of Cinema and Media Studies, Carleton College, Minnesota

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In 'The Pattern' artists Helen Billinghurst and Phil Smith, in their multi-layered personae of Crab & Bee and Smoke & Mirrors, offer a handbook for exploration, embodiment and art making in strange times. Uncovering a tattoo in the landscape, they describe the secrets of ‘web-walking’ and a journey of remarkable encounters. Setting out to walk the margins of Plymouth (UK), using a labyrinth as a mental map, they found themselves exposed to a weird and ailing world of buried rivers, needle-strewn woodlands and heritage sites repurposed as smack dens. In response, as both survival-strategy and poiesis, the authors reinvented themselves and their journey as a ‘fictioning’, generating multiple identities and joining in with numerous long-running stories. Rather than just walking the path, in their new personae they could become entangled with it and found themselves spun out in an ever widening series of quests that took in the Scilly Isles, South Wales, Yorkshire and East Anglia. ​In the face of looming division and climate catastrophe, the terrain itself seemed to be knitting together its own responses and Crab, Bee, Smoke & Mirrors followed the threads. On dragon hills and in white springs, along red paths and at the ‘edge of the known world’, they intuited signposts in the landscape to a way of making art and being in the world; this is the route map they left behind.

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The experience and variety of walking practices have never been so broad, relevant or unpredictable. Walking Bodies charts some of their very latest developments. Editors Helen Billinghurst, Claire Hind and Phil Smith put out a call for artists, activists, academics, radical walkers and psychogeographers to discuss, perform and share their experiences of current walking cultures. In these essays, provocations, artworks and documentations, new terrains emerge and diverse energies and thinkings reflect the huge response to the initial call and the demand for tickets to the conference. 'Walking Bodies' evidences anxieties, exclusions and gradual but major changes of direction for walking arts, towards more considered and embodied practices that re-navigate their terrains and challenge assumptions about trajectories through the unhuman world. Here are the beginnings of differently negotiated, shared, provoked and provocative ambulations.

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In their 'Guidebook for an Armchair Pilgrimage', authors Phil Smith, Tony Whitehead and photographer John Schott lead us on a ‘virtual’ journey to explore difference and change on their way to an unknown destination. They create a pilgrimage that any of us can follow, even if we are confined to our homes. To research the 'Guidebook' the authors went on an actual journey. 'Bonelines'​ is the secret story of that journey. Given the present circumstances it now appears prophetic, prescient and helpful, so they have decided to bring it into the light. ​It is written as a novel.

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