Search results for ""Author Peter Watts""

Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist--an informational topologist with half his mind gone--as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find.

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Julio Mario Santo Domingo (1957-2009) was a collector and visionary who filled his homes and warehouses with the world’s greatest private collection related to the subjects of drugs, sex, magic, and rock and roll. A library of more than 100,000 items, it contained everything from rare manuscripts and photos to posters, bottles, letters, opium pipes, and pinball machines. Exploring the innumerable influences of mind-enhancing drugs on art, science, and politics over the centuries, Santo Domingo’s collection contained work by diverse figures including Andy Warhol, Timothy Leary, Sigmund Freud, the Marquis de Sade, Charles Baudelaire, Allen Ginsberg, the Rolling Stones, Aleister Crowley, and many more. This extraordinary collection is vividly documented in Altered States: The Library of Julio Santo Domingo.

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Firefall is the omnibus edition of the novels Blindsight and Echopraxia. February 13, 2082, First Contact. Sixty-two thousand objects of unknown origin plunge into Earth's atmosphere – a perfect grid of falling stars screaming across the radio spectrum as they burn. Not even ashes reach the ground. Three hundred and sixty degrees of global surveillance: something just took a snapshot. And then... nothing. But from deep space, whispers. Something out there talks – but not to us. Two ships, Theseus and the Crown of Thorns, are launched to discover the origin of Earth's visitation, one bound for the outer dark of the Kuiper Belt, the other for the heart of the Solar System. Their crews can barely be called human, what they will face certainly can't. 'A tour de force, redefining the First Contact story for good' Charles Stross. 'If you only read one science fiction novel this year, make it this one!... It puts the whole of the rest of the genre in the shade... It deserves to walk away with the Clarke, the Hugo, the Nebula, the BSFA, and pretty much any other genre award for which it's eligible. It's off the scale... F**king awesome!' Richard Morgan. 'State-of-the-art science fiction: smart, dark and it grabs you by the throat from page one' Neal Ascher.

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The three plays in this volume focus on the tumultuous relationships between men and women, whether they are father and daughter, brother and sister or lovers. Miss Julie is a ruthlessly realistic depiction of an upper class woman's seduction of a servant, emphasizing the differences and the antagonism between them. In The Father a man is brought to madness and driven out of his home by the suspicion that his daughter is not his own child, while Easter centres on a family in need of redemption for its sins and suffering, finding forgiveness at a season of rebirth. Strindberg's acute psychological analysis and his dramatization of naked emotion within a naturalistic domestic setting make him one of the great innovators of the modern theatre.

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With three plays focusing on the family and how it struggles to stay together by telling lies - and exposing them, Henrik Ibsen's Ghosts and Other Plays is translated with an introduction by Peter Watts in Penguin Classics.In Ghosts, Osvald Alving returns home only to discover the truth about the father he always looked up to, and learns the horrific effect his father's debauchery has had on him. It was Ibsen's most provocative drama, stripping away the surface of a middle-class family to expose layers of hypocrisy and immorality. A Public Enemy sets two brothers against each other when one wishes to make public the facts about the polluted water in the public baths of their home town. And When We Dead Wake tells of an artist meeting an old lover by chance and rejecting his wife, in a symbolic exploration of Ibsen's own literary life and the sacrifices he made in his work.Peter Watts's translation maintains the colloquial tone of the original dialogue. He has also provided an introduction and notes on the texts.Henrik Ibsen (1828-1906) turned to journalism and playwriting instead of pursuing a university career. Ibsen was one of the earliest writers to dramatise the individual's alienation from society. Although Ibsen was never fully appreciated during his lifetime, he has since come to be recognised as one of the great dramatists of all time and the 'Father of Modern Drama'.If you enjoyed Ghosts, you might like Ibsen's A Doll's House and Other Plays, also available in Penguin Classics.

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The eleven studies in this volume are connected by the conviction that God acts in history and that it remains necessary for biblical exegesis to integrate this into its methodology. Roland Deines presents historical and methodological considerations to trace how God was experienced within historical events and how such events inspired the formation of Scripture. Topics range from the Pharisees to Bar Kokhba, and from the historical Jesus to the Apostolic decrees, with Joseph Ratzinger (Pope Benedict XVI) on Jesus and Martin Hengel on Jesus' pre-existence and incarnation discussed as particular methodological examples. Roland Deines intends these studies to be contributions towards a theologically motivated historiography. His aim is to propose a viable reading of history under the assumption that the one God to whom the Holy Scriptures of the Jewish-Christian tradition bear witness is indeed the creator, sustainer and perfecter of this world and its history.

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