Search results for ""Author Peter Trippi""

Landscapes in Oil is the first-ever comprehensive guide to classical landscape painting reinterpreted for the twenty-first century. Drawing from the tradition established by American painters of the Hudson River School - artists like Thomas Cole, Frederic Church, and George Inness - author and painter Ken Salaz reveals great masters' philosophy and methods, updating their approaches for the contemporary landscape painter. Beginning painters are given the basic tools and step-by-step demonstrations, intermediate painters are challenged with unpublished techniques that allow them to break through to the next level, and advanced painters learn to apply their skills under unified theories. Landscapes in Oil devotes a chapter to each of the fundamental elements of landscape painting - drawing, value, color, composition, and light quality - and offers critical advice on selecting tools and materials, choosing colors, and structuring your palette for best results. Emphasizing the necessity of plein air drawing and painting, Salaz demonstrates how to translate small, quick studies made outdoors into full-scale studio paintings. He provides detailed step-by-step breakdowns of the creation of four of his own paintings, focusing not only on application but also on the ideas that underpin every decision a landscape painter must make. The scores of landscape masterworks, past and present, that illustrate this book have been carefully chosen for their aesthetic power and because each embodies a specific aspect of the landscape painter's craft. For Salaz, landscape painting is a noble pursuit, and the goal of the landscape artist is not to paint "pretty pictures" but to create compelling images that express human beings' profound connection to nature in all its diversity and grandeur. At a time when classical landscape is enjoying a renaissance in art schools, ateliers, and galleries across North America, this book is an essential resource for beginning and experienced painters alike.

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This important re-evaluation of the Dutch- born painter Lawrence Alma-Tadema traces his personal and artistic journey towards international fame and success in London and investigates how this exceptionally creative artist used his own houses and studios as laboratories to produce vivid paintings of life in ancient Greece, Rome, and Egypt. Lawrence Alma-Tadema s paintings were immensely popular among his contemporaries, and have since enchanted a wide audience through the medium of cinema. Anyone who has ever enjoyed the great epic films of antiquity from Italian silent classics and Cecil B. DeMille to Ridley Scott s Gladiator will instantly recognize their origins in sets and costumes Alma- Tadema invented. Accompanied by glowing reproductions of the artist s rich and detailed works, this book boldly re-assesses Alma-Tadema s art through the idea of home: from his admiration for the interiors depicted in early Dutch paintings through his fascination with Pompeian ruins, to his creation of large studio houses that were artworks in their own right. Building upon Alma-Tadema s renown as the archaeologist of artists, the new scholarship in this impressive volume shows how the spaces he created and inhabited with his talented artist-wife Laura and their two daughters reflected an aesthetic vision that has thrilled viewers and other artists for more than a century. Appealing to general and scholarly audiences alike, this book underscores Alma-Tadema s reputation as one of his era s greatest creative talents."

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An Authoritative, Comprehensive Guide for Contemporary Figurative Artists At a time when renewed interest in figurative art is surging throughout the art world, author Robert Zeller presents The Figurative Artist’s Handbook - the first comprehensive guide to figure drawing and painting to appear in decades. Illustrated with Zeller’s own exquisite drawings and paintings as well as works by nearly 100 historical and contemporary figurative art masters, the handbook is also a treasure trove of the finest figurative art of the past and the present day. Included are Michelangelo, Pieter Brueghel the Elder, Peter Paul Rubens, Jean-Auguste-Dominique Ingres, Gustav Klimt, Edward Hopper, Andrew Loomis, Andrew Wyeth, Lucian Freud, Odd Nerdrum, Eric Fischl, Bo Bartlett, Steven Assael, John Currin, and many others. Original and thoroughly modern in his approach, Zeller brings together three figure-drawing methods long thought to be at odds, synthesizing these seemingly incompatible techniques to achieve a cohesive and complete understanding of the human figure. Although all three methods underlie contemporary fine-arts practice and education, no artist’s handbook has ever combined them before. - The Study of Gesture (Disegno): Rooted in the Italian Mannerist style of the 16th and 17th centuries, the gestural method emphasizes life, rhythm, and movement in the human body. - The Structural Approach: A mainstay of 20th- and 21st-century art instruction, this method applies an architectural perspective to the body, using a block conception for anatomically sound, solid figures. - The Atelier Method: Based on the training provided by 18th- and 19th-century art academies, the atelier approach creates sensual, smooth renderings based on meticulous study of the figure’s surface morphology in light and shadow. Covering all the basics as well as many advanced techniques, The Figurative Artist’s Handbook is aimed at both students and experienced artists. A practical, how-to guide, it provides in-depth step-by-step instruction and - rare among figure-drawing books - features sections on composition, portraiture, and painting. Chapters on creativity and on using a sketchbook help readers hone their artistic vision and evolve ideas from the initial inspiration to the fully developed work. Also included is an extensive section highlighting the great movements in figurative art throughout history - from ancient Egypt and Greece to the present.

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