Search results for ""Author Peter Prinz"

From bestselling author and winner of the Blue Peter Best Story Book Award, Uki and the Outcasts is the first in a new trilogy set in the world of Podkin One-Ear.'EXCELLENT,' says the bard. 'It's probably a good idea for you to know about him.''Wait . . . him? Who's him?' said Rue.'Uki,' says the bard. 'Uki Patchwork. The Magpie Demon. Uki of the Two Furs.'From the Ice Wastes beyond the Cinder Wall emerges an unlikely hero. Rejected by his village and left to die, young Uki is given life and unique powers by a long-buried spirit from the time of the Ancients . . . and a life or death mission.Joined by two other outcasts - a trained assassin who refuses to kill people and a very short rabbit who rides the fastest jerboa on the plains - Uki must capture Valkus, the Spirit of War, before rabbitkind destroys itself in conflict.A thrilling new book set in the Five Realms of Podkin One-Ear.'Storytelling perfection.' Sophie Anderson'One of my sons very favourite authors.' Romesh Ranganathan'Superb.' Max Porter

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The legend of Podkin One-Ear continues in this second Five Realms' adventure from the winner of the Blue Peter Best Story Award.The bard tiptoes out of his room, the crow-dream still echoing in his head, making him twitch at imaginary creaks of iron wings . . .The bard must leave Thornbury. It is not safe for him to stay. Rue, his new apprentice, travels with him - keen to learn his trade - and hear the next installment in the legend of Podkin One-Ear . . .Podkin and his fellow rabbits have been sheltering in Dark Hollow after their battle with Scramashank. Paz tends to the rabbits with sleeping sickness; Crom meets with the war council . . . Podkin has nothing to do! Frustrated, Podkin goes exploring and discovers an abandoned underground chamber. Armed with the Gift of Dark Hollow, Podkin learns to moonstride, and Paz is rewarded with a magical gift of her own . . .'A spellbinding story full of friendship, excitement and magic.' Guardian'Kieran Larwood's talent and his passion for his wonderful characters leap off every page.' David Long, author of Survivors'One of the best books I have ever read.' Cally Evans, age 10, Lovereading4kids

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The first figure raises his crossbow, tilting his head to pinpoint the exact position of the thing in the bushes. It has stopped running now, and is muttering something. Some kind of prayer, a call for its mother, its father: anyone who might help it.Something sinister is going on in the stinking slums of London. Sideshow acts are going missing . . . men wearing animal masks and eye goggles are hunting them down and killing them for sport. But who are this fiendish Hunters' Club? And what is the reason for their cruel game?Sheba the wolfgirl and Pyewacket the witch's imp know all about life in a sideshow. But now they are the Carnival, private investigators working to help unusual people like them. Teaming up with new recruits half-cat Inji, her extraordinary brother, the armadillo-like Sil and Glyph the psychic, it's a race against time . . . to track down the mask-wearing villains, before anyone else comes to harm!

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A wonderfully murky, carnivalesque world of intrigue, unexpected friendships and mysteries solved.Sheba the wolf girl joins an unusual troupe of performers that includes Pyewacket, a witch's imp; Gigantus the giant and Sister Moon, a knife thrower. For the first time in her life she feels she might make true friends, and learn a real stage craft. But soon that's not all she has to think about . . .Children are being sucked into the Thames and there have been strange sightings of a mechanical monster. The carnival troupe know first-hand that looks only tell half a story - they become determined to find these forgotten children. Perhaps they will unravel the mystery that has defied even the law!Illustrated with black and white artwork from superstar illustrator, Sam Usher, and the first in a brand new series!'Thrilling, original, full of zest and wit.' The London Times'An atmospheric and exciting read.' BookTrust'A page-turning adventure.' The Daily Mirror

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From the winner of the Blue Peter Best Story Book Award, the third instalment of Podkin's epic battle against the Gorm.The bard looks up at the three figures. They have black hooded cloaks and long robes. From the holes in their masks, three pairs of eyes watch him: cold, calm, emotionless.'Yes,' says the bard. 'They're bonedancers. You don't need to sound quite so excited, though. They have come to kill me.'And so it is that the bard and and his young apprentice Rue are taken to Spinestone, the temple warren of the bonedancers. It is here that the bard is ordered to retell the tale that has got him in so much trouble . . . and so to the next instalment in the astonishing tale of Podkin One-Ear . . .Podkin, Paz and Pook once again find their home under threat, but this time they are ready to fight! Podkin and the others leave for Sparrowfast to ask their uncle for the use of his magic bow. It's the one weapon that could save them all. But as they flee into the forest depths, it seems they have been betrayed . . .'It's jolly good fun . . . expect sequels to breed like . . . well, rabbits.' SFX on The Legend of Podkin One-Ear'Kieran Larwood's talent and his passion for his wonderful characters leap off every page.' David Long, author of Survivors'One of the best books I have ever read.' Cally Evans, age 10, Lovereading4kids

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From bestselling author and winner of the Blue Peter Best Story Book Award, Uki and the Swamp Spirit is the fifth title set in the world of Podkin One-Ear.Uki had the sensation of a sickly green light, spreading out through the networks of water. Of tendrils connecting all the creatures of the marsh in a web . . . Linking itself so it could poison it all and destroy it.Uki and his friends have two more spirits to find and capture. After defeating Valkus, they make for Clarice, who is spreading disease through the swamps. Can Uki and his friends outwit him - all whilst they themselves are being chased by the Endwatch and Jori's clan of assassins?'Storytelling perfection.' Sophie Anderson'One of my sons very favourite authors.' Romesh Ranganathan'Superb.' Max Porter'It's jolly good fun ... expect sequels to breed like... well, rabbits.' SFX on The Legend of Podkin One-Ear

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Discover what Peter loves about Christmas with this festive lift-the-flap board book!It's Christmas and Peter has lots to do at this time of year. Follow him and all his friends as they make this an extra-special time of year.This lift-the-flap Christmas board book is a great way to introduce little readers to the world of Peter Rabbit and celebrate this magical time of year. Featuring a festive pop-up surprise for all little rabbits to enjoy!Look out for more Christmas adventures with Peter:Peter Rabbit The Christmas Present HuntPeter Rabbit Christmas Sticker FunPeter Rabbit Christmas is Coming

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Peter, Peter, pumpkin eater, had a wife and couldn't keep her … Join in the fun as your all-time favourite children's nursery rhymes are brought to life by Wendy Straw's charming illustrations.

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It's a wild, autumnal afternoon and the Rabbit family are on their way to collect a pumpkin.As the Rabbit family walk through the woods, Cotton-tail, Flopsy and Mopsy might be scared of the stormy trees, and the sound of owls, and the snap of a twig, but Peter is definitely not scared. Not even a litle bit.A sweet story about friendship, and a gentle message about facing fears of the dark. This charming Halloween tale has a reassuring ending, with beautiful illustrations.The simple tales set in Peter Rabbit's world mirror important early experiences and emotions of young children through the eyes of Beatrix Potter's most well-loved characters, while Eleanor Taylor's illustrations are filled with charm and humour.

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Delightful and witty, this is a simple story of mistaken identity!Peter and Paul are the best of friends, but when Peter gets lost in a terrible storm he can't find Paul anywhere. With the help of a big blue whale Puffin Peter sets off to find him. They find all kinds of birds that match Peter's description but none of them is quite like Paul.

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The significance of the First Letter of Peter for the formation of Christianity stands in sharp contrast to its brevity. John H. Elliott, a leading authority on this letter, brings its significance to life in this magnificent addition to the renowned Anchor Bible Commentaries. Elliott sets the letter into context, covering its literary, historical, theological, and linguistic elements. In detailed, accessible discussions, he draws on the latest research to illuminate the social and cultural influences on the Church in its initial years. Treating such important Petrine concerns as living honorably in a hostile society, finding meaning in suffering, and resisting social assimilation as the elect and holy family of God, the translation, notes, and commentary in this volume will help readers appreciate the powerful and enduring message of this fascinating letter.

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BAKING TO BRING A SMILE TO EVERYONE'S FACEWhen Peter Sawkins became the youngest ever winner of the Great British Bake Off in 2020, it was a landmark moment on a journey that began when he started baking flapjacks and shortbread aged five.In his debut cookbook, Peter reveals his trademark tricks to baking success. With easy-to-follow recipes, he shares everything from bakes for beginners to celebratory showstoppers . . . and, of course, all with a gluten-free option.From his Cranachan Cake and Christmas Croquembouche to Apple Galette and Mini Carrot Cakes, Peter's flair for flavour and passion for baking make this a book you will turn to again and again.

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The beloved childhood classic by J.M. Barrie is retold in rhyme in a sumptuous new gift book edition with beautiful new artWhen Peter Pan flies into the Darlings' room one dusky evening, he convinces Wendy and her brothers to come with him to the magical world of Neverland, where children never grow old. It's the beginning of an amazing adventure featuring a cast of classic characters, from the mischievous Lost Boys and jealous fairy Tinker Bell, to the villainous Captain Hook and his pirate band. But will the Darlings choose to stay in Neverland or return to London to grow up like normal children?A beautiful picture book retelling for young children in rollicking rhyme by award-winning author, Caryl HartA timeless keepsake gift with beautiful illustrations by Sarah Warburton to treasure and share.Full of magical adventure, this favourite classic is the ultimate bedtime picture bookDiscover more beautiful gift books in the Nosy Crow Classic range including The Velveteen Rabbit and HeidiWith sumptuous details including cloth binding, foil cover, full colour illustrations throughout, textured paper jacket, ribbon marker and head and tail bands.

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Peter Pan, el niño que no quería crecer, forma parte ya del imaginario colectivo de tantas generaciones desde que James M. Barrie lo publicara.Un día, Peter Pan se cuela en la casa de los Darling y, al escapar por la ventana, se deja su sombra allí. Desde este momento, la vida de los tres hermanos: Wendy, John y Michael quedará vinculada a la del niño que no quiere crecer. Los cuatro, junto con Campanilla, volarán al País de Nunca Jamás.De todas las islas maravillosas que existen, el País de Nunca Jamás es la más acogedora, asegura Peter Pan.Una novela en la que se entremezclan las aventuras con las características típicas de los cuentos de hadas.

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In this radical new version of Peer Gynt, David Hare kidnaps Henrik Ibsen's most famous hero and runs away with him into the twenty-first century.Stripped of fretwork and greenery, the play is projected into a freewheeling modern world of music, dance, poetry, weddings, coronations, trolls and two-headed children as Peter steals a bride and embarks on an extraordinary lifetime's journey before returning home, finally, to Scotland.David Hare's Peter Gynt posits the same fundamental question the great Norwegian asked in 1867: does a belief in individualism help or hinder us in trying to live purposefully in the present day?The play opens at the National Theatre in July 2019 and transfers to the Festival Theatre Edinburgh, for the Edinburgh International Festival.

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Faced with Peter Herrmann's paintings we can rediscover a sense of wonder, discover what is fascinating in urban scenes, everyday objects and routine events, and trace the sometimes unspectacular aspects of human existence. The painter, born near Zittau in 1937, who now lives in Berlin, does not shy away from taking on the tradition of the great masters of art, from Paolo Uccello to Caspar David Friedrich, or to Paul Cezanne. Moreover, the effect of his paintings is underscored by an ironic, cryptic humor. This catalogue is the first to extensively introduce the oeuvre of Peter Herrmann. It provides insights into early work phases and retraces the artist's biography in close connection to his works. The main focus of the book is placed on works Herrmann created starting in 2000. In a sumptuous series of images the reader encounters a type of painting dominated by bright, strong tones and fields of color. In their reduction of what is represented and their nonchalance, the works provi

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Peter Pan vivía en el País de Nunca Jamás, donde los niños no crecen. Una noche entró en casa de los Darling y despertó a sus hijos Wendy, Juan y Miguel. Vive con ellos las aventuras más emocionantes y divertidas que solo existen en el mundo de los niños.

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Esteu a punt per un viatge fantàstic al país del Mai Més? Amb una mica de pols màgic podreu volar i gaudir d'extraratiques aventures amb la companyia de Peter Pan i els nens Perduts! Però aneu amb compte, el Capità Hook us estarà esperant...

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El cuento de Peter Pan narrado con un lenguaje sencillo y coloridas y simpáticas ilustraciones. Gracias al movimiento de las pestañas y de las ruedas de cada página, los niños podrán ir descubriendo los personajes del libro y completar las escenas más importantes del cuento. Por sus páginas de cartón, sus resistentes y fáciles mecanismos móviles y sus esquinas redondeadas, este libro es ideal para los más pequeños de la casa.

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Peter Gregory (1887-1959), Director and then Chairman of Lund Humphries, was at the heart of the avant-garde British art world for nearly thirty years of major change in society, politics, and culture. A pioneering art publisher who produced scholarly and richly illustrated monographs on living artists, he was also a discerning patron and collector, the founder of new arts organisations, and a loyal supporter of young artists. Valerie Holman's new book is the first to situate Gregory's life and career within the wider context of printing and publishing history, war, and changing perceptions of modern and contemporary art. Gregory's intimate circle included many leading artists, architects and writers: Henry Moore considered him his closest friend, Kenneth Clark sought out his committee expertise, Ben Nicholson and Barbara Hepworth respected his professionalism and invited him into their family circle, and he had a warm friendship with Edward McKnight Kauffer, Herbert Read, Jane Drew

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Wolf Biermann lernte von ihm das »Schweigen zwischen den Worten« und widmete ihm mit »Ermutigung« sein berühmtestes Lied. Joseph Brodsky erkannte an seinem Gesicht, dass er einen wirklichen Dichter vor sich hatte. Und Marcel Reich-Ranicki zählte ihn zu den ganz großen Lyrikern des 20. Jahrhunderts: Peter Huchels (1903–1981) Erscheinung hinterließ Eindruck bei denen, die ihm begegneten, die Wirkung seiner Verse auf Leser und Autoren ist ungebrochen. Dass sie nichts von ihrer Kraft verloren haben, verdankt sich Huchels Treue zu seinen Anfängen, zu Mensch, Natur und Landschaft seiner märkischen Heimat. Dort wächst er auf dem Gutshof der Großeltern auf, dorthin kehrt er nach Jahren in Paris, Wien und Berlin, nach Krieg und Gefangenschaft zurück und begründet als Chefredakteur den legendären Ruf der Zeitschrift »Sinn und Form«, des »geheimen Journals der Nation«. Und dort wird er nach seiner Absetzung und Isolierung zum widerständigen Einzelgänger, zum Mythos. Matthias Weichelt gelingt in einem luziden Essay die Verschränkung von Einzigartigkeit und Zauber des dichterischen Werkes mit Huchels Leben, das im Jahre »neunzehnhunderttraurig« beginnt und von den Ambivalenzen und Katastrophen des Jahrhunderts gezeichnet ist.

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This is a double volume dedicated to two masterpieces by Benjamin Britten. While Peter Grimes established Britten as a composer of international standing, Gloriana, composed for the coronation of Elizabeth II, has never enjoyed a comparable fame. The variety of mood, characterization and pace, in each, illustrates Britten’s exceptional gift for theatre. Commentaries on the scores reveal, for instance, how much the popular concert extracts gain from their context in the dramas. The essay by E.M. Forster – the inspiration for Peter Grimes – is reprinted here, and Michael Holroyd discusses Lytton Strachey’s controversial Elizabeth and Essex – the source for Gloriana. Contents: Benjamin Britten’s Librettos, Peter Porter; George Crabbe: The Poet and the Man, E.M. Forster; ‘Peter Grimes’: A Musical Commentary, Stephen Walsh; Peter Grimes: Libretto by Montagu Slater; ‘Peter Grimes’ and ‘Gloriana’, Joan Cross, Peter Pears and John Evans; Some Reflections on the Operas of Benjamin Britten, Buxton Orr; ‘A daring experiment’, Michael Holroyd; The Librettist of ‘Gloriana’, Rupert Hart-Davis; The Music of ‘Gloriana’, Christopher Palmer; Notes on the Libretto of ‘Gloriana’, William Plomer; Gloriana: Libretto by William Plomer

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Everyone says Peter is the baddest boy in school. He likes strange food, wears strange clothes and does strange things. In fact, Peter isn’t like anyone the other children have ever met. So when the class gerbil goes missing, Lucy lets Peter take the blame, even though she knows it wasn’t anything to do with him... An insightful story about prejudice, friendship and redemption during one truly unforgettable Halloween.

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In this addition to the award-winning BECNT series, respected New Testament scholar and biblical interpretation expert Gene Green offers a substantive yet highly accessible commentary on the books of Jude and 2 Peter. With extensive research and thoughtful chapter-by-chapter exegesis, Green leads readers through the sociological, historical, and theological aspects of these New Testament books. As with all BECNT volumes, Jude and 2 Peter features the author's detailed interaction with the Greek text. This commentary admirably achieves the dual aims of the series--academic sophistication and pastoral sensitivity and accessibility--making it a useful tool for pastors, church leaders, students, and teachers. The user-friendly design includes shaded chapter introductions summarizing the key themes of each thought unit.

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Mrs. Darling dozes in the nursery as her children sleep. Suddenly, the window bursts open, and Peter Pan, the boy who refuses to grow up, flies in. Seeing a grown-up in the room, he gnashes his perfect set of pearly baby teeth at her. The children’s nurse, Nana, a Newfoundland dog, gallops in and chases the boy out the window, slamming it shut with her paws. Peter escapes just in time, but his shadow is not so lucky. Now it is trapped in the nursery, and everyone knows he will come back for it. When he does, Wendy, John, and Michael will begin the greatest adventure any siblings have ever had. Peter whisks the children off to Neverland to meet the Lost Boys, Tinker Bell the fairy, and Princess Tiger Lily. Together, they wage fierce battles against the evil Captain Hook and his dreaded band of ruthless pirates, whose only goal in life, it seems, is to destroy Peter and his friends.

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In this richly comparative analysis of late Muscovite and early Imperial court culture, Ernest A. Zitser provides a corrective to the secular bias of the scholarly literature about the reforms of Peter the Great. Zitser demonstrates that the tsar's supposedly "secularizing" reforms rested on a fundamentally religious conception of his personal political mission. In particular, Zitser shows that the carnivalesque (and often obscene) activities of the so-called Most Comical All-Drunken Council served as a type of Baroque political sacrament—a monarchical rite of power that elevated the tsar's person above normal men, guaranteed his prerogative over church affairs, and bound the participants into a community of believers in his God-given authority ("charisma"). The author suggests that by implicating Peter's "royal priesthood" in taboo-breaking, libertine ceremonies, the organizers of such "sacred parodies" inducted select members of the Russian political elite into a new system of distinctions between nobility and baseness, sacrality and profanity, tradition and modernity. Tracing the ways in which the tsar and his courtiers appropriated aspects of Muscovite and European traditions to suit their needs and aspirations, The Transfigured Kingdom offers one of the first discussions of the gendered nature of political power at the court of Russia's self-proclaimed "Father of the Fatherland" and reveals the role of symbolism, myth, and ritual in shaping political order in early modern Europe.

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Painting as simulation and hyperreality: Peter Halley and the digital age. In the 1980s, Peter Halley revitalised painting by relying on sociology and science fiction. He employed fluorescent colours and Roll-A-Tex to deconstruct early and mid-twentieth-century transcendent geometric abstraction into abstract cells and prisons and by adding conduits to imaginatively access outside forces. Peter Halley has met many challenges posed by the Information Age and French poststructuralism by situating his painting on the divide separating analogue and digital worlds. Robert Hobbs's monograph analyses Halley's geometric and highly keyed art in terms of opportunities provided by the Internet, aesthetic possibilities afforded by Photoshop, timely relevance advanced by Michel Foucault's and Jean Baudrillard's sociological theories, and conundrums presented by both science fiction and physics.

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In this hilarious picture book, a group of basket-bearing, egg-delivering animal friends give the Easter Bunny a run for his money—led by Peter Easter Frog!Here comes Peter Easter Frog, hopping down his favorite log. Hippity, hoppity, Easter’s on its—wait. Easter FROG? Peter Easter Frog loves, loves, LOVES Easter, and sharing is caring, AND he’s just as good a hopper as any ol’ rabbit, so he decides to pass out some of his own Easter eggs. Why should Bunny have all the fun, anyway? Turtle, Cow, Dog, and Chipmunk all agree. But what happens when the Easter Bunny finds out?

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The first comprehensive overview of Peter Weibel's visionary work, covering over half a century of artistic expression from material to machines to media. Peter Weibel: Art as an Act of Cognition presents the first comprehensive overview of the work of Peter Weibel (19442023), an influential artist who anticipated key developments in the art of the late twentieth and twenty-first centuries and evolved new utopian visions of a free society and individual freedom. As one of the first artists to create VR installations, Weibel was also a leading figure in the expansion of the arts into other modes of reality. His work revealed the perceptual mechanisms by which reality is constructed not only socially, but also neurologically. This publication, insightfully edited by Jens Lutz and Philipp Ziegler, covers over half a century of his artistic expression, and traces his groundbreaking migration from material to machines to media. This book follows the trajectory of Weibel's work with vari

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Unsuccessful in his endeavours, the young and naive Peter Schlemihl seals a pact with the Devil in which he exchanges his shadow for the purse of Fortunatus, thereby gaining everlasting riches. But when he is ridiculed, persecuted and hated for being different from other men, he realizes that poverty is easier to bear than the loss of his peace of mind.Originally written as a cautionary tale for the children of Chamisso's patron, Peter Schlemihl was hailed by contemporaries as a masterpiece with a wide adult appeal, and continues to capture imaginations today.

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For almost 20 years, the artist and goldsmith Peter Bauhuis has been exploring a technique for which as yet there are hardly any references. Applying experimental curiosity and creative materials research, he has since worked on the simultaneous casting of different metals, plumbing the depths of the materials' limitations. He plays with chance, directing it so that the vessels emerge in ever new variations. As the metals oxidize, gradations of colour emerge on the objects' surfaces, bringing to mind abstract drawings.The Hamburg-based photographer Hans Hansen, regarded as one of the most important product and still life photographers, has taken his own unique look at the objects, staging 18 current vessel works from Peter Bauhuis's Simultanea series.Text in English and German.

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Peter Pan by J M Barrie is one of Puffin Classics' best-loved stories.Peter Pan and Tinkerbell lead the three Darling children over the rooftops of London and away to Neverland - the island where the lost boys play. Magic and mischief is in the air but if villainous Captain Hook has his way, before long someone will be swimming with the crocodiles . . .James Matthew Barrie (1860-1937) was born in Scotland. He moved to London in 1885. He had a high reputation as a playwright, with productions including Quality Street (1901) and The Admirable Crichton (1902). Peter Pan was first produced on stage in 1904 and in 1911 he turned the story into a book.The book includes a behind-the-scenes journey, including an author profile, a guide to who's who, activities and more..The Puffin Classics series includes:A Little PrincessAlice's Adventures in WonderlandAlice's Adventures Through the Looking GlassAnne of Green GablesBlack BeautyHans Andersen's Fairy TalesHeidiJourney to the Centre of the EarthLittle WomenPeter PanTales of the Greek HeroesThe Adventures of Huckleberry FinnThe Adventures of King ArthurThe Adventures of Tom SawyerThe Call of the WildThe Jungle BookThe OdysseyThe Secret GardenThe Wind in the WillowsThe Wizard of OzTreasure Island

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The Second Letter of Peter and the Letter of Jude both address false teaching - teaching that affects behaviour. The recipients had within their midst people whose lives contradicted the gospel that was preached. They defiled the love-feasts; they were themselves immoral and minimized the importance of law in the Christian life. They scoffed at the parousia and were fond of their own rhetoric. Michael Green offers a penetrating analysis that sets both letters in their historical context and shows their relevance to life today.

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One of the Three Little Pigs is hosting a housewarming, and Peter Rabbit would love to go. But he's in bed with a cold after a narrow escape from Mr. McGregor's garden. Meanwhile, Goldilocks is planning her birthday party and hoping her new friend Baby Bear can come (he's forgiven her for breaking his favorite chair). But with the Big Bad Wolf on the prowl and Little Red Riding Hood heading off to grandmother's house, there's no telling how things may end! This lively collection of letters written by famous storybook characters takes us behind the scenes in the land of make-believe.

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But the jungle is full of dangers, including angry ants, slithering snakes, and a ravenous jaguar, so the cautious Peter and confident Ernesto must work together to keep their tribe safe. Author, illustrator, animator, and director Graham Annable's first book in the Peter & Ernesto series is already garnering praise and inviting comparisons to classic friendship stories like Frog and Toad. The second book in this delightful series is even more charming, if such a thing is possible!

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This edition reunites the two tales of Peter Pan (Peter Pan In The Kensington Gardens and Peter Pan & Wendy) and they are accompanied with illustrations that for both stories created two of the most famous illustrators of all time: Arthur Rackham and Mabel Lucie Attwell. After reading both stories, the reader will discover a new dimension of Peter Pan and Wendy.

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Peter Brandes is one of the most significant Danish visual artists alive today. He is represented in the collections of leading museums worldwide, including the Louvre, and is featured in the most important Danish museums. Peter Brandes’ monumental sculptures and jars can be seen throughout Denmark, and he has decorated a number of Danish churches along with churches in Norway and the United States. In Jerusalem, Brandes’ Isaac Vase, approximately five meters tall, stands at the Holocaust museum Yad Vashem.Peter Brandes’ oeuvre is gigantic. It spans more than fifty years, and includes such varied forms of artistic expression as painting, sculpture, drawing, graphic art, ceramics, and not least photography and stained glass, for which he has developed new techniques. Dialogue with tradition—particularly the Jewish, Greek, and Christian traditions—runs throughout his work, marking Brandes as one of Denmark’s foremost practitioners of cultural migration.Peter Brandes: Meridian of Art is the first monograph on the art of Peter Brandes. The book pursues a series of central themes that cut across Brandes’ artistic production, connecting and traversing these with lines that the book’s author, Ettore Rocca, calls the “meridian of art.” The expression “meridian” is borrowed from the German poet Paul Celan, the author with whom Brandes has felt the greatest kinship throughout his career. For Celan, a meridian designates the indestructible, invisible line in a poetic conversation. Correspondingly, in the cultural migration that weaves throughout Brandes' art, Rocca finds a meridian that at once appears impossible and indestructible.

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