Search results for ""Author Peter Osborne""

Criticism of contemporary art is split by an opposition between activism and the critical function of form. Yet the deeper, more subterranean terms of art-judgment are largely neglected on both sides. These essays combine a re-examination of the terms of judgement of contemporary art with critical interpretations of individual works and exhibitions by Luis Camnitzer, Marcel Duchamp, Matias Faldbakken, Anne Imhof and Cady Noland. The book moves from philosophical issues, via the lingering shadows of medium-specificity (in photography and art music), and the changing states of museums, to analyses of the peculiar ways that works of art relate to time.To give artistic form to crisis, it is suggested, one needs to understand contemporary art's own constitutive crisis of form.

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Emphasizing the Romantic heritage and modernist legacy of Karl Marx's writings, Peter Osborne presents Marx's thought as a developing investigation into what it means, concretely, for humans to be practical historical beings. Drawing upon passages from a wide range of Marx's writings, and showing the links between them, Osborne refutes the myth of Marx as a reductively economistic thinker. What Marx meant by 'materialism', 'communism' and the 'critique of political economy' was much richer and more original, philosophically, than is generally recognized. With the renewed globalization of capitalism since 1989, Osborne argues, Marx's analyses of the consequences of commodification are more relevant today than ever before. Extracts are taken from the full breadth of Marx's writings, from his student Notebooks on Epicurean Philosophy, via the Economic and Philosophical Manuscripts and The Communist Manifesto to Capital.

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This catalogue features works from throughout his career, including the collection of Moore’s sister, early carvings and some of the earliest recorded drawings some of which have never previously been exhibited. This catalogue includes an essay by David Mitchinson, former Head of Collections and Exhibitions at the Henry Moore Foundation.

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If, as Walter Benjamin believed, ‘historical understanding is to be viewed primarily as an afterlife of that which is to be understood’, what are the afterlives of the central concepts of modern European philosophy today? These essays reflect on the afterlives of three such concepts – ‘the transcendental’, ‘the universal’ and ‘otherness’ – as they continue to animate philosophical discussion at and beyond the limits of the discipline. Anthropology, law, mathematics and politics each provide occasions for testing the historical durability and transformative capacity of these concepts.

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