Search results for ""Author Pauline Greenhill""

The charivari is a loud, late-night surprise house-visiting custom from members of a community, usually to a newlywed couple, accompanied by a qu te (a request for a treat or money in exchange for the noisy performance) and/or pranks. Up to the first decades of the twentieth century, charivaris were for the most part enacted to express disapproval of the relationship that was their focus, such as those between individuals of different ages, races, or religions. While later charivaris maintained the same rituals, their meaning changed to a welcoming of the marriage. Make the Night Hideous explores this mysterious transformation using four detailed case studies from different time periods and locations across English Canada, as well as first-person accounts of more recent charivari participants. Pauline Greenhill's unique and fascinating work explores the malleability of a tradition, its continuing value, and its contestation in a variety of discourses.

Read more less

What do Canadian films say about crime and justice in Canada? What purpose do Canadian crime films serve politically and culturally? Screening Justice is a scholarly exploration of films that focus on crime and justice in Canada. Contributors to this edited collection argue that crime films are pivotal for understanding and shaping Canadian sensibilities about justice by setting out widely available templates for thinking about crime, justice and society. They argue that films offer accessible cultural spaces to contest mainstream assumptions about the ways race, class, gender, place and culture produce and reproduce crime. Spanning disciplines and examining films from across Canada, Screening Justice is the first comprehensive Canadian volume on crime films that takes up cultural criminology s call for more critical scholarly analyses of the interplay between crime, culture and society.Defining Canadian crime films as movies that focus significantly on crime and its consequences in Canadian society, the book is as much about the ways crime films provide vehicles for understanding what it means to be Canadian as it is about the depiction and representation of crime and justice in Canadian cinema and television. The films examined in this book span all regions of Canada and include case studies of films set in Atlantic Canada, Nunavut, British Columbia s Lower Mainland, the Prairies, Ontario and Quebec. Moreover, Canadian crime films produced from the 1930s to the present are included in these analyses. Contributors to this multi- and interdisciplinary volume are drawn from criminology, criminal justice studies, English literature, art history, film studies and communications, cultural anthropology, sociology, and women s and gender studies. Adopting American criminologist Nicole Rafter s concept popular criminology, the essays in this volume all take crime films seriously as popular efforts to understand the causes, consequences and meanings of crime in Canadian society."

Read more less