Search results for ""Author Paul Roth""

On the occasion of Canada's 150th anniversary in 2017, The Faraway Nearby presents a century of Canadian history through photographs. The book will take readers on a visual journey through photographs ranging from breaking news to portraiture, depicting many of the key events and personalities that helped to define Canada in the twentieth century. Taking an expansive view of many of the diverse histories that have constituted Canadian life, The Faraway Nearby highlights images of major political events and conflicts, the Canadian role in wartime, iconic landscapes across the nation, hockey and other sports heroes, and candid reportage on the lives of everyday Canadians. Also featured prominently are images of Indigenous peoples, immigrant communities, notable international figures on official visits to Canada, as well as portraits of such iconic figures as Margaret Atwood, Glenn Gould, Marshall McLuhan, Mary Pickford and Pierre Elliott Trudeau.The publication draws from an archive of nearly 25,000 photographs of Canadian subject matter.

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The extraordinary story of the Chicago bellhop who attempted to transfer mental images to Polaroid film Our thoughts are known to us, and us alone. But for a brief period in the 1960s, Ted Serios (1918–2006) attempted to prove that his inner reality could be documented. Serios demonstrated an ostensibly psychic act termed “thoughtography,” involving the transfer of mental images onto undeveloped Polaroid film. In studies supervised by respected Denver-based psychiatrist Dr. Jule Eisenbud, Serios produced over 1,000 anomalous photographs, a feat that has never been fully dismissed or wholly verified. Existing as an uncomfortable knot in time, the details of the Serios phenomenon can’t be disentangled without questioning the social conditions that produced it in the first place. Contextualizing Serios’ story within the twilight zone of 1960s America, Ted Serios: The Mind’s Eye considers the reaches and restraints of belief and explores the multiple dimensions at play in the Serios phenomenon, including interpersonal relationships, scientific methods, photographic technologies, state militaristic operations and popular culture. Rather than seeking absolute truth, the volume allows the reader to arrive at their own conclusions through a series of thematic essays, narrative photographic stories, select ephemera and contemporary cultural artifacts.

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Portsmouth: Collected Saturdays is a volume of images that show the hardship of deindustrialization, floods, and crime in Portsmouth, Ohio. Ken D. Ashton's photographs show the other side of Appalachia with its fair share of unsuccessful socio-economic undertakings. Through the acute scope of Portsmouth, Ohio, Ashton portrays the macro effect of deindustrialization on small-town America. Ashton investigates the urban landscape, finding signs of depopulation through abandoned lots, homes, and restaurants. He explores how the influence of urban landscape affects our thoughts, actions, and imagination. Ken D. Ashton's photographic work explores urban neighborhoods that experience transition as well as communities that have remained intact. For over fifteen years, Ashton has worked on Megalopolis, a photographic encyclopedia of communities from Washington, DC to Boston, MA.

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When Benedikt Taschen asked the most important portrait photographer working today, Annie Leibovitz, to collect her pictures in a SUMO-sized book, she was intrigued by the challenge. The project took several years to develop and when it was finally published in 2014, it weighed in at 26 kg (57 pounds). This incredible collection is now available in an accessible XXL book format. Leibovitz drew on more than 40 years of work, starting with the photojournalism she did for Rolling Stone magazine in the 1970s through the conceptual portraits she made for Vanity Fair and Vogue. She selected iconic images—such as John Lennon and Yoko Ono entwined in a last embrace—as well as portraits that had rarely, if ever, been seen before. The Annie Leibovitz SUMO covered political and cultural history, from Queen Elizabeth II and Richard Nixon to Laurie Anderson and Lady Gaga. “What I had thought of initially as a simple process of imagining what looked good big, what photographs would work in a large format, became something else,” Leibovitz says. “The book is very personal, but the narrative is told through popular culture. It’s not arranged chronologically and it’s not a retrospective. It’s more like a roller coaster.” Fans of Leibovitz and her many celebrated subjects can now enjoy that same roller coaster ride for themselves with this unlimited edition.

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