Search results for ""Author Paul R. Laird""

Leonard Bernstein was one of twentieth-century music's most successful and recognizable figures. In a career spanning five decades he conducted many of the world's leading orchestras, and composed scores for landmark musicals such as Candide and West Side Story. Published to tie in with the 100th anniversary of Bernstein's birth, this engaging new biography provides a concise overview of the life and work of this prodigiously talented, fascinating and controversial musician. Drawing on over thirty years of study, leading scholar Paul R. Laird describes Bernstein's work as a conductor, composer, music educator and commentator, evaluating all his major compositions. Laird explores the impact of his complicated personal life on his professional work, including his homosexuality and many affairs with men, and his strong yet difficult marriage. The author also describes Bernstein's iron self-belief, which enabled him to negotiate risky and challenging musical situations that resulted in passionate, if sometimes mixed, reviews. Featuring original insights into Bernstein's life, including the author's interview with Bernstein in 1982, this is an ideal introduction to Bernstein's eclectic musical style, showing where it fits in the larger world of twentieth-century music.

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Hamilton opened on Broadway in 2015 and quickly became one of the hottest tickets the industry has ever seen. Lin-Manuel Miranda - who wrote the book, lyrics, and music, and created the title role - adapted the show from Ron Chernow's biography Alexander Hamilton. Although it seems an unlikely source for a Broadway musical, Miranda found a liminal space where the life that Hamilton led and the issues that he confronted came alive more than two centuries later while also commenting on contemporary life in the United States and how we view our nation's history. With a score largely based on rap and drawing on other aspects of hip-hop culture, and staged with actors of color playing the white Founding Fathers, Hamilton has much to say about race in the United States today and in our past, but at the same time it leaves important things insufficiently explained, such as the role of women and people of color in Hamilton's time. Dueling Grounds: Revolution and Revelation in the Musical Hamilton is a volume that combines the work of theater scholars and practitioners, musicologists, and scholars in such fields as ethnomusicology, history, gender studies, and economics in a multi-faceted approach to the show's varied uses of liminality, looking at its creation, casting philosophy, dance and movement, costuming, staging, direction, lyrics, music, marketing, and how aspects of race, gender, and class fit into the show and its production. Demonstrating that there is much to celebrate, as well as challenging issues to confront concerning Hamilton, Dueling Grounds is an uncompromising look at one of the most important musicals of the century.

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