Search results for ""Author Paul Guyer""

Immanuel Kant famously said that he was awoken from his "dogmatic slumbers," and led to question the possibility of metaphysics, by David Hume's doubts about causation. Because of this, many philosophers have viewed Hume's influence on Kant as limited to metaphysics. More recently, some philosophers have questioned whether even Kant's metaphysics was really motivated by Hume. In Knowledge, Reason, and Taste, renowned Kant scholar Paul Guyer challenges both of these views. He argues that Kant's entire philosophy--including his moral philosophy, aesthetics, and teleology, as well as his metaphysics--can fruitfully be read as an engagement with Hume. In this book, the first to describe and assess Hume's influence throughout Kant's philosophy, Guyer shows where Kant agrees or disagrees with Hume, and where Kant does or doesn't appear to resolve Hume's doubts. In doing so, Guyer examines the progress both Kant and Hume made on enduring questions about causes, objects, selves, taste, moral principles and motivations, and purpose and design in nature. Finally, Guyer looks at questions Kant and Hume left open to their successors.

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What should our buildings look like? Or is their usability more important than their appearance? Paul Guyer argues that the fundamental goals of architecture first identified by the Roman architect Marcus Pollio Vitruvius - good construction, functionality, and aesthetic appeal - have remained valid despite constant changes in human activities, building materials and technologies, as well as in artistic styles and cultures. Guyer discusses philosophers and architects throughout history, including Alberti, Kant, Ruskin, Wright, and Loos, and surveys the ways in which their ideas are brought to life in buildings across the world. He also considers the works and words of contemporary architects including Annabelle Selldorf, Herzog and de Meuron, and Steven Holl, and shows that - despite changing times and fashions - good architecture continues to be something worth striving for. This new series offers short and personal perspectives by expert thinkers on topics that we all encounter in our everyday lives.

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Kant's Critique of the Power of Judgment, first published in 1790, was the last of the great philosopher's three critiques, following on the heels of Critique of Pure Reason (1781) and Critique of Practical Reason (1788). In the first two, Kant dealt with metaphysics and morality; in the third, Kant turns to the aesthetic dimension of human experience, showing how our experiences of natural and artistic beauty, the sublime magnitude and might of nature, and of purposive organisms and ecological systems gives us palpable evidece that it is possible for us not only to form moral intentions, but also to realize our freely chosen moral goals within nature as we experience it. The present volume collects twelve of the most important critical discussions on the Critique of the Power of Judgment written by leading Kant scholars and aestheticians from the United States and Great Britain. In addition to a substantive introduction by the editor, the book includes an extensive, annotated bibliography of the most important work on Kant and on the background and arguments of his third Critique published throughout the twentieth century.

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'Pain and pleasure are simple ideas, incapable of definition.' In 1757 the 27-year-old Edmund Burke argued that our aesthetic responses are experienced as pure emotional arousal, unencumbered by intellectual considerations. In so doing he overturned the Platonic tradition in aesthetics that had prevailed from antiquity until the eighteenth century, and replaced metaphysics with psychology and even physiology as the basis for the subject. Burke's theory of beauty encompasses the female form, nature, art, and poetry, and he analyses our delight in sublime effects that thrill and excite us. His revolution in method continues to have repercussions in the aesthetic theories of today, and his revolution in sensibility has paved the way for literary and artistic movements from the Gothic novel through Romanticism, twentieth-century painting, and beyond. In this new edition Paul Guyer conducts the reader through Burke's Enquiry, focusing on its place in the history of aesthetics and highlighting its innovations, as well as its influence on many subsequent authors from Kant and Schiller to Ruskin and Nietzsche. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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This book tells the story of idealism in modern philosophy, from the seventeenth century to the turn of the twenty-first. Paul Guyer and Rolf-Peter Horstmann define idealism as the reduction of all reality to something mental in nature. Rather than distinguishing between metaphysical and epistemological versions of idealism, they distinguish between metaphysical and epistemological motivations for idealism. They argue that while metaphysical arguments for idealism have only rarely been accepted, for example by Bishop Berkeley in the early eighteenth century and the British idealists Bradley and McTaggart in the late nineteenth and early twentieth centuries, epistemological arguments for idealism have been widely accepted, even in the so-called analytic philosophy of the twentieth century. Guyer and Horstmann discuss many philosophers who have played a role in the development of idealism, from Descartes, Hobbes, Spinoza, Leibniz, Locke, Berkeley, and Hume, through Kant; the German idealists Fichte, Schelling, and Hegel; Schopenhauer and Nietzsche; the British and American idealists such as Green and Royce in addition to Bradley and McTaggart; G.E. Moore and Bertrand Russell, Neo-Kantians such as Ernst Cassirer; and twentieth-century philosophers such as Wittgenstein, Collingwood, Carnap, Sellars, and McDowell.

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This book tells the story of idealism in modern philosophy, from the seventeenth century to the turn of the twenty-first. Paul Guyer and Rolf-Peter Horstmann define idealism as the reduction of all reality to something mental in nature. Rather than distinguishing between metaphysical and epistemological versions of idealism, they distinguish between metaphysical and epistemological motivations for idealism. They argue that while metaphysical arguments for idealism have only rarely been accepted, for example by Bishop Berkeley in the early eighteenth century and the British idealists Bradley and McTaggart in the late nineteenth and early twentieth centuries, epistemological arguments for idealism have been widely accepted, even in the so-called analytic philosophy of the twentieth century. Guyer and Horstmann discuss many philosophers who have played a role in the development of idealism, from Descartes, Hobbes, Spinoza, Leibniz, Locke, Berkeley, and Hume, through Kant; the German idealists Fichte, Schelling, and Hegel; Schopenhauer and Nietzsche; the British and American idealists such as Green and Royce in addition to Bradley and McTaggart; G.E. Moore and Bertrand Russell, Neo-Kantians such as Ernst Cassirer; and twentieth-century philosophers such as Wittgenstein, Collingwood, Carnap, Sellars, and McDowell.

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