Search results for ""Author Paul Feyerabend""

From Homeric gods to galaxies, from love affairs to perspective in painting, Paul Feyerabend revelled in the physical and cultural abundance that surrounds us. He found it equally striking that human senses and human intelligence are able to take in only a fraction of these riches. From this fraction, scientists, artists, all of us construct encompassing abstractions and stereotypes. This basic human trait is at the heart of "Conquest of Abundance", the book on which Feyerabend was at work when he died in 1994. Prepared from drafts of the manuscript left at his death, working notes, and lectures and articles Feyerabend wrote while the larger work was in progress, "Conquest of Abundance" offers up exploration and startling insights with the charm, lucidity, and sense of mischief that are his hallmarks. Feyerabend is fascinated by how we attempt to explain and predict the mysteries of the natural world, and he describes ways in which we abstract experience, explain anomalies, and reduce wonder to formulas and equations. Through his exploration of the positive and negative consequences of these efforts, Feyerabend reveals the "conquest of abundance" as an integral part of the history and character of Western civilization. Paul Feyerabend (1924-1994) was educated in Europe and held numerous teaching posts throughout his career, including at the University of California, Berkeley, from 1959 to 1990. His "Against Method" - translated into 17 languages - is a classic of modern philosophy of science. The University of Chicago Press published his autobiography, "Killing Time", in 1995.

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Paul Feyerabend's globally acclaimed work, which sparked and continues to stimulate fierce debate, examines the deficiencies of many widespread ideas about scientific progress and the nature of knowledge. Feyerabend argues that scientific advances can only be understood in a historical context. He looks at the way the philosophy of science has consistently overemphasized practice over method, and considers the possibility that anarchism could replace rationalism in the theory of knowledge.This updated edition of the classic text includes a new introduction by Ian Hacking, one of the most important contemporary philosophers of science. Hacking reflects on both Feyerabend's life and personality as well as the broader significance of the book for current discussions.

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Finished only weeks before his death in 1994, this autobiography traces the trajectory that led Feyerabend from an isolated, lower-middle-class childhood in Vienna to the height of international academic success as one of this century's most influential intellectuals. He writes of his experience in the German army on the Russian front, where three bullets left him crippled, impotent, and in lifelong pain. He recalls his promising talent as an operatic tenor (a lifelong passion), his encounters with everyone from Martin Buber to Bertolt Brecht, innumerable love affairs, four marriages, and a career so rich he once held tenured positions at four universities at the same time. Although not written as an intellectual autobiography, "Killing Time" sketches the people, ideas, and conflicts of 60 years. Feyerabend writes frankly of complicated relationships with his mentor Karl Popper and his friend and frequent opponent Imre Lakatos, and his reactions to a growing reputation as the "worst enemy of science."

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The work that helped to determine Paul Feyerabend's fame and notoriety, "Against Method," stemmed from Imre Lakatos's challenge: "In 1970 Imre cornered me at a party. "Paul", he said, "you have such strange ideas. Why don't you write them down? I shall write a reply, we publish the whole thing and I promise you - we shall have a lot of fun." Although Lakatos died before he could write his reply, this text reconstructs his original counter-arguments from lectures and correspondence previously unpublished in English, allowing us to enjoy the "fun" two of this century's most eminent philosophers had, matching their wits and ideas on the subject of the scientific method. The text opens with an imaginary dialogue between Lakatos and Feyerabend, which Matteo Motterlini has constructed, based on their published works, to synthesize their positions and arguments. Part one presents the transcripts of the last lectures on method that Lakatos delivered. Part two, Feyerabend's response, consists of a previously published essay on anarchism, which began the attack on Lakatos's position that Feyerabend later continued in "Against Method." The third and longest section consists of the correspondence Lakatos and Feyerabend exchanged on method and many other issues and ideas, as well as the events of their daily lives, between 1968 and Lakatos's death in 1974.

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The work that helped to determine Paul Feyerabend's fame and notoriety, "Against Method," stemmed from Imre Lakatos's challenge: "In 1970 Imre cornered me at a party. "Paul", he said, "you have such strange ideas. Why don't you write them down? I shall write a reply, we publish the whole thing and I promise you - we shall have a lot of fun." Although Lakatos died before he could write his reply, this text reconstructs his original counter-arguments from lectures and correspondence previously unpublished in English, allowing us to enjoy the "fun" two of this century's most eminent philosophers had, matching their wits and ideas on the subject of the scientific method. The text opens with an imaginary dialogue between Lakatos and Feyerabend, which Matteo Motterlini has constructed, based on their published works, to synthesize their positions and arguments. Part one presents the transcripts of the last lectures on method that Lakatos delivered. Part two, Feyerabend's response, consists of a previously published essay on anarchism, which began the attack on Lakatos's position that Feyerabend later continued in "Against Method." The third and longest section consists of the correspondence Lakatos and Feyerabend exchanged on method and many other issues and ideas, as well as the events of their daily lives, between 1968 and Lakatos's death in 1974.

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