Search results for ""Author Paul Bowles""

These are four tales of contemporary life in a land where cannabis, rather than alcohol, customarily provides a way out of the phenomenological world. Thus, of the men in these stories, Salam uses suggestions supplied by smoking kif to rid himself of a possible enemy. He of the Assembly catches himself up in the mesh of his own kif-dream and begins to act it out in reality; Idir's victory over Lahcen is the classical story of the kif-smoker's ability to outwit the drinker. Driss the soldier, with aid of kif, proves the existence of magic to his enlightened superior officer. For all of them the kif-pipe is the means to attaining a state of communication not only with others but above all with themselves."His work is art. At his best Paul Bowles has no peer." —Time"[W]riters and artists such as Williams, Jack Kerouac, Francis Bacon, Christopher Isherwood, Truman Capote, William S. Burroughs and Allen Ginsberg to Tangier. . .sought Bowles as an oracle, a writer whose work demonstrated its author as an original who saw farther, deeper, and clearer, and who refused to flinch."--The AustralianPaul Bowles (1910-1999) was an expatriate composer, author, and translator. His other famous literary works include The Sheltering Sky, Travels: Collected Writings 1950-1993, and Without Stopping

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In these hauntingly beautiful stories of abandonment and vengeance, extreme situations lead to disturbing conclusions. A missionary is sent to a place so distant he finds his God has no power there; a husband abandons his wife as they honeymoon in the South American jungle; a splash of water triggers an explosion of violence; and a boy's drug-induced transformation leads to cruelty enjoyed and suffered.Masterfully written, these are chilling tales from sun-drenched and brutal climes.

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Fez, 1954, and American ex-pat Stenham reluctantly accepts a guide for his night-time walk home through the streets of the Medina. A nationalist uprising is transforming the country, much to the annoyance of Stenham, who enjoys the trappings of the old city. His path soon crosses with the young, illiterate son of a healer, another outsider to the newly politicised life of Morocco, in this brutally honest novel of life in the midst of terrorism, violence and the ugly opportunism that accompanies both.Bowles's most masterly novel combines his classic themes: the conflict of Eastern and Western cultures and the trials of otherness.

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Abdeslam tiene 12 años, recita el Corán en la mezquita, lee "Las mil y una noches" y sueña con vivir sus propias aventuras. A veces tiene visiones donde ocurren cosas terribles. Un día se pelea con su profesor y su padre lo echa de casa. Se instalaen la medina de Tánger con Bachir, un estibador del puerto, y siente que protagoniza uno de esos relatos que leía. Rodeado del ambiente corrupto y decadente de la ciudad internacional, lucha por conservar su inocencia infantil. Ni siquiera se da cuenta de que se ha convertido en el objeto de deseos ajenos. Podrá Abdeslam evitar la degradación de esa inocencia o se volverá un instrumento más de la violencia?"El limón" se publicó en 1969 y fue el segundo libro surgido de la colaboración literaria entre Paul Bowles y Mohamed Mrabet, tras "Amor por un puñado de pelos".

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Paul Bowles fue siempre un viajero inquieto e infatigable desde que en 1929 abandonó Nueva York, ciudad donde nació, para viajar a París sin billete de vuelta y sin informar a nadie de sus intenciones. El presente volumen reúne por primera vez sus escritos completos sobre viajes, la mayoría de ellos nunca recogidos en libro e inéditos en español. Algunos incluso se publican aquí por primera vez, como dos diarios inéditos: 17 Quai Voltaire y Paul Bowles, su vida. Los países y ciudades que protagonizan estos relatos evidencian las preferencias de Bowles a la hora de buscar formas de vivir con las que identificarse. Los países del Magreb, con Tánger como centro donde residió durante cincuenta y dos años, el Sáhara, España y Francia, la India y Ceilán (hoy Sri Lanka), pero también Tailandia, Estambul, Kenia, México y Costa Rica son vividos y relatados por Bowles en una prosa impecable ya sea en formade relatos, artículos, ensayos o diarios.Los más de cuarenta textos que conforman este volu

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The Pool K III is Paul Bowles' most unfathomable musical work, one not yielding to easy interpretation. It is a realm of sound that creates a dreamlike journey without a clear point of origin or destination--a sojourn to be experienced in its entirety, without stopping. With The Pool K III, Paul Bowles has created in eight separate tracks a wor

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Paul Bowles reads this classic suite of Moroccan kif stories that he recorded in Tangier, Morocco, in the Fall of 1978. Previously released as a 2 LP recording in 1981, and long sold out, these stories are now available again in this audiobook format. Bowles' accompanying essay for this recording is printed in the included booklet. It sets forth the method of writing employed in these stories — the selection of arbitrary incidents and phenomena factored into the kif-smoker’s imperium of sensibility.

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Notes on Thought and Vision by Imagist poet H.D. (Hilda Doolittle) is an aphoristic meditation on how one works toward an ideal body-mind synthesis; a contemplation of the sources of imagination and the creative process; and a study of gender differences H.D. believed to be inherent in women's and men's consciousness. Here, too, is The Wise Sappho, a lyrical tribute to the great poet of Lesbos, for whom H.D. felt deep personal kinship.""Notes" is filled with dualisms that seem to split experience at all levels: body and spirit, womb and head, feeling and thought, the unconscious and ego consciousness, female and male, nature and divinity, classical and Christian, Greek and Hebrew, Greek and Egyptian, Sphinx and Centaur, Pan and Helios, Naiads and Athene, thistle and serpent. But the impulse behind "Notes" is to account for those mysterious moments in which the polarities seemed to fall away, or—more accurately—to find their contradictions lifted and subsumed into a gestalt that illuminated the cross-patch of the past and released her to the chances of the future." —Albert Gelpi, Introduction"H. D.'s Notes on Thought and Vision [is] such a unique, inspiring, exploration of her notion of the creative process, orchestrated through an array of fully female, not feminine, not feminist, female figures." —Paul Kameen, University of Pittsburgh, English DepartmentHilda "H.D." Doolittle (1886-1961) was a poet, novelist, and memoirist well-known for her role with the avant-gard Imagist group. Though born in Bethlehem, Pennsylvania, her publications took off in London and earned her a spot within the emerging Imagist movement. She is also known for being unapologetic about her sexuality and is an icon for LGBT rights and feminist movements.

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'The Sheltering Sky is a book about people on the edge of an alien space; somewhere where, curiously, they are never alone' Michael Hoffman.Port and Kit Moresbury, a sophisticated American couple, are finding it more than a little difficult to live with each other. Endeavouring to escape this predicament, they set off for North Africa intending to travel through Algeria - uncertain of exactly where they are heading, but determined to leave the modern world behind. The results of this casually taken decision are both tragic and compelling.

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Northern British Columbia has always played an important role in Canada’s economy, but for many Canadians it also existed as an almost forgotten place: a vast territory where only a few roads, some railroad tracks, and a ferry system connected small cities, towns, and villages to the outside world. Now, as the global appetite for oil, gas, hydroelectricity, wood, and minerals intensifies, this resource-rich and geographically important region is being pulled onto the national and international economic stages.As debates around pipelines, mines, and hydroelectric projects intensify in local coffee shops, distant boardrooms, and the halls of Parliament, this timely volume examines the connections and tensions between resource communities and global market forces, illuminating how governments, Aboriginal peoples, organized labour, NGOs, and the private sector are adapting to, resisting, and embracing change.

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The Answer Is Still No is an important, urgent book that compiles interviews with people who live along the route of the proposed Enbridge pipeline in Northern British Columbia. The oil pipeline and supertankers - linking the tar sands of Alberta to the demand of the growing Asian market - are a key component of Canada's strategy of natural resource extraction. But for the people living along the proposed pipeline route, Enbridge poses a massive environmental risk, which threatens their way of life. This edited collection takes the passionate words and voices of twelve citizens and activists and results in one powerful position when it comes to blind economic development at the expense of our environment and communities: The answer is still "no." "The oil and gas industry has wanted into the west coast for decades. This is an ongoing struggle between the people who live here and have access to the marine resources now, the fish, and the industry, which wants in either for tanker traffic or offshore drilling. The government is on the oil industry side and they implement policies to weaken us." - Luanne Roth, Prince Rupert "[There is] is a great saying: 'If we don't speak for the animals, the fish and the birds, who will?' Simple, very simple, very to the point. And how could we give up something that our great-great-grandchildren will ask us one day 'Why don't we have this anymore? Why didn't you stop this then?' We don't have a right to let that happen." - John Ridsdale, Hereditary Chief Na'Moks, Office of the Wet'suwet'en

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Let It Come Down, with its title from Macbeth, tells the story of Dyar, a New York bank clerk who throws up his secure, humdrum job to find a reality abroad with which to identify himself, and his macabre experiences in the inferno of Tangiers as he gives in to his darkest impulses. Rich in descriptions of the corruption and decadence of the International Zone in the last days before Moroccan independence, Bowles's second novel is an alternately comic and horrific account of a descent into nihilism.

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Driven by famine from their home in the Rif, Mohamed's family walks to Tangiers in search of a better life. But things are no better there. Eight of Mohamed's siblings die of malnutrition and neglect, and one is killed by Mohamed's father in a fit of rage. On moving to another province Mohamed learns how to charm and steal, and discovers the joys of drugs, sex and alcohol. Proud, insolent and afraid of no-one, Mohamed returns to Tangiers, where he is caught up in the violence of the 1952 independence riots. During a short spell in a filthy Moroccan jail, a fellow inmate kindles Mohamed's life-altering love of literature. A cult classic, For Bread Alone is an astonishing tale of human resilience and an unflinching and searing portrait of the early life of one of the Arab world's most important and widely read authors.

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'It's an easy enough job if one has something to say', Paul Bowles remarked in a letter to his mother about his first foray into music criticism. And Paul Bowles, indeed, had plenty to say about music. Though known chiefly as a writer of novels and stories, Paul Bowles (1910-99) thought of himself first and foremost as a composer. Drawing together the work he did at the intersection of his two passions and professions, writing and music, this volume collects the music criticism Bowles published between 1935 and 1946 as well as an interview conducted by Irene Herrmann shortly before his death. An intimate of Aaron Copland and protege of Virgil Thomson, Bowles was a musical sophisticate acquainted with an enormous range of music. His criticism collected here brilliantly illuminates not only the whole range of modernist composition but also film music, jazz, Mexican and Moroccan music, and many other genres. As a reviewer he reports on established artists and young hopefuls, symphonic concerts indoors and out, and important premieres of works by Copland, Thomson, Cage, Shostakovich, and Stravinsky, among others. Written with the austere grace of his better-known literary works, Bowles' criticism enhances our picture of an important era in American music history as well as our sense of his accomplishments and extraordinary contribution to twentieth-century culture.

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