Search results for ""Author Patrick Porter""

Does technology kill distance? Does the 'globalisation' of the world make the US and its allies vulnerable to violence, terrorism or cyber-assault? 'Globalism'-- the belief that changes in information, transport and communications are dangerously shrinking the world -- is a reigning assumption amongst security elites. It makes the United States and its allies feel perpetually insecure, haunted by rumours of chain reactions and the domino effect. At the same time, the vision of instant and borderless warfare can be seductive, making Westerners believe they must strike first, with new powers to tame a chaotic world. Under the shadow of Globalism, disastrous wars are fought, civil liberties are threatened and hysteria replaces sober debate about foreign policy. In 'The Global Village Myth', Patrick Porter demonstrates through studies of Al-Qaeda's global terror network, military tensions in the Taiwan Strait, drones and cyberwar, that Globalism is wildly overstated. Technology may accelerate movement and compress physical space. But it does not necessarily shrink strategic space, the ability to project power affordably across the earth.If distance is created by humans exploiting technology and terrain, the world in important ways is getting larger, not smaller. This makes us less powerful, but more secure, than we think. Porter offers an alternative outlook to lead policymakers toward more sensible responses and a wiser, more sustainable, grand strategy.

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In an age of demagogues, hostile great powers and trade wars, foreign policy traditionalists dream of restoring liberal international order. This order, they claim, ushered in seventy years of peace and prosperity and saw post-war America domesticate the world to its values. The False Promise of Liberal Order exposes the flaws in this nostalgic vision. The world shaped by America came about as a result of coercion and, sometimes brutal, compromise. Liberal projects – to spread capitalist democracy – led inadvertently to illiberal results. To make peace, America made bargains with authoritarian forces. Even in the Pax Americana, the gentlest order yet, ordering was rough work. As its power grew, Washington came to believe that its order was exceptional and even permanent – a mentality that has led to spiralling deficits, permanent war and Trump. Romanticizing the liberal order makes it harder to adjust to today’s global disorder. Only by confronting the false promise of liberal order and adapting to current realities can the United States survive as a constitutional republic in a plural world.

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In an age of demagogues, hostile great powers and trade wars, foreign policy traditionalists dream of restoring liberal international order. This order, they claim, ushered in seventy years of peace and prosperity and saw post-war America domesticate the world to its values. The False Promise of Liberal Order exposes the flaws in this nostalgic vision. The world shaped by America came about as a result of coercion and, sometimes brutal, compromise. Liberal projects – to spread capitalist democracy – led inadvertently to illiberal results. To make peace, America made bargains with authoritarian forces. Even in the Pax Americana, the gentlest order yet, ordering was rough work. As its power grew, Washington came to believe that its order was exceptional and even permanent – a mentality that has led to spiralling deficits, permanent war and Trump. Romanticizing the liberal order makes it harder to adjust to today’s global disorder. Only by confronting the false promise of liberal order and adapting to current realities can the United States survive as a constitutional republic in a plural world.

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Offers a fascinating window into how the fraught politics of apology in the East Asian region have been figured in anglophone literary fiction. The Pacific War, 1941-1945, was fought across the world’s largest ocean and left a lasting imprint on anglophone literary history. However, studies of that imprint or of individual authors have focused on American literature without drawing connections to parallel traditions elsewhere. Beyond Hostile Islands contributes to ongoing efforts by Australasian scholars to place their national cultures in conversation with those of the United States, particularly regarding studies of the ideologies that legitimize warfare. Consecutively, the book examines five of the most significant historical and thematic areas associated with the war: island combat, economic competition, internment, imprisonment, and the atomic bombing of Hiroshima and Nagasaki. Throughout, the central issue pivots around the question of how or whether at all New Zealand fiction writing differs from that of the United States. Can a sense of islandness, the ‘tyranny of distance,’ Māori cultural heritage, or the political legacies of the nuclear-free movement provide grounds for distinctive authorial insights? As an opening gambit, Beyond Hostile Islands puts forward the term ‘ideological coproduction’ to describe how a territorially and demographically more minor national culture may accede to the essentials of a given ideology while differing in aspects that reflect historical and provincial dimensions that are important to it. Appropriately, the literary texts under examination are set in various locales, including Japan, the Solomon Islands, New Zealand, New Mexico, Ontario, and the Marshall Islands. The book concludes in a deliberately open-ended pose, with the full expectation that literary writing on the Pacific War will grow in range and richness, aided by the growth of Pacific Studies as a research area.

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Offers a fascinating window into how the fraught politics of apology in the East Asian region have been figured in anglophone literary fiction. The Pacific War, 1941-1945, was fought across the world’s largest ocean and left a lasting imprint on anglophone literary history. However, studies of that imprint or of individual authors have focused on American literature without drawing connections to parallel traditions elsewhere. Beyond Hostile Islands contributes to ongoing efforts by Australasian scholars to place their national cultures in conversation with those of the United States, particularly regarding studies of the ideologies that legitimize warfare. Consecutively, the book examines five of the most significant historical and thematic areas associated with the war: island combat, economic competition, internment, imprisonment, and the atomic bombing of Hiroshima and Nagasaki. Throughout, the central issue pivots around the question of how or whether at all New Zealand fiction writing differs from that of the United States. Can a sense of islandness, the ‘tyranny of distance,’ Māori cultural heritage, or the political legacies of the nuclear-free movement provide grounds for distinctive authorial insights? As an opening gambit, Beyond Hostile Islands puts forward the term ‘ideological coproduction’ to describe how a territorially and demographically more minor national culture may accede to the essentials of a given ideology while differing in aspects that reflect historical and provincial dimensions that are important to it. Appropriately, the literary texts under examination are set in various locales, including Japan, the Solomon Islands, New Zealand, New Mexico, Ontario, and the Marshall Islands. The book concludes in a deliberately open-ended pose, with the full expectation that literary writing on the Pacific War will grow in range and richness, aided by the growth of Pacific Studies as a research area.

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