Search results for ""Author Patricia Smith""

Winner of 2013 Wheatley Book Award in Poetry Finalist for 2013 William Carlos Williams Award Winner of 2014 Bobbitt National Prize for Poetry "Patricia Smith is writing some of the best poetry in America today. Ms Smith's new book, Shoulda Been Jimi Savannah, is just beautiful--and like the America she embodies and represents--dangerously beautiful. Shoulda Been Jimi Savannah is a stunning and transcendent work of art, despite, and perhaps because of, its pain. This book shines." --Sapphire "One of the best poets around and has been for a long time." --Terrance Hayes "Smith's work is direct, colloquial, inclusive, adventuresome." --Gwendolyn Brooks In her newest collection, Patricia Smith explores the second wave of the Great Migration. Shifting from spoken word to free verse to traditional forms, she reveals "that soul beneath the vinyl." Patricia Smith is the author of five volumes of poetry, including Blood Dazzler, a finalist for the 2008 National Book Award, and Teahouse of the Almighty, a National Poetry Series selection. She lives in New Jersey.

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In minute-by-minute detail, Patricia Smith tracks Hurricane Katrina as it transforms into a full-blown mistress of destruction. From August 23, 2005, the day Tropical Depression Twelve developed, through August 28 when it became a Category Five storm with its "scarlet glare fixed on the trembling crescent," to the heartbreaking aftermath, these poems evoke the horror that unfolded in New Orleans as America watched it on television. Assuming the voices of flailing politicians, the dying, their survivors, and the voice of the hurricane itself, Smith follows the woefully inadequate relief effort and stands witness to families held captive on rooftops and in the Superdome. She gives voice to the thirty-four nursing home residents who drowned in St. Bernard Parish and recalls the day after their deaths when George W. Bush accompanied country singer Mark Willis on guitar: The cowboy grins through the terrible din, *** And in the Ninth, a choking woman wails Look like this country done left us for dead. An unforgettable reminder that poetry can still be "news that stays news," Blood Dazzler is a necessary step toward national healing. Patricia Smith is the author of four previous collections of poetry, including Teahouse of the Almighty, winner of the Hurston/Wright Legacy Award and the Paterson Poetry Prize. A record-setting, national poetry slam champion, she was featured in the film Slamnation, on the HBO series Def Poetry Jam, and is a frequent contributor to Harriet, the Poetry Foundation's blog. Visit her website at www.wordwoman.ws.

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Incendiary Art confronts the tyranny against the black male body and the tenacious grief of the mothers of murdered African American men. Dynamic sequences, including a compelling chronicle of the devastating murder of Emmett Till, serve as a backdrop for present-day racial calamities and calls for resistance. With impassioned eloquence and a sharpened focus on incidents of national mayhem and mourning, Patricia Smith reinvents the role of witness with an incendiary fusion of forms, including prose poems, ghazals, sestinas, and sonnets. This phenomenal, visionary book addresses what is frightening, and what is revelatory, about history now. Winner of the 2018 Kingsley Tufts Poetry Award and 2018 NAACP Image Award, Incendiary Art was a finalist for the 2018 Pulitzer Prize and 2018 Los Angeles Times Book Prize.

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Women and the U.S. Constitution is about much more than the nineteenth amendment. This provocative volume incorporates law, history, political theory, and philosophy to analyze the U.S. Constitution as a whole in relation to the rights and fate of women. Divided into three parts-History, Interpretation, and Practice-this book views the Constitution as a living document, struggling to free itself from the weight of a two-hundred-year-old past and capable of evolving to include women and their concerns. Feminism lacks both a constitutional theory as well as a clearly defined theory of political legitimacy within the framework of democracy. The scholars included here take significant and crucial steps toward these theories. In addition to constitutional issues such as federalism, gender discrimination, basic rights, privacy, and abortion, Women and the U.S. Constitution explores other issues of central concern to contemporary women-areas that, strictly speaking, are not yet considered a part of constitutional law. Women's traditional labor and its unique character, and women and the welfare state, are two examples of topics treated here from the perspective of their potentially transformative role in the future development of constitutional law.

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Women and the U.S. Constitution is about much more than the nineteenth amendment. This provocative volume incorporates law, history, political theory, and philosophy to analyze the U.S. Constitution as a whole in relation to the rights and fate of women. Divided into three parts-History, Interpretation, and Practice-this book views the Constitution as a living document, struggling to free itself from the weight of a two-hundred-year-old past and capable of evolving to include women and their concerns. Feminism lacks both a constitutional theory as well as a clearly defined theory of political legitimacy within the framework of democracy. The scholars included here take significant and crucial steps toward these theories. In addition to constitutional issues such as federalism, gender discrimination, basic rights, privacy, and abortion, Women and the U.S. Constitution explores other issues of central concern to contemporary women-areas that, strictly speaking, are not yet considered a part of constitutional law. Women's traditional labor and its unique character, and women and the welfare state, are two examples of topics treated here from the perspective of their potentially transformative role in the future development of constitutional law.

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"Expert and instinctive, like a cool Ed Wilkerson sax solo bouncing with lived rhythms. Morton's consummate poems will echo long after they are read." —Booklist Selected by Patricia Smith as winner of the 2018 A. Poulin, Jr. Poetry Prize, Matt Morton’s debut poetry collection Improvisation Without Accompaniment embraces uncertainty with a spirit of joyous playfulness. These lyric poems follow the rhythms of life for a young man growing up in a small Texas town. As the speaker wrestles with ruptures within the nuclear family and the loss of his religious beliefs, he journeys toward a deeper self-awareness and discovers a fuller palette of experiences. Over the course of this collection, the changing seasons of small-town Texas life give way to surprise encounters in distant cities. The speaker’s awareness of mortality grows even as he improvises an affirming response to life’s toughest questions. Poignant, searching, and earnestly philosophical, Improvisation Without Accompaniment reaches for meaning within life’s joys and griefs.

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