Search results for ""Author PAUL FOX""

From 1929 through 1961 Gibson, Inc. of Kalamazoo, MI produced over 30 brands of musical instruments that did not carry the Gibson name. Many of these brands may be familiar, with names such as Recording King, National and Washburn, while many others are brands that only a handful of avid Gibsonites will know, such as Werlein Leader, Grinnell, Truett, and many more. This book is a complete guide to all of the other brands Gibson produced, complete with detailed descriptions, photos and rare examples of existing instruments from collectors around the world. If you're hoping to find that diamond in the rough at the local garage sale, this guide will familiarize you with even the most obscure brands Gibson made for more than three decades.

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The essays in this revised and expanded volume explore a variety of structuring taxonomies, the relationships between the aesthetic forms, styles and methodologies of detective and crime fiction in the late-Victorian and Edwardian period. The influences on the artists in the genre are as varied as the interests of the period in scientific method, forensics, archaeology, aesthetics, medicine, and the paranormal. But the formalising tendencies of investigative process remain, and it is this adherence, in artist and detective alike, to seeing crime and its resolution as a stylistic imposition of structure on disorder that is under examination.

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This revised and expanded volume examines the intersections of aesthetics and morality and asks what Decadence means to art and society at various moments in British literature. As time passes, the definition of what it takes to be D/decadent changes. The decline from a higher standard, social malaise, aesthetic ennui -- all these ideas presume certain facts about the past, the present, and the linear nature of time itself. To reject the past as a given, and to relish the subtleties of present nuance, is the beginning of Decadence. The conflict underlying the contributions to this collection is that of society's moral contempt vis-á-vis the focus on the fleeting present on part of the purportedly decadent artists; who in turn thought the truly decadent to be the stranglehold society maintained on individual interpretation and the interpretation of oneself.

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The role of the Hague Convention in today's world revisited. Significant attention today focusses on heritage destruction, but the key international laws prohibiting it - the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict and its First and Second Protocols (1954/1999) - lay out two core strands to limit the damage: the measures of respect for armed forces, and the safeguarding measures states parties should put in place in peacetime. This volume incorporates wide-ranging international perspectives from those in the academy, together with practitioner insights from the armed forces and heritage professionals, to explore the safeguarding regime. Its contributors consider such questions as whether state parties have truly taken "all possible steps", as the Convention tasks them; what we can learn from past practice, and how the Convention is implemented today; the implications of new trends in heritage law and management - such as the rise of the World Heritage Convention, and in the increasing focus on safe havens rather than refuges; whether new methods of heritage management such as Risk Assessment theory can be applied; and, in a Convention specifically focussed on state parties, what of their opponents, armed non-state actors. Topics range from leadership and the role of the State Party Representative, to the responsibilities of armed non-state groups in safeguarding, to explorations of past and current practice in different countries. Using a mix of case studies and theoretical explorations of new and existing methodologies, the contributions cover a broad timespan from World War II to today, with examples from Europe, the Middle East, and Africa. Overall, the volume's purpose is to promote wider understanding of the practical effectiveness of the Convention in the contemporary world, by investigating the perceived opportunities and constraints the Convention offers today to protect cultural property in armed conflict, and firmly establishing that such protection must begin in peace. CONTRIBUTORS: Maamoun Abdulkarim, Laura Albisetti, Pascal Bongard, Brittni Bradford, Rino Büchel, Emma Cunliffe, Philip Deans, Joanne Dingwall McCafferty, Paul Fox, Kristin Hausler, Stavros-Evdokimos Pantazopoulos, Nikolaus Paumgartner, Nigel Pollard, Lee Rotherham, Valentina Sabucco, Peter Stone, Raphael Zingg.

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Exploring the benefits of yoga on social prescription, this book details the 10-week Yoga4Health social prescribing programme developed by the Yoga In Healthcare Alliance. This evidence-based prevention programme targets NHS patients at risk of becoming chronically ill and supports them to bring about lifestyle change through a daily yoga practice. The programme is for patients who are socially isolated, at risk of cardio-vascular disease or Type 2 diabetes, and those with stress or mild-moderate anxiety/depression.The authors present the theory and background to the Yoga4Health Yoga on Prescription programme, providing the reader with a detailed posture-by-posture guide to teaching the protocol on a yoga mat, on the floor or in a chair. Inspiring lifestyle changes that will positively affect long- and short-term health, Yoga on Prescription is the perfect companion to anyone wanting to teach the yoga for health and wellbeing.

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