Search results for ""Author Owen Lowery""

The poems in Owen Lowery's first collection speak in a range of voices, offer glimpses into many lives and many worlds. At the same time, we hear in all of them Lowery's own voice. Incorporating elements from English, Welsh, Hebrew, Arabic, Japanese and Italian poetic traditions, he develops form deftly, giving his work a beautiful, risky movement and musicality. Many of his poems pay tribute to poets writing in the face of war: he enters the worlds of Paul Celan, Keith Douglas, Alun Lewis, Edward Thomas, and - in a powerful sequence based on IF THIS IS A MAN - Primo Levi. Other poems are more directly personal, the poet's confessions both wry and tender: 'Your trademark switching the light on / from the bottom of the stairs / wakes the open secret of his / thank you prayer.' The poet was a British Judo champion but suffered a spinal injury in 1987, as a result of which he is now a ventilator-dependent C2-level tetraplegic. With OTHERWISE UNCHANGED, Owen Lowery embarks on a momentous

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The Poetry Book Society Winter Wild Card 2021. In February 2020, ventilated tetraplegic poet Owen Lowery and his wife, Jayne, were travelling to Scotland when their vehicle aquaplaned, spun round on the motorway, hit a barrier, flipped over the barrier and rolled over several times, before coming to rest on its side in a field. Having barely survived, Lowery emerged into a world transformed by the coronavirus, one in which life and death had moved closer. During his months of recovery from three brain bleeds, a shattered right arm, multiple seizures and pulmonary bleeding, Lowery returned to writing poems, many of which address the strangeness, the disorientation, of his situation and that of the world in general. Lowery wrote these poems amidst reports of Government and health initiatives that suggested potential utilitarian sacrifices of 'the vulnerable'. Completed shortly before his death in May 2021, the fear and loss of the vulnerable and the voiceless haunt many of the poems. In the 'Crash Wake' sequence, Lowery adopted a twelve-line form. Twelve lines was as long as he could manage to sustain a poem at the time, due to repercussions from his head injury. The form also allowed him to take what Keith Douglas called 'extrospective' snapshots of the new environment in which he found himself: streets empty of people, an Italian village cut off by the army, a train in India killing migrant workers in their sleep. Recovery, nature and love fill the gaps in this changed world. Lowery's final book appreciates afresh landscape and wildlife, family and marriage, the importance and fragility of life.

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