Search results for ""Author Norman Franks"

While critically recognized and praised, Bluhm's work has never received the level of attention that some of other contemporaries, like Joan Mitchell and Sam Francis. In part, this is the result of Bluhm's unwillingness to cater sufficiently to those in the commercial art world; but it is also due to changing art tastes in the 1960's, with the advent of Pop Art - which Bluhm found utterly lacking in beauty and passion - that placed Bluhm in a critical lacuna. The over eighty works featured here are interspersed with short texts and extended commentaries, and complemented with comparative images of ephemera or other short unpublished texts, such as Frank O'Hara's poems that formed part of a significant body of paintings produced by Bluhm in the early 1960s. Together the artworks chart the full trajectory of Bluhm's career over a period of 50 years. An introduction by Jay Grimm presents a more intimate, biographical approach to Bluhm's work, based on unpublished interviews with Cary Bluhm (Norman Bluhm's widow) and Jay's interviews with Norman Bluhm. The volume also features a previously unpublished interview by Paul Cummings with Norman Bluhm from 1969.

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Essays on varied topics, with particular emphasis on the Normans in the mediterranean world. Papers here have as a general theme the "Norman Age", with a special slant towards the Mediterranean world. Subjects treated include the policies of the Norman rulers, their military and naval organisation and coinage, chronicle sources and aspects of church history in their principalities, and the relations of the Normans with Byzantium, the Fatimid rulers and the crusading states. Other papers treat more generally of art, literature and language in the Norman period. Listing: Adam of Balsham's Oratio de Utensilibus; Chronicle of Falco of Benevento; Coinages of Norman Apulia and Sicily; De Clericis et Rustico; Franks in 11cByzantium; Knight's Arms and Armour 1150-1250; Marriage of Henry VI and Constance of Sicily; Military Combat in Anglo-Norman Art; Nobilitàe Parentela nell'Italia Normanna; Norman Kings of Sicily and the Fatimid Caliphate; Norman Naval Activity in the Mediterranean c.1060-c.1108. Normans through their Languages; Richard of Salerno 1097-1112; Simon Magus in S. Italy; Tomb of King John in Worcester Cathedral; Tombs of Roger II in Cefalù. Contributors: J.J.G. ALEXANDER, GEORGE BEECH, MATTHEW BENNETT,ARMANDO BISANTI, H.E.J. COWDREY, VINCENZO D'ALESSANDRO, WALTER FRÖÖHLICH, PHILIP GRIERSON, JEREMY JOHNS, PATRIZIA LENDINARA, G.A. LOUD, JANE MARTINDALE, LUCIO MELAZZO, IAN PEIRCE, JONATHAN SHEPARD, LIVIA VARGA.

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Norman Foster, one of the most consistent advocates of architec- ture based on modern technology, achieved a world-wide reputa- tion with the headquarters for the Hongkong & Shanghai Banking Corporation in Hong Kong, Stansted Airport in London, Century Tower in Tokyo and his telecommunications tower in Barcelona. His most important projects in Germany are the conversion of the Reichstag building in Berlin and the new Commerzbank headquar- ters in Frankfurt am Main.

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Frank Barson's life story is one of hardship and hard-won fame, his tough tackling and prowess in controlled aggression earning him a reputation that lives on today. Rising from the factory floor to become a footballing giant, Barson lifted the fortunes of Aston Villa and Manchester United while earning more cautions than anyone before or since. Born in Sheffield's industrial district of Grimesthorpe, his no-nonsense football style was forged in the 20s when learning his trade with Barnsley FC's renowned Battlers. Even in an era of ruthless tackling he stood out as a notoriously powerful player, yet his frequent clashes with authority belied his status as an extremely intelligent player, an inspiration to his colleagues and a true leader. Although Barson only earned a single England cap, commentators and colleagues alike would bemoan the fact that he was not captaining the national side. Football's infamous 'hard man' set standards in deadly, focussed aggression which players such as Norman Hunter and Roy Keane have since striven to emulate.

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The Bitter Roots is a novel full of evocative details of a time and place, a frank, unvarnished portrait of an America struggling with racism, class prejudice, conflicts between labor and capital, and sexual stereotypes. The Bitter Roots will appeal to fans of Norman Maclean's A River Runs Through It.

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A companion volume to German Aces of World War I - The Pictorial Record (Norman Franks & Greg VanWyngarden, Schiffer, 2004), this new book covers the British and Commonwealth fighter aces of the Great War. One chapter covers the aces with ten or more victories, and an additional chapter lists the fighter aces with nine down to five victories, giving their squadrons, where they hailed from, and in many cases their subsequent fate. For the American aces, the author lists every fighter ace of the period, from Rickenbacker’s twenty-six down to those with five victories.

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Norman Geisler and Frank Turek argue that Christianity requires the least faith of all worldviews because it is the most reasonable. A valuable aid to those interested in examining the reasonableness of the Christian faith.

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A real mirror of 20th century creation, Chess Design presents an exceptional documentation on chess games made by artists, designers, architects, and craftsmen: chessboards themselves, but also artist's drawings, execution plans and photographs of archives. By presenting nearly 300 of these chessboards chronologically, the author offers a new perspective on the history of art and its evolution. Art Nouveau, Secession, Surrealism, Fluxus, Pop Art, most of the great movements that are born and follow one another in the Fine Arts find an echo with these chessboards and the 16 pieces that animate them. These chess games also reflect the evolution of techniques and materials used during this period: wood, glass, ceramics will give way, from the 1950s, to steel, plastic and composite materials. At the border between the plastic arts and the decorative arts, these chessboards are made by big names in the art scene, design or architecture – Alexandre Rodchenko, Jean-Michel Frank, Man Ray, Marcel Duchamp, Alexander Calder, or, more recently, Yoko Ono, Robert Filliou, Yayo Kusama, Victor Vasarely, Zaha Hadid, Frank Gehry or Damien Hirst – as by anonymous people. The synthesis offered by the author constitutes a valuable and innovative historian's work, supported by iconography that is both rich and mostly unpublished. Text in English and French.

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'A wonderful self-portrait of a family with autism at its heart. Uplifting and grounded, frank and encouraging, serious and funny, A Normal Family affirms that there is life after an ASD diagnosis - an atypical life, yes, but an abundant and nourishing life just the same' David Mitchell, author of THE REASON I JUMPJohnny is nineteen. He likes music, art and going to the beach. He is also autistic - in his case that means he will probably never get a job, never have a girlfriend, never leave home. And over the last two decades this is what his father, TV producer and comedy writer Henry Normal, and mother, Angela Pell, have been trying to come to terms with. This is a book for anyone whose life has been touched by autism - it's about the hope, the despair, and the messy, honest, sometimes funny day-to-day world of autism, as well as a wonderful, warm book about the unconditional, unconventional love between a father, a mother and a son.'The book is about how [Henry] grieved for the life that Johnny isn't able to have - and learnt to celebrate the one that he does' The Times'Candid and funny' Radio Times'Honest but funny' Sunday Express'Pell and Normal describe hopes shattered, dreams deferred and victories gained in this brave, funny, and searingly honest memoir' Daily Express

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Since it was first published in 1995, "The Wounded Storyteller" has occupied a unique place in the body of work on illness. Both the collective portrait of a "remission society" of those who suffer from some type of illness or disability and a cogent analysis of their stories within a larger framework of narrative theory, Arthur W. Frank's book has reached a large and diverse readership, including the ill, medical professionals, and scholars of literary theory. Drawing on the work of authors such as Oliver Sacks, Anatole Broyard, Norman Cousins, and Audre Lorde, as well as the people he met during the years he spent among different illness groups, Frank recounts a stirring collection of illness stories, ranging from the well-known - Gilda Radner's battle with ovarian cancer - to the private testimonials of people with cancer, chronic fatigue syndrome, and disabilities. Their stories are more than accounts of personal suffering: they abound with moral choices and point to a social ethic. In this new edition Frank adds a preface describing the personal and cultural times when the first edition was written. His new afterword extends the book's argument significantly, writing about storytelling and experience, other modes of illness narration, and a version of hope that is both realistic and aspirational. Reflecting on both his own life during the creation of the first edition and the conclusions of the book itself, Frank reminds us of the power of storytelling as way of understanding our own suffering.

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The Appalachian region stretches from Mississippi to New York, encompassing rural areas as well as cities from Birmingham to Pittsburgh. Though Appalachia's people are as diverse as its terrain, few other regions in America are as burdened with stereotypes. Author Frank X Walker coined the term "Affrilachia" to give identity and voice to people of African descent from this region and to highlight Appalachia's multicultural identity. This act inspired a group of gifted artists, the Affrilachian Poets, to begin working together and using their writing to defy persistent stereotypes of Appalachia as a racially and culturally homogenized region.After years of growth, honors, and accomplishments, the group is acknowledging its silver anniversary with Black Bone. Edited by two newer members of the Affrilachian Poets, Bianca Lynne Spriggs and Jeremy Paden, Black Bone is a beautiful collection of both new and classic work and features submissions from Frank X Walker, Nikky Finney, Gerald Coleman, Crystal Wilkinson, Kelly Norman Ellis, and many others. This illuminating and powerful collection is a testament to a groundbreaking group and its enduring legacy.

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An extraordinary literary journey, 100 Years traces the passages of life from age one to one hundred through quotations from the world’s greatest writers. Moving year by year, with surprising and illuminating juxtapositions of quotations from figures as diverse as Plato and Woolf, Tolstoy and Barth, this wise, beautiful and moving portrait of the human experience will delight readers of all backgrounds. Other authors include Edith Wharton, Herman Melville, Maya Angelou, Gunter Grass, Gertrude Stein, Norman Mailer, Anne Frank, Fyodor Dostoevsky, Agatha Christie, F. Scott Fitzgerald and dozens of others. Milton Glaser, the renowned graphic designer and creator of the iconic “I ? NY” logo, has created a design that uses colour and typography to enhance the experience and narrative of the project.

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1072 AD.The Normans have captured England. The Turks have captured a Norman knight.And in order to free him, a Frank warrior named Vallon must capture four rare hawks.In the company of a Sicilian scholar and an English falconer, Vallon sets off a heart-stopping odyssey to the far ends of the earth - from Greenland to Russia to Constantinople, across raging Arctic seas and blood-drenched battlefields. Braving Viking warlords, vengeful Normans, and the unforgiving elements, Vallon and his comrades must track down their quarry one by one in a relentless race against time.Ten years in the making, Hawk Quest is high adventure in the grand tradition of Bernard Cornwell and Robyn Young, an epic story packed with visceral combat, marvellous period detail, and gripping suspense. The scale is huge. The journey is incredible.The history is real. This is - Hawk Quest

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The lifeline for all the writers collected here is the ocean's edge. Stephen Crane, Frank Stockton, Norman Duncan, Thomas Raddall, Alistair MacLeod, Silver Donald Cameron and others share blustering tales about ready ships and sailors longing to put to sea. The stories cover both modern and historical events.

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The Writers is the only comprehensive qualitative analysis of the history of writers and writing in the film, television, and streaming media industries in America. Featuring in-depth interviews with over fifty writers—including Mel Brooks, Norman Lear, Carl Reiner, and Frank Pierson—The Writers delivers a compelling, behind-the-scenes look at the role and rights of writers in Hollywood and New York over the past century.

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Liane Holliday Willey and one of her daughters both have Asperger Syndrome. In Asperger Syndrome in the Family she looks, with honesty, wisdom and humor, at the implications this has for her family, both the Aspie and the non-Aspie members. Through personal vignettes, frank discussions and practical suggestions for dealing with everything from major to minor Aspie challenges, Liane, her husband and their three daughters bravely open their home to their readers, inviting them to look behind the curtains at their version of Aspie life. Not only does the book underscore the importance of mutual support and respect in an Aspie family - in fact in any family - it offers practical help for families in similar situations. This is a rich and positive book that will speak to all those whose lives have been affected by Asperger Syndrome.

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Tour the Upper Midwest to explore the blood-soaked halls of hideous history through twenty dark and demented stories from the corridors of criminal infamy. This expose of true crime examines a historical roster of the bad and the brutal: from old-time con men and gunslingers, to hardcore serial killers of the modern era. Meet the redoubtable Ed Gein; the haunting and harrowing Honeymoon Killers, Raymond Fernandez and Martha Beck; the "Gruesome Gal of the Western Plains," Calamity Jane; Wild Bill Hickok; serial sex killer John Norman Collins; Al Capone; Carl Panzram; Larry Eyler; Gwendolyn Graham; George Lester (Babyface Nelsen); John Dillinger; and Frank Gilmer—villains that will leave you infuriated and intrigued at their infernal notoriety. Join the author on a round-up of the rotten as you take a thrill-ride of historic significance in a world gone mad.

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‘Where is the RAF?’ was the oft-quoted question asked by soldiers waiting on the beach at Dunkirk, to where they had retreated following the German blitzkrieg through northern France, and where they were now being pounded by the Luftwaffe. The air forces were there, as Norman Franks proves, detailing the outstanding achievements of the Allied pilots who fought, using outmoded tactics, against enemy pilots who had earlier had easy victories over the Polish, Dutch and Belgian air forces. The RAF’s achievement reminds us just how close Britain came to disaster in June 1940.

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It is a recognized fact that, had the war gone badly for the Allies on the India/Burma front, and had the Japanese succeeded in invading the Indian Continent, the outcome of the war would have been entirely different. Yet despite this, the campaign on the Burma front is offered surprisingly scant coverage in the majority of photo-history books. This new book, from respected military historian and author Norman Franks, attempts to redress the balance, noting the importance of this particular aerial conflict within the wider context of the Second World War. Franks takes as his focus the pilots, aircraft and landscapes that characterized the campaign. Photographs acquired during the course of an intensive research period are consolidated into a volume that is sure to make for a popular addition to the established Images of War series. Many unpublished photographs feature, each one offering a new insight into the conflict as it unfolded over Burmese skies. The archive offers a wealth of dynamic images of RAF Hurricanes and Spitfires in flight, with shots of both the aircraft and the pilots employed during this challenging conflict. To fly and fight in Burma, pilots really had to be at the top of their game. The Japanese enemy certainly weren't the only problem to contend with; weather, poor food, incredible heat and all its attendant maladies, jungle diseases, tigers, elephants, fevers...The Japanese were the real enemy but the British pilots had so much more to deal with. And they did it for years. In Britain, a pilot could look forward to a break from operations every six months or so on average. In Burma, pilots first employed in 1941 were still flying operations in 1944. The collection represents a determination on the author's part to record the part played by these resilient and skilled RAF fighter pilots, the contribution that they paid in supporting General Slim's 14th Army and the part they ultimately played in defeating the Japanese attempts to break through into India. These efforts, all paramount and imperative to success, are celebrated here in words and images in a volume sure to appeal to Spitfire and Hurricane enthusiasts, as well as the more general reader.

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This is the frank and honest story of the Thornton family and their confectionery business. It's the story of the building of one of Britain's premier brands by a family that was frequently at war: the battles of the generations and of sibling rivalry. A family that was at the same time highly creative in a chaotic way and a younger generation that was determined to expand and exploit the opportunity despite the stringent and restrictive control held by the older generation, Norman and Stanley Thornton until their deaths. Nothing is held back, the good times, the bad times, the successes, the failures, the conflicts, the battles, the love affairs and the moments of high elation and deep depression. Peter Thornton, Ex-Chairman of the family business tells his story with startling frankness, starting in 1956, through to his dismissal from the company in 1987 after a career which had been very successful. It was a dismissal which seemed to be entirely a result of family politics and jealo

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St. Pierre examines strategies of representing British music hall performance and the performance of the body in British cinema in the silent era and the sound era. The focus is on films of Fred and Joe Evans, Frank Randle, Will Hay, George Formby,Arthur Lucan and Kitty McShane, Cicely Courtneidge, Jessie Matthews, Norman Evans, Max Miller, Stanley Holloway, Jack Warner, Gracie Fields, and Charles Chaplin. Consideration is given to themes such as war propaganda and gender impersonation.

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**Frank and hilarious fiction from award-winning, potty-mouthed blogger, toddler-survivor and baby-producer, 'Just a Normal Mummy'***********No one said the journey to motherhood was easy . . .Increased face-girth, back acne and gagging every time she's in the presence of vegetables isn't quite the beautiful start Emily had planned for her unborn baby . . . Molly's unexpected pregnancy somehow turns her boyfriend into the poncy-vegan-nut-milk-enforcer, but she breezes it, as she breezes everything. (Including still being able to eat avocados much to Emily's annoyance.)Liz quickly realises if she's to move her life on, she needs to get rid of the married man she's in love with - especially now she's realised he's been hiding more than his wedding ring . . .It's a story about becoming parents, but most of all it's a story about love, laughter and chatting to your best friends about your fanny on WhatsApp.'Perfect for new mums, soon-to-be-mums - and dads!' Soap Magazine

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Re-released with a new introduction, and to coincide with a film of the same title (directed by the author), Mad To Be Normal is the memoir R. D. Laing never lived to write. In the last two years of Laing's life, he recorded hundreds of hours of conversation with Robert Mullan in which he was determined to be as frank and open as possible, and equally determined to 'put the record straight'. R. D. Laing wrote a number of books during the 1960s which rocked the foundations of conventional psychiatry and galvanized the imagination of millions of ordinary readers. His views were against the grain of conventional psychiatry - his existential approach to madness was controversial, and his work brought into focus matters of individual liberty and the importance of the social context of 'illness'. The greatest accusation he suffered was that he idealised mental misery - something he consistently denied. Mad to be Normal presents Laing's own words, about his work and about his life. It is the most complete record on Laing, by Laing.Entertaining, maddening, surprising, impressive, occasionally scurrilous, and evoking a compelling portrait of the heady and sometimes self-regarding mood of the 1960s and early l970s, this books necessitates a reassessment of Laing and his work; work which is part of a lengthier and on-going process concerned with the routine care of those disturbed in mind.

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THE NUMBER ONE SUNDAY TIMES BESTSELLERINDIE BOOK AWARDS NON-FICTION WINNER'EXTRAORDINARY' The Times, 'BEAUTIFUL' Dolly Alderton, 'SHATTERING' Observer, 'INCREDIBLE' Benjamin Zephaniah, 'UNPUTDOWNABLE' Sunday Times, 'ASTOUNDING' Matt Haig, 'POWERFUL' Elif Shafak At the age of seventeen, after a childhood in a foster family followed by six years in care homes, Norman Greenwood was given his birth certificate. He learned that his real name was not Norman. It was Lemn Sissay. He was British and Ethiopian. And he learned that his mother had been pleading for his safe return to her since his birth.This is Lemn's story: a story of neglect and determination, misfortune and hope, cruelty and triumph.Sissay reflects on his childhood, self-expression and Britishness, and in doing so explores the institutional care system, race, family and the meaning of home. Written with all the lyricism and power you would expect from one of the nation's best-loved poets, this moving, frank and timely memoir is the result of a life spent asking questions, and a celebration of the redemptive power of creativity.

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Praise for the first edition"Hughes' thesis seems to be that angling is a rare pleasure to be shared in print as well as enjoyed in person." --Steve Raymond, Flyfisher"His views on conservation are especially refreshing with a depth of historical perspective and a clean line of reasoning that will grab your understanding first, then your emotions, unlike much of the standard rhetoric that omits that first step." --John Gierach"An Angler's Astoria is full of the youthful exuberance of its author and his Pacific Northwest. Among so many books of doleful reminiscence (written by young men), Hughes's stories are oases." --Fly Fisherman "Like his more formal works, An Angler's Astoria contains many lessons, the kind you come by honestly, if you grow up fishing a place you learn to love--homewaters, or heartwaters as it were--and ultimately become an aquatic entomologist-cum-expert fly fisher." --Seth Norman, California Fly FisherNew edition of one of the books that launched Dave Hughes' career1st edition published by Frank Amato in 1982New preface and a substantive, new, unpublished piece, Life CyclesA reflective, exuberant collection of stories and essays about Hughes' home water near his hometown, Astoria, Oregon

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This volume celebrates the career of Norma Franklin, an archaeologist who has made important contributions to our understanding of the three key cities of Samaria, Megiddo and Jezreel in the Northern Kingdom of Israel during the Iron Age. The sixteen essays offered by Franklin's colleagues in archaeology and biblical studies are a fitting tribute to the woman in the pith helmet: an indomitable field archaeologist who describes herself as "happiest with complex stratigraphy" and as being dedicated to "killing sacred cows".

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William II, better known as William Rufus, was the third son of William the Conqueror and England’s king for only 13 years (1087–1100) before he was mysteriously assassinated. In this vivid biography, here updated and reissued with a new preface, Frank Barlow reveals an unconventional, flamboyant William Rufus—a far more attractive and interesting monarch than previously believed. Weaving an intimate account of the life of the king into the wider history of Anglo-Norman government, Barlow shows how William confirmed royal power in England, restored the ducal rights in France, and consolidated the Norman conquest. A boisterous man, William had many friends and none of the cold cruelty of most medieval monarchs. He was famous for his generosity and courage and generally known to be homosexual. Licentious, eccentric, and outrageous, his court was attacked at the time by Anselm, archbishop of Canterbury, and later by censorious historians. This highly readable account of William Rufus and his brief but important reign is an essential volume for readers with an interest in Anglo-Saxon and medieval history or in the lives of extraordinary monarchs.

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Novelist, television personality, political candidate, and maverick social commentator, Gore Vidal is one of the most innovative, influential, and enduring American intellectuals of the past fifty years. In How to Be an Intellectual in the Age of TV, Marcie Frank provides a concise introduction to Vidal’s life and work as she argues that the twentieth-century shift from print to electronic media, particularly TV and film, has not only loomed large in Vidal’s thought but also structured his career. Looking at Vidal’s prolific literary output, Frank shows how he has reflected explicitly on this subject at every turn: in essays on politics, his book on Hollywood and history, his reviews and interviews, and topical excursions within the novels. At the same time, she traces how he has repeatedly crossed the line supposedly separating print and electronic culture, perhaps with more success than any other American intellectual. He has written television serials and screenplays, appeared in movies, and regularly appeared on television, most famously in heated arguments with Norman Mailer on The Dick Cavett Show and with William F. Buckley during ABC’s coverage of the 1968 Democratic National Convention.Frank highlights the connections between Vidal’s attitudes toward TV, sex, and American politics as they have informed his literary and political writings and screen appearances. She deftly situates his public persona in relation to those of Andy Warhol, Jacqueline Susann, Mary McCarthy, Susan Sontag, and others. By describing Vidal’s shrewd maneuvering between different media, Frank suggests that his career offers a model to aspiring public intellectuals and a refutation to those who argue that electronic media have eviscerated public discourse.

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The liturgical chant sung in the churches of Southern Italy between the ninth and thirteenth centuries reflects the multiculturalism of a territory in which Romans, Franks, Lombards, Byzantines, Normans, Jews, and Muslims were all present with various titles and political roles. Chants, Hypertext, and Prosulas examines a specific genre, the prosulas that were composed to embellish and expand pre-existing liturgical chants. Widespread in medieval Europe, prosulas were highly cultivated in southern Italy, especially by the nuns, monks, and clerics of the city of Benevento. These texts shed light on the creativity of local cantors to provide new meanings to the liturgy in accordance with contemporary waves of religious spirituality, and to experiment with a novel musical style in which a syllabic setting is paired with the free-flowing melody of the parent chant. In their representing an epistemological 'beyond', and in their interconnectedness with the parent chant, these prosulas can be likened to modern hypertexts. In this book, author Luisa Nardini presents the first comprehensive study to integrate textual and musical analyses of liturgical prosulas as they were recorded in Beneventan manuscripts. Discussing general features of prosulas in southern Italy and their relation to contemporary liturgical genres (e.g., tropes, sequences, hymns), Nardini firmly situates Beneventan prosulas within the broader context of European musical history. An invaluable reference for the field, Chants, Hypertext, and Prosulas provides a new understanding of the phonetic and morphological transformations of the Latin language in medieval Italy, and clarifies the use of perennially puzzling features of Beneventan notation.

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This is a definitive examination of how the inter-relationship between nature, architecture, and design is essential to human well-being. "Sustainable design" has made great strides in recent years; unfortunately, it still falls short of fully integrating nature into our built environment. Through a groundbreaking new paradigm of "restorative environmental design," award-winning author, Stephen R. Kellert proposes a new architectural model of sustainability. In "Building for Life", Kellert examines the fundamental interconnectedness of people and nature, and how the loss of this connection results in a diminished quality of life. This thoughtful new work illustrates how architects and designers can use simple methods to address our innate needs for contact with nature. Through the use of natural lighting, ventilation, and materials, as well as more unexpected methodologies - the use of metaphor, perspective, enticement, and symbol - architects can greatly enhance our daily lives. These design techniques foster intellectual development, relaxation, and physical and emotional well-being. In the works of architects like Frank Lloyd Wright, Eero Saarinen, Cesar Pelli, Norman Foster, and Michael Hopkins, Kellert sees the success of these strategies and presents models for moving forward. Ultimately, Kellert views our fractured relationship with nature as a design problem rather than an unavoidable aspect of modern life, and he proposes many practical and creative solutions for cultivating a more rewarding experience of nature in our built environment.

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Everyone knows what William the Conqueror won the Battle of Hastings in 1066, but in recent years is has become customary to assume that the victory was virtually inevitable, given the alleged superiority of Norman military technology. In this new study, underpinned by biographical sketches of the great warriors who fought for the crown of England in 1066, Frank McLynn shows that this view is mistaken. The battle on Senlac Hill on 14 October was a desperately close-run thing, which Harold lost only because of an incredible run of bad fortune and some treachery from the Saxon elite in England. Both William and Harold were fine generals, but Harold was the more inspirational of the two. Making use of all the latest scholarship, McLynn shows that most of our 'knowledge' of 1066 rests on myths or illusions: Harold did not fight at Hastings with the same army with which he had been victorious at Stamford Bridge three weeks earlier; the Battle of Senlac was not won by Norman archery; Harold did not die with an arrow in the eye. In overturning these myths, McLynn shows that the truth is even more astonishing than the legend. An original feature of the book is the space devoted to the career and achievements of Harald Hardrada, who usually appears in such narratives as the shadowy 'third man'. McLynn shows that he was probably the greatest warrior of the three and that he, in turn, lost a battle through unforeseen circumstances.

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Motorcycle riders from all walks of life—from Main Street to Wall Street, Hollywood to Washington, D.C.—are invited to peel back their “badass” masks and answer one simple question: What is the meaning of life? Their answers expose the motorcycle community’s lesser-known philosophical and charitable nature and help to smash the typical motorcycle-rider stereotype. Joining the “regular folks” interviewed are celebrities, including Peter Fonda, Gen. Tommy Franks, John Paul DeJoria, Jillian Michaels, Kyle Petty, Carey Hart, and Norman Reedus, along with a former chair of the Joint Chiefs of Staff, a congressman, a senator, a former NASA astronaut, governors, military generals, actors, rock n’roll and country artists, corporate executives, and NFL, NBA, MLB sports figures. Whether you drive on four wheels or straddle a “wild thang" on two, these voices are sure to enlighten and entertain.

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This official tie-in book to Marilyn Agrelo’s (Mad Hot Ballroom) documentary Street Gang: How We Got to Sesame Street supplements the film’s exploration of the origins and legacy of Sesame Street with exclusive interviews and unseen photographs from first two seasons of this globally beloved series. Author Trevor Crafts, who was given unprecedented access to archival footage and photography, presents 150 of photographer David Attie’s behind-the-scenes images of Jim Henson, Frank Oz, Matt Robinson, Big Bird, Oscar the Grouch, Bert and Ernie, and dozens of other pioneering puppeteers, animators, actors, and Muppets. Crafts uses Attie’s photos to expand upon the film’s story of how show creator Joan Ganz Cooney, along with Sesame Workshop co-founder Lloyd Morrisett and director Jon Stone, took the values and goals of the civil rights movement and revolutionized children’s television. The Unseen Photos of Street Gang is a tribute to the enduring achievements of a rebellious group of artists, educators, and freethinkers who believed that the values of equality, education, and inclusion should not just be championed but also made available to all—a dream that Sesame Street has carried forward for more than fifty years. Contributors include: Sesame Street creator Joan Ganz Cooney, head writer Norman Stiles, lyricist and composer Christopher Cerf, cast members Roscoe Orman (Gordon), Sonia Manzano (Maria), Emilio Delgado (Luis), Bob McGrath (Bob), Caroll Spinney (Big Bird and Oscar), Brian Henson, and Sesame Street's first female puppeteer Fran Brill

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For hundreds of years, artists have been inspired by the imaginative potential of fantasy. Unlike science fiction, which is based on fact, fantasy presents an impossible reality - a universe where dragons breathe fire, angels battle demons, and magicians weave spells. Published to coincide with a major exhibition organised by the Norman Rockwell Museum, this handsome volume reveals how artists have brought to life mythology, fables, and fairy tales, as well as modern epics like The Lord of the Rings and Game of Thrones. The main text of Enchanted, by exhibition curator Jesse Kowalski, traces the emergence of the themes of fantasy in the world''s civilisations, and the development of fantasy illustration from the Old Masters to the Victorian fairy painters, to Golden Age illustrators like Howard Pyle and Arthur Rackham, to classic cover artists like Frank Frazetta and Boris Vallejo, to emerging talents like Anna Dittmann and Vic

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Over and Above is Gurdon’s first and best book, repeatedly reprinted for two decades, variously titled Winged Warriors or Wings of Death. Billed as a novel, it is not so much that as a fictionalised account of his own service flying career, with names changed, incidents rearranged. True, it tells of ‘exciting raids over enemy lines and towns, desperate fights against fearful odds, chivalry shown to an unchivalrous foe...’ but the narrative turns darker as men become wearier, new comrades arrive and are killed, and those who remain try to hold onto meaning in increasingly unintelligible circumstances, a mirror to Gurdon’s own experiences. Written in the style of the era and by and for a class which put great store in maintaining a slangy, backslapping cheerfulness, no matter how grim things were, with chums wishing each other ‘beaucoup Huns’ before embarking on a ‘show’ in ‘beastly’ weather, this book is a classic to rank with Winged Victory by V M Yeates, and which should never have been out of print. This new edition retains exactly the original script but has been updated with an introduction by John Gurdon’s granddaughter Camilla Jane Gurdon Blakeley and an extended illustrated appendix by renowned historian Norman Franks.

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The first double-issue of Shearsman magazine for 2021. Poetry by Charlotte Baldwin, Linda Black, Melissa Buckheit , Charlotte Baldwin, Susan Connolly, Harriet Cooper-Smithson, Claire Crowther, Amy Crutchfield, Jane Frank, Amlanjyoti Goswami, Christopher Gutkind, Mandy Haggith, Jeremy Hooker, David Johnson, Norman Jope, L Kiew, Peter Larkin, Mary Leader, Carola Luther , Robin Fulton Macpherson, Olivia McCannon, Peter Robinson, David Rushmer, Maurice Scully, Aidan Semmens, Lucy Sheerman, Hannah Cooper Smithson, Agnieszka Studzińska, Scott Thurston, Anannya Uberoi, John Welch, Petra White, Tamar Yoseloff & translations of Marta Agudo (by Lawrence Schimel), Kjell Espmark (by Robin Fulton Macpherson), Kinga Tóth (by Annie Rutherford) & Virgil (by David Hadbawnik). With this issue, Shearsman magazine marks 40 years of publication.

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'He's got me spot on' Elton John‘Anyone who can read will admire the intelligence, the detail and the robust good sense of this biography. It captures the flavour of the times every bit as distinctively as it captures the personality of Elton John’ Sunday TelegraphElton John is one of the biggest stars in the world, a man whose extraordinary career has resulted in timeless songs and sold-out world tours. But how did the sensitive boy from Pinner, who started out pounding the piano in a pub, become such an iconic figure?Philip Norman’s acclaimed biography paints a frank but sympathetic portrait, from Elton’s rise to success to the attempted suicides, from Watford football club chairman to flamboyant Versace shopaholic, from the draining addictions to his turbulent personal relationships and the extraordinary moment in Westminster Abbey when ‘Candle in the Wind’ turned into a requiem for his friend Diana Princess of Wales.Covering the first five decades of Elton’s life, setting him in the context of the changing music scene, this is a vivid, perceptive, superbly researched account of a musical legend.

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This is the remarkable story of the colony of artists who were inspired by the people, landscape and light of West Cornwall. Now internationally celebrated, they are forever to be associated with the small fishing ports of Newlyn and St Ives. Arriving from the artists' colonies of France, the Barbizon and Pont-Aven, and the painting schools of London and Paris, they set up their studios in the cottages and net lofts overlooking the sea. Here they painted; their subjects centred on the working life and conditions of the people they lived amongst, and the stark beauty of the rugged Cornish landscape. Challenging the accepted styles of the Victorian masters, their bold work, full of light and colour, often drew upon the working life of the fishermen and their families, recording the tragedies and simple pleasures of their lives. In The Shining Sands, Tom Cross records the life and work of these artists, from the earliest arrivals in the 1870s through to the decade preceding the Second World War. In this period the artists' colony grew into one of the most significant art movements of recent times, the influences of which directly inspired the post-war 'modern' movements, and which reverberate even today. The Shining Sands includes almost 100 colour pictures, and 200 images in all, produced by such artists as Walter Langley, Frank Bramley, Stanhope Forbes, Norman Garstin, Elizabeth Forbes, Lamorna Birch, Laura Knight, Ben Nicholson and Christopher Wood. The author describes the events and circumstances behind the making of many of the paintings, adding a further dimension to our appreciation of these fine works.

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Set in the 1950's, this epic, Warholian novel presents a brilliant and wholly original take on the years leading up to the Kennedy assassination.Where were you when you first heard President Kennedy had been shot? This is a question most people can answer, even if the answer is "I wasn't born yet." In this epic novel, David Bowman makes the strong case that the shooting on November 22nd, 1963 was the major, defining turning point that catapulted the world into an entirely new stratosphere. It was the second big bang.In this hilarious, lightning-fast historical novel, Bowman follows the most famous couples of the decade as their lives are torn apart by post-war's new normal. We see Lucille Ball's bizarre interrogation by the House UnAmerican Activities Committee and Jackie Onassis' moonlight cruise with Frank Sinatra . We follow Norman Mailer and Arthur Miller as they attempt to get quickie divorces together at a loophole resort in Nevada and watch a young Howard Hunt snoop around South America with the newly founded CIA. A young Jimi Hendrix, now the epitome of counterculture cool, tries his luck as a clean cut army recruit.Written with an almost documentary film like intensity, BIG BANG is a posthumous work from the award-winning author of Let the Dog Drive. A riotous account of a country, perhaps, at the beginning of the end.

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Populists and Progressives, Norman K Risjord's next book in the Representative Americans series, gives readers a fascinating glimpse into the tumultuous turn of the twentieth century. Risjord brings together brief biographies to explore the political, social, and cultural dimensions of the period from 1890–1920. The work begins by personifying the rise of big business and the early struggle between capital and labor with profiles of John D. Rockefeller and Mother Jones. Next, a comparison of William Graham Sumner and Lester Frank Ward illuminates the intellectual debate over social Darwinism. The Great Plains’ form of Populism comes to life through the story of William Peffer, while Louis Brandeis represents the Wilsonian variety of Progressivism. A portrait of Carrie Chapman Catt provides a window into the women's suffrage movement and sketches of Alfred Thayer Mahan, Richard Harding Davis, and John Hay explore the shaping of American policies and politics. Finally, John Muir, W.E.B. DuBois, and Margaret Sanger represent individuals ahead of their time and mark the transition from Progressivism to the liberal thought of the latter half of the twentieth century.

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The renowned architectural historian and critic, beloved Yale professor, and outspoken public activist Vincent Scully (19202017) emerged in the 1950s as a guiding voice in American architecture. This intellectual biography of Scully's life and career traces the formative moments in his thinking, mapping his relationships with a constellation of architects, artists, and cultural personalities of the past one hundred years. Scully charted an unlikely course from postwar modernism to postmodernism and New Urbanism, overturning outdated beliefs and changing the face of the built environment as he went. A teacher for more than 60 years and a figure of immense importance in the field, he was central to an expansive network of associations, from Frank Lloyd Wright, Louis Kahn, and Robert Venturi to Robert Stern, Harold Bloom, and Norman Mailer. Scully's extensive body of work, with its range spanning centuries and civilizations, coalesced around the core beliefs that architecture shapes and i

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The most exciting new buildings today are almost all environmentally aware, sustainable, and conceived to consume less energy than ever before. Discover the best examples of green projects from the Architecture Now! series in this handy Bibliotheca Universalis edition. Celebrated architects like Frank Gehry and Norman Foster are presented alongside young up-and-coming creators from all over the world. Filled with plans, renderings of proposed projects, and stunning architectural photography, this is nothing short of an encyclopedia of eco-design. From a water treatment facility to an art museum, luxurious holiday homes to commercial structures, these buildings all make a bold environmental statement. Being “green” means being aware of the responsibility in the construction and use of modern buildings; some solutions are as old as the history of architecture, while others are born of cutting-edge technologies. Explore these approaches and many more in this groundbreaking collection showcasing 100 of the world’s most innovative eco-friendly buildings.

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Essays into numerous aspects of the Domesday Book, shedding fresh light on its mysteries. Compiled from the records of a survey of the kingdom of England commissioned by William the Conqueror in 1085, Domesday Book is a key source for the history of England. However, there has never been a critical edition of the textand so, despite over 200 years of intense academic study, its evidence has rarely been exploited to the full. The essays in this volume seek to realize the potential of Domesday Book by focussing on the manuscript itself. There are analyses of abbreviations, letter forms, and language; re-assessments of key sources, the role of tenants-in-chief in producing them, and the nature of the Norman settlement that their forms illuminate; a re-evaluation of the data and its referents; and finally, fresh examinations of the afterlife of the Domesday text and how it was subsequently perceived. In identifying new categories of evidence and revisiting old ones, these studies point to a better understanding of the text. There are surprising insights into its sources and developing programme and, intriguingly, a system of encoding hitherto unsuspected. In its turn the import of its data becomes clearer, thereby shedding new light on Anglo-Norman society and governance. It is in these terms that this volume offers a departure in Domesday studies and looks forward to the resolution of long-standing problems that have hitherto bedevilled the interpretation of an iconic text. David Roffe and K.S.B. Keats-Rohan are leading Domesday scholars who have published widely on Domesday Book and related matters. Contributors: Howard B. Clarke, Sally Harvey, K.S.B. Keats-Rohan, Andrew Lowerre, John Palmer, David Roffe, Ian Taylor, Pamela Taylor, Frank Thorn, Ann Williams.

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Cool. It was a new word and a new way to be, and in a single generation, it became the supreme compliment of American culture. The Origins of Cool in Postwar America uncovers the hidden history of this concept and its new set of codes that came to define a global attitude and style. As Joel Dinerstein reveals in this dynamic book, cool began as a stylish defiance of racism, a challenge to suppressed sexuality, a philosophy of individual rebellion, and a youthful search for social change. Through eye-opening portraits of iconic figures, Dinerstein illuminates the cultural connections and artistic innovations among Lester Young, Humphrey Bogart, Robert Mitchum, Billie Holiday, Frank Sinatra, Jack Kerouac, Albert Camus, Marlon Brando, and James Dean, among others. We eavesdrop on conversations among John-Paul Sartre, Simone De Beauvoir, and Miles Davis, and on a forgotten debate between Lorraine Hansberry and Norman Mailer over the white negro and Black cool. We come to understand how the

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The renowned architectural historian and critic, beloved Yale professor, and outspoken public activist Vincent Scully (1920–2017) emerged in the 1950s as a guiding voice in American architecture. This intellectual biography of Scully’s life and career traces the formative moments in his thinking, mapping his relationships with a constellation of architects, artists, and cultural personalities of the past one hundred years. Scully charted an unlikely course from postwar modernism to postmodernism and New Urbanism, overturning outdated beliefs and changing the face of the built environment as he went. A teacher for more than 60 years and a figure of immense importance in the field, he was central to an expansive network of associations, from Frank Lloyd Wright, Louis Kahn, and Robert Venturi to Robert Stern, Harold Bloom, and Norman Mailer. Scully’s extensive body of work, with its range spanning centuries and civilizations, coalesced around the core beliefs that architecture shapes and is shaped by society, and that the best architecture responds, above all else, to the human need for community and connection. This timely appraisal provides a platform for reassessing the legacy of these values as well as how we write and think about architecture in the twenty-first century.

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In the 1980s, Bilbao, metropolis of the Basque Country in Spain, was considered the country's most polluted city and its mining and iron industries were in decline. In 1993, seven years after Spain joined the European Union, a radical transformation was initiated. Bilbao moved away from manufacturing to the service industries and, a key element of the process, towards contemporary culture. Celebrated architects such as Santiago Calatrava, Norman Foster, and Frank O. Gehry were commissioned with the design of public buildings, meant to become icons of the reinvented Bilbao. And it worked: Gehry's Guggenheim Museum has indeed become the modern city's chief attraction and one of Europe's most-visited museums. Bilbao has made the most of the chances its deep crisis offered and today is a flourishing cultural centre in Spain. Yet the industrial past is apparent and adds strongly to the particular charm of the place. Swiss photographer Roger Wehrli has documented Bilbao's transformation between 1988 and 2014. His black-and-white images tell the compelling story of decline and reinvention in a city that has also become a model for other former factory towns across Europe.

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The Leeds United Collection takes you on a fascinating multi-coloured journey through the club's history from 1919 to the present day. With stunning photos of unique match-worn Leeds shirts and other paraphernalia, the book tells the Whites' story alongside anecdotes, interviews and quotes from many big names. See home and away shirts worn by Leeds legends from various eras including Billy Bremner and Albert Johanneson, David Batty, Gary Speed, Peter Lorimer, Paul Madeley, Paul Reaney, Norman Hunter, Mick Jones, Allan Clarke, Frank and Eddie Gray, Terry Yorath, John Sheridan, Ian Baird, Fabian Delph, Kalvin Phillips, Pablo Hernandez and many more. These superb images are brought to life with commentary on title- and trophy-winning seasons, plus promotion-winning campaigns. There are also interviews with Eddie Gray, Howard Wilkinson, Pablo Hernandez, Allan Clarke, Tony Currie, Jermaine Beckford, Aidan Butterworth, Simon Grayson, Brian Deane, Rod Wallace, Dominic Matteo and many more. This is a book no true Whites fan should be without.

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