Search results for ""Author Norman Cheadle""

A feminist pioneer, writer, and patron of the arts and literature in Buenos Aires, Victoria Ocampo (1890–1979) was a larger-than-life personality of legendary vitality. A key protagonist in Argentina’s rise to world-class status in the arts and sciences, Ocampo leveraged her wealth and social status to found Sur (1931–92), the internationally influential journal of literature, culture, and ideas.Ocampo personally invited many intellectual and artistic celebrities to visit Buenos Aires. Most were men. Some, endowed with egos as outsized as their reputations, tripped and fell into sentimental imbroglios with the strong-willed and beautiful Ocampo. In Free Women in the Pampas the ups and downs of her passionate friendships, debates, and misunderstandings with poet Rabindranath Tagore, philosopher José Ortega y Gasset, and the writers Pierre Drieu de la Rochelle, Hermann von Keyserling, and Waldo Frank are witnessed by the fictional Carmen Brey, a Galician-Spanish immigrant whose story is skilfully interwoven with that of Ocampo. Carmen’s sympathetic but incisive gaze puts her friend Victoria into perspective against a larger vision of Argentina. Carmen’s adventures lead her to social-justice writer María Rosa Oliver, the wilder side of the 1920s literary avant-garde (and the now-canonical authors Roberto Arlt, Jorge Luis Borges, and Leopoldo Marechal), the Mapuche people of the pampa, and a ten-year-old Evita Ibarguren, later famous as Eva Perón.Against this broad, inclusive backdrop, the novel vividly depicts Victoria Ocampo’s struggle with the strictures of class and gender to find her own voice and vocation as a public intellectual.

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This book addresses James Joyce’s borderlessness and the ways his work crosses or unsettles boundaries of all kinds. The essays in this volume position borderlessness as a major key to understanding Joycean poiesis, opening new doors and new engagements with his work. Contributors begin by exploring the circulation of Joyce’s writing in Latin America via a transcontinental network of writers and translators, including José Lezama Lima, José Salas Subirat, Leopoldo Marechal, Eduardo Desnoës, Guillermo Cabrera Infante, and Augusto Monterroso. Essays then consider Joyce through the lens of the sciences, presenting theoretical interventions on posthumanist parasitology in Ulysses; on Giordano Bruno’s coincidence of opposites in Finnegans Wake; and on algorithmic agency in the Wake. Cutting-edge cognitive narratology is applied to the “Penelope” episode. Next, the volume features innovative essays on Joyce in relation to early animated film and comics, engaging with animated film in the “Circe” episode, Joyce’s points of contact with George Herriman’s cartoon strip Krazy Kat, and structural affinities between open-world gaming and Finnegans Wake. The final essays focus on abiding human concerns, offering new research on Joyce’s creative use of “spicy books”; a Lacanian consideration of “The Dead” alongside Katherine Mansfield’s “The Stranger” and Haruki Murakami’s “Kino”; and a meditation on Joyce’s uncertainties about the boundary between life and death. For Joyce, borders are problems—but ones that provided precious fodder for his art. And as this volume demonstrates, they encourage brilliant reflections on his work, from new scholars to leading luminaries in the field.

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