Search results for ""Author Nonie Gadsden""

A stunning stained glass window becomes a lens through which to view the career of Louis Comfort Tiffany and intersecting arcs of art and design in America. The story of the Parakeets stained glass window – from national and international recognition to years of obscurity, followed by a return to the limelight – parallels the public reception of the art of its maker, Louis Comfort Tiffany, who had one of the most recognized names in American art at the turn of the twentieth century. It is a story of artistic ambition and experimentation, of nationalist pride and promotion, and of the capricious nature of public opinion and the art market. A careful study of the fabrication, imagery, and life of the window offers an intimate look into the legacy of Tiffany, as well as the nineteenth-century revival of the lesser-known medium of stained glass, which some argue was the United States’ first major contribution to the international art world.

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How design made America modern: masterpieces of furniture, metalware and plastics from the early 20th century During the 1920s and 1930s, the speed of modern life in the United States, accelerated by advances in transportation, communication, technology and advertising, changed how people lived their lives, and the objects they chose to live with. A new profession emerged to help American manufacturers and consumers navigate the overwhelming transitions of the era. Through the power of design—form, color, ornament and materials—the earliest industrial designers created a modern aesthetic that came to represent American hopes, dreams and fantasies. America Goes Modern explores these designers’ achievements through close examination of selected masterworks. Each of these exceptional objects offers a window into the social, cultural, technological and economic world in which they were made and used. The book features sleek furniture, vibrant ceramics, streamlined metalwares and innovative plastics from the leading designers of the era. Designers include: Norman Bel Geddes, Manning Bowman Company, Jules Buoy, Donald Deskey, Paul Frankl, Earl Harvey, Ianelli Studios, Belle Kogan, William Lescaze, Erik Magnussen, Peter Muller Munk, Gilbert Rhode, RumRill Art Pottery, Victor Schreckengost, Walter Dorwin Teague, The Hall China Company, Harold Van Doren, John Vassos, Kem Weber, Western Coil and Electric Company and Russel Wright. Photographers and painters include: Berenice Abbott, Arthur Dove, Archibald Motley, Alvin Langdon Coburn, M. Murray Lebowitz, Norman Lewis, Max Weber, Margaret Bourke-White, Henry Callahan and Alfred Stieglitz.

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A selection of masterpieces from MFA Boston’s preeminent decorative arts collection American Decorative Arts features over 100 carefully selected masterpieces of furniture, silver, glass, ceramics, base metals, coins and medals, basketry and sculpture from one of the world's preeminent collections. The Museum of Fine Arts, Boston, is renowned for its high-style works from New England, but in fact its collection is encyclopedic, featuring significant pieces from a wide geographic area and all time periods. This survey includes monuments such as Paul Revere's Sons of Liberty bowl, Tiffany and Gorham silver, sculpture from William Rimmer and Augustus Saint-Gaudens, furniture by Gustav Stickley and Charles Eames, and craft objects from contemporary creators including Sam Maloof and Judy McKie, plus selected examples from Central and South America. Through these objects, handsomely illustrated and intelligently discussed, American Decorative Arts offers a unique window into the beauty and meaning of the decorative arts as they have flourished in the American context.

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An authoritative and beautifully illustrated history of the innovative, colourful and finely crafted Arts and Crafts jewelry created by a circle of artists in the first decades of the 20th century. Belief in the ideals of the Arts and Crafts movement, which held that art and beauty could instill morality and inspire joy, united a vibrant and active community of jewelry makers – along with artists, craftspeople, scholars and critics and patrons – at the turn of the 20th century in Boston. Frank Gardner Hale, who trained in England with founders of the movement, became the most prominent and prolific creator of works of wearable art, helping to define the `Boston look’ characterized by bold use of colored stones and brilliant enamels; refined and delicate settings; and exquisite design and craftsmanship, conceived and executed by a single craftsman. A leading figure in the community of jewelers, and an advocate for the Society of Arts and Crafts, Hale influenced many other important makers, among them Josephine Hartwell Shaw, Edward Everett Oakes, Margaret Rogers and Elizabeth Copeland. This book, the first in-depth study of the subject, reproduces dozens of ornaments in dazzling colour, accompanied by design drawings from the extensive Frank Gardner Hale archive at the Museum of Fine Arts, Boston. These drawings provide insight into the works’ transformation from two to three dimensions and represent rare renderings of many pieces of jewelry that are now lost. The authoritative text brings together scholars of jewelry history and American design to explore how Hale and his contemporaries expressed Arts and Crafts principles in the creation of jewels of enduring allure.

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