Search results for ""Author Nils Schott""

Aggregates and assesses Deleuze's claims about law, decision, judgement and related themes for the first time Develops a complete and self-sustaining Deleuzian philosophy of law where others have found only fragmentation Examines and uses various interdisciplinary connections, including law and literature, law and political theory, law and metaphysics, law and history of philosophy, and legal history Critiques several approaches to the question of Deleuze's legal thought Promises to ignite debate and draw attention to the importance of legal theory for other fields, including social and political philosophy Gilles Deleuze has provided the most fascinating account of law of the 20th century. Yet it is hidden in a just a few clues dispersed throughout his work and no complete reconstruction of it has ever been produced before. Laurent de Sutter gathers all the elements that compose Deleuze's philosophy of law and articulates them for the first time in a real system. The result is the most devastating critique of the very idea of law. But it is also surprising, praising the actual practice of jurisprudence. This is not simply a practice of judgment; it is a practice of radical creation and leads to an intriguing question: what if lawyers were the only true revolutionaries of our time?

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One can love and not forgive or out of love decide not to forgive. Or one can forgive but not love, or choose to forgive but not love the ones forgiven. Love and forgiveness follow parallel and largely independent paths, a truth we fail to acknowledge when we pressure others to both love and forgive. Individuals in conflict, sparring social and ethnic groups, warring religious communities, and insecure nations often do not need to pursue love and forgiveness to achieve peace of mind and heart. They need to remain attentive to the needs of others, an alertness that prompts either love or forgiveness to respond. By reorienting our perception of these enduring phenomena, the contributors to this volume inspire new applications for love and forgiveness in an increasingly globalized and no longer quite secular world. With contributions by the renowned French philosophers Jacques Derrida and Jean-Luc Marion, the poet Haleh Liza Gafori, and scholars of religion (Leora Batnitzky, Nils F. Schott, Hent de Vries), psychoanalysis (Albert Mason, Orna Ophir), Islamic and political philosophy (Sari Nusseibeh), and the Bible and literature (Regina Schwartz), this anthology reconstructs the historical and conceptual lineage of love and forgiveness and their fraught relationship over time. By examining how we have used-and misused-these concepts, the authors advance a better understanding of their ability to unite different individuals and emerging groups around a shared engagement for freedom and equality, peace and solidarity.

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The most radical philosophy of law of our time. Gilles Deleuze has provided the most fascinating account of law of the twentieth century. Yet it is hidden in a just a few clues dispersed throughout his work and no complete reconstruction of it has ever been produced. Laurent de Sutter gathers all the elements that compose Deleuze's philosophy of law and articulates them for the first time in a real system: the result is the most devastating critique of the very idea of law. But it is also the most surprising, praising the actual practice of jurisprudence. This is not simply a practice of judgment, but a practice of radical creation and leads to an intriguing question: what if lawyers were the only true revolutionaries of our time?

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Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work.Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy, developing a novel genealogy of both visual studies and the concept of the medium. Alloa reconstructs the earliest Western media theory—Aristotle’s concept of the diaphanous milieu of vision—and the significance of its subsequent erasure in the history of science. Ultimately, he argues for a historically informed phenomenology of images and visual media that explains why images are not simply referential depictions, windows onto the world. Instead, images constantly reactivate the power of appearing. As media of visualization, they allow things to appear that could not be visible except in and through these very material devices.

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