Search results for ""Author Moshe Idel""

Este libro contiene el primer tratamiento completo de los materiales textuales referidos a la creación del Golem desde la Antigüedad hasta la época moderna y se presentan las variadas maneras en que fue entendido el Golem en los diferentes sistemas místicos. La idea de que el ser humano es capaz de crear un hombre artificial cumplió el papel de otorgar a los sabios judíos una posición especial, en tanto que dueños de poderes sobrenaturales originados en un profundo conocimiento de la lengua hebrea y de sus poderes mágicos y místicos. El autor presenta las diversas teorías sobre el Golem en sus contextos históricos e intelectuales y pasa revista a las técnicas para su creación, tema que ha sido descuidado por los investigadores. En el libro se investiga también la actitud judía y cristiana ante el Golem durante el Renacimiento, como parte del interés por la naturaleza y el carácter del hombre. El texto se basa en el examen de numerosos manuscritos aún no trabajados, y refuta el difundid

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Alongside the formal development of Judaism from the eleventh through the sixteenth centuries, a robust Jewish folk religion flourished—ideas and practices that never met with wholehearted approval by religious leaders yet enjoyed such wide popularity that they could not be altogether excluded from the religion. According to Joshua Trachtenberg, it is not possible truly to understand the experience and history of the Jewish people without attempting to recover their folklife and beliefs from centuries past. Jewish Magic and Superstition is a masterful and utterly fascinating exploration of religious forms that have all but disappeared yet persist in the imagination. The volume begins with legends of Jewish sorcery and proceeds to discuss beliefs about the evil eye, spirits of the dead, powers of good, the famous legend of the golem, procedures for casting spells, the use of gems and amulets, how to battle spirits, the ritual of circumcision, herbal folk remedies, fortune telling, astrology, and the interpretation of dreams. First published more than sixty years ago, Trachtenberg's study remains the foundational scholarship on magical practices in the Jewish world and offers an understanding of folk beliefs that expressed most eloquently the everyday religion of the Jewish people.

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There emerged in the nineteenth and twentieth centuries a new Jewish elite, notes Moshe Idel, no longer made up of prophets, priests, kings, or rabbis but of intellectuals and academicians working in secular universities or writing for an audience not defined by any one set of religious beliefs. In Old Worlds, New Mirrors Idel turns his gaze on figures as diverse as Walter Benjamin and Jacques Derrida, Franz Kafka and Franz Rosenzweig, Arnaldo Momigliano and Paul Celan, Abraham Heschel and George Steiner to reflect on their relationships to Judaism in a cosmopolitan, mostly European, context. Idel—himself one of the world's most eminent scholars of Jewish mysticism—focuses in particular on the mystical aspects of his subjects' writings. Avoiding all attempts to discern anything like a single "essence of Judaism" in their works, he nevertheless maintains a sustained effort to illumine especially the Kabbalistic and Hasidic strains of thought these figures would have derived from earlier Jewish sources. Looming large throughout is Gershom Scholem, the thinker who played such a crucial role in establishing the study of Kabbalah as a modern academic discipline and whose influence pervades Idel's own work; indeed, the author observes, much of the book may be seen as a mirror held up to reflect on the broader reception of Scholem's thought.

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Inventing the Jew follows the evolution of stereotypes of Jews from the level of traditional Romanian and other Central-East European cultures (their legends, fairy tales, ballads, carols, anecdotes, superstitions, and iconographic representations) to that of “high” cultures (including literature, essays, journalism, and sociopolitical writings), showing how motifs specific to “folkloric antisemitism” migrated to “intellectual antisemitism.” This comparative perspective also highlights how the images of Jews have differed from that of other “strangers” such as Hungarians, Germans, Roma, Turks, Armenians, and Greeks. The gap between the conception of the “imaginary Jew” and the “real Jew” is a cultural distance that differs over time and place, here seen through the lens of cultural anthropology. Stereotypes of the “generic Jew” were not exclusively negative, and are described in five chapters depicting physical, occupational, moral and intellectual, mythical and magical, and religious portraits of “the Jew.”

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"Blessed and exalted is God, glorious in power. He is one, united in all His powers as the flame is united in its colors. The powers which emanate from his unicity are like the light of the eye which springs forth from the pupil." Sefer ha-lyyun Early Kabbalah, The edited and introduced by Joseph Dan texts translated by Ronald C. Kiener preface by Moshe Idel In the late twelfth century, at the height of the Middle Ages that saw the flowering of the mystical element in Christendom, the Rabbinic Judaism of southern Europe was transformed by the eruption of new, Gnostic attitudes and symbolism. This new movement, known as Kabbalah (literally the 'Tradition'), was characterized by the symbol of the ten sefirot. By means of the sefirotic imagery, virtually the whole of everyday life was linked to the cosmic dimension in a novel and highly original fashion that stressed the dynamic, evolutionary element of the Godhead and the synergistic relationship between the human will and the action of God on earth. During a century of creativity, a detailed system of symbols and concepts was created by the author of the Sefer ha-Bahir, the Kabbalists of Provence, the Iyyun circle, and the mystics of Provence and Castile that set the stage for the great Kabbalists of the Zohar generation. †

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