Search results for ""Author Morris"

William Morris (1834–1896) was one of the greatest creative figures of the 19th century. As a visionary designer, as well as a manufacturer, writer, artist, and socialist activist, he pioneered the Arts and Crafts movement of the Victorian era, and left an extraordinary influence on architecture, textile, and interior design. This richly illustrated book offers a suitably beautiful introduction to Morris’s colorful life and all aspects of his design work, including interiors, tiles, embroidery, tapestries, carpets, and calligraphy. Though best known in his lifetime as a poet and author, it is these exquisite designs that secured Morris’s posthumous reputation. As page after page dazzles with their beautiful patterns and forms, we explore the pioneering craftsmanship and natural motifs that inspired them, as well as Morris’s remarkable cultural legacy, through British textiles, Bauhaus, and even modern environmentalism.

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William Morris (1834–1896), one of the most celebrated practitioners of the Arts and Crafts movement, created woven and printed textile designs using the ancient technique of hand woodblock printing. As seen on this Paperblanks Morris Windrush softcover Flexi notebook, his evocations of the natural world, with their depth of tone and magical gradation of tints, have become design classics.

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William Morris (1834–1896), one of the most celebrated practitioners of the Arts and Crafts movement, created woven and printed textile designs using the ancient technique of hand woodblock printing. As seen on this Paperblanks Morris Windrush softcover Flexi notebook, his evocations of the natural world, with their depth of tone and magical gradation of tints, have become design classics.

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One of the premier sculptors of her generation in the Northwest, Hilda Morris (1911-1993) lived her artistic life in the center of the region's circle of avant-garde painters, sculptors, poets, and musicians. This is the first book to document her half-century-long career and presents Morris's highly individual abstract sculptures against the backdrop of artistic developments during the second half of the twentieth century. A part of the abstract expressionist movement, Morris's vigorous, gestural sculptures inspired by mythological and universal symbols were instrumental in introducing a rigorous, expansive thinking about abstraction to the Pacific Northwest community. As an account of her life and the first complete survey of her entire oeuvre - sculpture, painting, and drawing - this volume will be essential to an understanding of the period.

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'A marvel of clarity, fluency, and (Morris's favourite word in her final days) kindness.' The Sunday Times'A measured and elegant biography that Morris aficionados will find fascinating.' The TimesThe first full account of a truly remarkable life. When Jan Morris passed away in 2020, she was considered one of Britain's best-loved writers. The author of Venice, Pax Britannica, Conundrum, and more than fifty other books, her work was known for its observational genius, lyricism, and humour, and had earned her a passionate readership around the world. Morris's life was no less fascinating than her oeuvre. Born in 1926, she spent her childhood amidst Oxford's Gothic beauty and later participated in military service in Italy and the Middle East, before embarking on a career as an internationally feted foreign correspondent. From being the only journalist to join the first ascent of Mount Everest in 1953 to covering the trial of Adolf Eichmann, Morris's reportage spanned many of the twentiet

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A leader in the styles and politics of his time, William Morris viewed his patterns as both an art form and a means of social commentary. In response to the industrial designs and manufacturing of the Machine Age, he and his counterparts at Morris & Co.-some of whose designs are also featured in this calendar-created wallpapers and fabrics that boasted natural floral motifs and handmade craftmanship. Their work and ideology inspired many of the artists around them, ushering in the Arts and Crafts movement. The intricate botanical patterns of their designs, 12 of which are detailed here, invite you to enjoy a moment of quiet contemplation in an otherwise busy day.

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William Morris (1834–1896), one of the most celebrated practitioners of the Arts and Crafts movement, created woven and printed textile designs using the ancient technique of hand woodblock printing. As seen on this Paperblanks Morris Windrush softcover Flexi notebook, his evocations of the natural world, with their depth of tone and magical gradation of tints, have become design classics.

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'Captivates, inspires and ultimately enriches' Heather Morris, author of The Tattooist of AuschwitzNominated for the CILIP CARNEGIE MEDAL 2019Rose, Ella, Mina and Carla. In another life we might all have been friends together. But this was Birchwood.For fans of The Diary of Anne Frank and The Boy in the Striped Pyjamas.As fourteen-year-old Ella begins her first day at work she steps into a world of silks, seams, scissors, pins, hems and trimmings. She is a dressmaker, but this is no ordinary sewing workshop. Hers are no ordinary clients.Ella has joined the seamstresses of Birkenau-Auschwitz, as readers may recognise it. Every dress she makes could mean the difference between life and death. And this place is all about survival.Ella seeks refuge from this reality, and from haunting memories, in her work and in the world of fashion and fabrics. She is faced with painful decisions about how far she is prepared to go to survive. Is her love of clothes and creativity nothing more than collaboration with her captors, or is it a means of staying alive? Will she fight for herself alone, or will she trust the importance of an ever-deepening friendship with Rose?One thing weaves through the colours of couture gowns and camp mud - a red ribbon, given to Ella as a symbol of hope.

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'These two sisters might be some of our final living first-hand witnesses to the horrors of the Holocaust. With this book, they break the silence and give us the immeasurable gift of their story.' Gwen Strauss, author of The NineOn 28 March 1944, Italian sisters Tati (six) and Andra (four) were roused from their sleep and taken to Auschwitz, to the infamous Kinder Block presided over by Josef Mengele, the Angel of Death. By the time Auschwitz was liberated, 230,000 children had been murdered, and the sisters were among only 70 child survivors.Throughout their ordeal in the camp and the liberation of Auschwitz, their long journey from Poland to Czechoslovakia and finally to Lingfield House in Britain, they hung on to their promise to their mother to 'always remember your name'. They never forgot they were Tati and Andra Bucci, and it was this connection to their heritage that brought them miraculously back to their parents, years later and many countries away. The sisters overcame their trauma to live long lives, bearing witness as survivors of the Holocaust.'Always Remember Your Name is heart-breaking and yet utterly uplifting, with the fierce bond of two sisters at its heart, who survived the Holocaust to bear witness, so that none of us will ever forget.' Heather Morris, international bestselling author of The Tattooist of Auschwitz'A valuable record of what was suffered by surely some of our youngest survivors. Insightful and illuminating, the road to recovery - with its silences, loyalties, and self examinations - is never what we might suppose.' Esther Freud, bestselling author of Hideous Kinky

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William Morris (1834–1896) was one of the most celebrated practitioners of the Arts and Crafts movement. In creating woven and printed textile patterns Morris chose to work with the ancient technique of hand woodblock printing, finding inspiration for his famous repeating patterns in the natural world around him: “millefleurs” tapestries and early prints of herbs as well as the crispness and abundance of exquisite detail in medieval art. His evocations of antique florals and plants in all their profusion, depth of tone and magical gradation of tints have become design classics gracing the decorative arts, including our book cover.

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William Morris (1834–1896) was one of the most celebrated practitioners of the Arts and Crafts movement. In creating woven and printed textile patterns Morris chose to work with the ancient technique of hand woodblock printing, finding inspiration for his famous repeating patterns in the natural world around him: “millefleurs” tapestries and early prints of herbs as well as the crispness and abundance of exquisite detail in medieval art. His evocations of antique florals and plants in all their profusion, depth of tone and magical gradation of tints have become design classics gracing the decorative arts, including our book cover.

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A biography of Lewis Morris, map-maker, duty collector and mineworks supervisor who was one of the foremost literary figures of 18th century Wales.

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William Morris Textiles was the first comprehensive survey of the many hundreds of original, colourful textiles produced by William Morris and the two commercial companies he founded and managed. To this day it remains the authority in the field, and this revised edition has been completely rewritten and expanded with beautiful new photography. Linda Parry provides new insight into the embroideries, printed and woven textiles, carpets and tapestries produced by Morris & Co., giving in-depth information about their design and manufacture. The varied, often highly specialized processes involved are discussed in detail, as are Morris's working methods.

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Discover the fascinating life of a master of 19th century art and design William Morris was a man of extraordinary diversity and application, turning his attention to the mastery of as many skills in one lifetime as most men would achieve in several. He became an artist in oils, stained glass and ceramic tiles, a weaver, decorator, textile designer, calligrapher, type designer, typesetter, bookbinder, printer, novelist, poet and lecturer. One of his most influential concepts embraced the ‘small is beautiful’ ideal: suppose people lived in little communities ... and had few wants; almost no furniture for instance, and no servants, and studied ... what they really wanted. Then, Morris felt, life might begin to take on its proper form. He was unquestionably one of the first conservationists. Certainly, a century later, his ideas and his designs are still valued and enjoyed by people everywhere.

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One of the most influential artists and thinkers of his time comes to life in this stunning graphic biography inspired by Morris' designs and filled with the colors and patterns that defined the Arts and Crafts Movement.Readers of all ages will learn much from this unique biography that highlights the most important aspects of the artist's life and career. It traces his childhood fascination with medieval history, nature, and his friendships with the Pre-Raphaelite BrotherhoodDante Gabriel Rosetti, Edward Burne-Jonesand with other leading figures of the day such as Philip Webb and John Ruskin.It takes readers inside Morris' famous homesRed House, which became a hub for artistic and intellectual activities, and served as a testing ground for his ideas about the integration of art and daily life; and Kelmscott Manor, a tranquil retreat whose natural surroundings and historic setting resonated with his romantic ideals. The visual narrative captures key mo

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William Morris (1834–1896), one of the most celebrated practitioners of the Arts and Crafts movement, created woven and printed textile designs using the ancient technique of hand woodblock printing. As seen on this Paperblanks Morris Windrush softcover Flexi notebook, his evocations of the natural world, with their depth of tone and magical gradation of tints, have become design classics.

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2018 marks 70 years since the first Morris Minor models rolled off the production line. In this celebratory publication, Ray Newell looks in detail at the development of the wide range of models produced during a 22-year production run and the continuing worldwide interest in this iconic British car.

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Up from the darkness, he springs from his hole... Explorer! Enthusiast! MORRIS THE MOLE! With a twirl of his spade and a twitch of his nose, Morris makes TUNNELS wherever he goes... Will Morris dig his way to trouble? Or will his hard work pay off in an unexpected way? Morris's adventures underground (and above) are hugely entertaining and full of joy.

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William Morris (1834–1896) was one of the most celebrated practitioners of the Arts and Crafts movement. He embraced the ideal of craftspeople taking pride in their personal handiwork, as opposed to the dehumanizing onslaught of the Industrial Revolution’s mass production techniques. He famously said that any decoration is futile when it does not remind you of something beyond itself.Morris specialized in the ancient technique of hand woodblock printing to create his textile patterns and sought inspiration for his famous repeating patterns from the natural world and the decorative artists before him. The influence of “millefleurs” tapestries, early prints of herbs and the abundance of exquisite detail in medieval art can be appreciated in his works. His evocations of antique florals and plants have become classics of the decorative arts and were an early inspiration for our journal designs, gracing our covers from the very beginning.

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William Morris (1834–1896) was one of the most celebrated practitioners of the Arts and Crafts movement in the late 19th century. In creating woven and printed textile designs Morris worked with the ancient technique of hand woodblock printing, finding inspiration in the natural world around him. His evocations of antique florals and plants have become classics in the world of decorative arts.

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This well illustrated book celebrates every aspect of the wide-ranging achievements of William Morris - writer, designer, cultural critic, revolutionary socialist - with particular emphasis on their relevance to our own times. The book makes available up-to-date Morris scholarship in accessible form. Written by a group of international scholars who took part in a conference marking the centenary of the death of Morris in 1896, the book has sections devoted to Morris and Literature (covering texts from The Earthly Paradise to the late romances); Morris, the Arts & Crafts and the New World (including discussions of his influence in Rhode Island, Boston, Ontario and New Zealand); and Morris, Gender and Politics (with fresh consideration of his relation to Victorian ideas of manliness and of the particular qualities of his anti-statist politics). The latter section also draws attention to a hitherto unknown play by Morris's daughter May and concludes with an account of his biographer, the late E.P. Thompson.

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Morris the Mankiest Monster 'must be the most revolting picture book of the year . . . children will absolutely love it.' BooksellerGiles Andreae and Sarah McIntyre would like you to meet Morris, the world's stinkiest picture book hero...It's years since he last changed his t-shirtIt's crusty and crawling with antsHis shoes are all slurpy and squelchy insideAnd potatoes grow out of his pants

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William Morris-the great 19th century craftsman, architect, designer, poet and writer-remains a monumental figure whose influence resonates powerfully today. As an intellectual (and author of the seminal utopian News From Nowhere), his concern with artistic and human values led him to cross what he called the 'river of fire' and become a committed socialist-committed not to some theoretical formula but to the day by day struggle of working women and men in Britain and to the evolution of his ideas about art, about work and about how life should be lived. Many of his ideas accorded none too well with the reforming tendencies dominant in the Labour movement, nor with those of 'orthodox' Marxism, which has looked elsewhere for inspiration. Both sides have been inclined to venerate Morris rather than to pay attention to what he said. Originally written less than a decade before his groundbreaking The Making of the English Working Class, E.P. Thompson brought to this biography his now trademark historical mastery, passion, wit, and essential sympathy. It remains unsurpassed as the definitive work on this remarkable figure, by the major British historian of the 20th century.

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Learn first numbers with William Morris' iconic designs in this beautifully illustrated board book. Starting with one tree and ending with ten butterflies, this is a stylish introduction to counting for very young children - the perfect gift for art and design-loving parents. Published in association with the V&A Museum, your purchase helps the V&A to enrich people's lives as the world's leading museum of art and design.

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Graced by a beautifully lush cover pattern inspired by the art of famed English designer William Morris, this compact notebook includes 64 blank pages. It''s perfect for jotting down ideas and appointments, or can be used as a pocket-sized sketchpad for artists of all skill levels.

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'These two sisters might be some of our final living first-hand witnesses to the horrors of the Holocaust. With this book, they break the silence and give us the immeasurable gift of their story.' Gwen Strauss, author of The NineOn 28 March 1944, Italian sisters Tati (six) and Andra (four) were roused from their sleep and taken to Auschwitz, to the infamous Kinder Block presided over by Josef Mengele, the Angel of Death. By the time Auschwitz was liberated, 230,000 children had been murdered, and the sisters were among only 70 child survivors.Throughout their ordeal in the camp and the liberation of Auschwitz, their long journey from Poland to Czechoslovakia and finally to Lingfield House in Britain, they hung on to their promise to their mother to 'always remember your name'. They never forgot they were Tati and Andra Bucci, and it was this connection to their heritage that brought them miraculously back to their parents, years later and many countries away. The sisters overcame their trauma to live long lives, bearing witness as survivors of the Holocaust.'Always Remember Your Name is heart-breaking and yet utterly uplifting, with the fierce bond of two sisters at its heart, who survived the Holocaust to bear witness, so that none of us will ever forget.' Heather Morris, international bestselling author of The Tattooist of Auschwitz'A valuable record of what was suffered by surely some of our youngest survivors. Insightful and illuminating, the road to recovery - with its silences, loyalties, and self examinations - is never what we might suppose.' Esther Freud, bestselling author of Hideous Kinky

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This is a scholarly monograph devoted to Jane Morris, an icon of Victorian art whose face continues to grace a range of Pre-Raphaelite merchandise. Described by Henry James as a 'dark, silent, medieval woman', Jane Burden Morris has tended to remain a rather one-dimensional figure in subsequent accounts. This book, however, challenges the stereotype of Jane Morris as silent model, reclusive invalid, and unfaithful wife. Drawing on extensive archival research as well as the biographical and literary tradition surrounding William Morris and Dante Gabriel Rossetti, the book argues that Jane Morris is a figure who complicates current understandings of Victorian female subjectivity because she does not fit neatly into Victorian categories of feminine identity. She was a working-class woman who married into middle-class affluence, an artist's model who became an accomplished embroiderer and designer, and an apparently reclusive, silent invalid who was the lover of Dante Gabriel Rossetti and Wilfred Scawen Blunt. Jane Morris particularly focuses on textual representations - in letters, diaries, memoirs and novels - from the Victorian period onwards, in order to investigate the cultural transmission and resilience of the stereotype of Jane Morris. Drawing on recent reconceptualisations of gender, auto/biography, and afterlives, this book urges readers to think differently - about an extraordinary woman and about life-writing in the Victorian period. It is the first scholarly study of Jane Morris, which seeks to challenge the stereotype surrounding her as melancholy invalid and Pre-Raphaelite femme fatale. It is an innovative case study of the role of class, gender and sexuality in the formation of Victorian feminine subjectivity. It is a contribution to emerging field of new biography and Victorian afterlives through the inclusion and examination of a wide variety of texts which construct the self. It is an original exploration of feminine creative agency that challenges conventional understandings of masculine artistic autonomy in the Victorian period.

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William Morris (1834–1896) was one of the most celebrated practitioners of the Arts and Crafts movement. He embraced the ideal of craftspeople taking pride in their personal handiwork, as opposed to the dehumanizing onslaught of the Industrial Revolution’s mass production techniques. He famously said that any decoration is futile when it does not remind you of something beyond itself.Morris specialized in the ancient technique of hand woodblock printing to create his textile patterns and sought inspiration for his famous repeating patterns from the natural world and the decorative artists before him. The influence of “millefleurs” tapestries, early prints of herbs and the abundance of exquisite detail in medieval art can be appreciated in his works. His evocations of antique florals and plants have become classics of the decorative arts and were an early inspiration for our journal designs, gracing our covers from the very beginning.

Read more less

William Morris (1834–1896) was one of the most celebrated practitioners of the Arts and Crafts movement in the late 19th century. In creating woven and printed textile designs Morris worked with the ancient technique of hand woodblock printing, finding inspiration in the natural world around him. His evocations of antique florals and plants have become classics in the world of decorative arts.

Read more less

William Morris (1834–1896) was one of the most celebrated practitioners of the Arts and Crafts movement in the late 19th century. In creating woven and printed textile designs Morris worked with the ancient technique of hand woodblock printing, finding inspiration in the natural world around him. His evocations of antique florals and plants have become classics in the world of decorative arts.

Read more less

Presents the first extended collection of new William Morris essays in several decade The first collection of new Morris essays in several decades, gathered from manuscripts, newspapers and long out-of-print contemporary sources Follows Morris's development from a youthful art reformer and anti-imperialist through his years as a skilled political theorist and widely influential pan-socialist presence Adds to our understanding of Morris's views on competition, war, violence, social justice and the need to protect our natural environment William Morris's socialist essays remain uncannily relevant for our time, as he addresses issues of inequality, precarity, and the need for pleasure and creative fulfilment in work and life. This scholarly edition traces Morris's opinions from his early insistence that all must have access to art in its broadest sense, through his years as a leader and theorist of the nascent British socialist movement. Finally, as Morris became the elder statesman of the socialist/labour cause, these writings demonstrate his efforts to reconcile competing factions in the service of common aims.

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A survey for a long-term champion of abstraction Acclaimed American painter Rebecca Morris (born 1969) has long been celebrated for her juxtapositions of thin, matte washes of color with shimmering, metallic impasto. Her first major monograph coincides with a new survey exhibition traveling from the Institute of Contemporary Art, Los Angeles to the Museum of Contemporary Art, Chicago. Teeming with opulently illustrated plates, the volume provides insight into Morris’ practice through various vantage points, including texts from longtime collaborators of the artist and new voices alike. Topics include the historiography of color in Morris’ paintings as well as art historical contexts for her work. An additional section of the book traces Morris' own photo documentation of her studios over the 21-year period. Today, Morris remains steadfast to an ethos of constant evolution and a rigorous commitment to experimentation in painting. As she wrote in a widely circulated manifesto from 2005: “Abstraction never left, motherfuckers.”

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Red House occupies an extraordinary place in British architectural history. It was the first and only house that William Morris ever built. It was the first independent architectural commission from his friend, Philip Webb. The challenge of furnishing the house inspired Morris to found the design firm of Morris & Co. Red House occupies an extraordinary place in British architectural history. It was the first and only house that William Morris ever built. It was the first independent architectural commission from his friend, Philip Webb. The challenge of furnishing the house inspired Morris to found the design firm of Morris & Co. It had a great influence on the Arts & Crafts Movement. But it is also a house that captured William Morris's heart. He was only twenty-five when, in 1858 he decided to buy the site at Bexleyheath, just outside London, but in a rural Kentish setting. He had recently married Jane Burden, daughter of an Oxford ostler, whose particular beauty became inspiration for so much pre-Raphaelite art. With his young wife and his wealth he planned to produce a vision of earthly paradise at Red House. Rosetti described it as 'more a poem than a house', Morris called it 'our place of art', and when he was obliged to give it up for financial reasons in 1865, he resolved never to return. His biographer recorded that he could 'never set eyes on it again, confessing that the sight of it would be more than he could bear'. Red House was saved from an uncertain future in January 2003 by the National Trust, and has already opened its doors. Visitors will be able to see some of the original furnishings but many are now at Kelmscott Manor, the William Morris Gallery in Walthamstow, the Victoria & Albert Museum and other locations. This book, however, will provide both the story of Red House and a 'virtual tour' to enable the reader to see how the house looked and functioned when William Morris, his family and friends lived there.

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The first fully illustrated and comprehensive introduction to May Morris's work as an artist, designer and embroiderer, published in association with the V&A. May Morris (1862–1938), younger daughter of William Morris, was a significant figure in the British Arts and Crafts movement and a pioneer of ‘art embroidery’. She ran the embroidery department of Morris & Co., as well as designing textiles, wallpapers and jewellery. May was also an influential teacher and lectured in the UK and America. May Morris: Arts & Crafts Designer is the first publication to present the full range of May Morris’s work and reveals her exceptional skill and originality. It draws together her designs, exquisite embroideries, watercolours, costume and jewellery from museums around the world, and in particular the rich collections of the Victoria and Albert Museum and the William Morris Gallery, London. The book contains more than 180 items in colour and detailed information on their materials and provenance compiled by leading experts. There are also new insights into May’s personal life and relationships, her social activism and her support for other craftswomen. This authoritative and illuminating study places May Morris, whose reputation has been overshadowed by that of her father, firmly among the leading British designer-makers of the Arts and Crafts movement.

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"If a chap can't compose an epic poem while he's weaving tapestry he had better shut up", says William Morris (1834-1896). He was a brilliant designer, a political thinker and one of the most popular poets of his day. While his designs are still prized, his poetry fell for decades into neglect. Crafted and robust, his verse is something to be enjoyed, like other well-made objects. It is at the heart of his creative vision. This selection contains the best of his short poems, ranging from dramatic narratives with medieval settings to romantic lyrics, to "Chants for Socialists". His most popular poems, such as "The Defence of Guenevere" and "King Arthur's Tomb", appear here, as do extracts from "The Life and Death of Jason" and "Love is Enough". Extensive selections from poems of the "Earthly Paradise" time and "Poems by the Way" are also included.

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STAMP SET - The William Morris Classic Floral Rubber Stamp Set features 11 beechwood-handled rubber stamps and 4 ink colors packaged in a sturdy box. Create endless multi-colored floral combinations, perfect for crafty gifts, custom notes, gift wrap, or decorations! VINTAGE INSPIRED - Set includes 11 stamps and four colored inkpads. The stamps themselves are incredibly easy to use and come in a beautiful vintage style box, perfect for adding that beautiful touch to all your craft projects. The high quality rubber stamp ensures crisp and clear impressions every time. PERFECT FOR GIFTING - The William Morris Classic Floral Rubber Stamp Set by Galison is perfect for anyone who wants to add a touch of floral elegance to their work or personal life. It's a must have for any creative soul who loves the timeless beauty of flowers. GALISON – Since 1979, our vision at Galison has been to inspire people by bringing art into daily life with home offic

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Morris is a little boy who loves using his imagination. But most of all, Morris loves his classroom’s dress-up center and its tangerine dress. Morris is a little boy who loves using his imagination. He dreams about having space adventures, paints beautiful pictures and sings the loudest during circle time. But most of all, Morris loves his classroom’s dress-up center — he loves wearing the tangerine dress. But the children in Morris’s class don’t understand. Dresses, they say, are for girls. And Morris certainly isn’t welcome in the spaceship some of his classmates are building. Astronauts, they say, don’t wear dresses. One day when Morris feels all alone, and sick from the taunts of his classmates, his mother lets him stay home from school. Morris reads about elephants, and puts together a puzzle, and dreams of a fantastic space adventure with his cat, Moo. Inspired by his dream, Morris paints the incredible scene he saw, and brings it with him to school. He builds his own spaceship, hangs his painting on the front of it and takes two of his classmates on an outer space adventure. With warm, dreamy illustrations Isabelle Malenfant perfectly captures Morris’s vulnerability and the vibrancy of his imagination. This is a sweetly told story about the courage and creativity it takes to be different. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.3 Describe characters, settings, and major events in a story, using key details. CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses.

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William Morris is well known for his unmistakable tapestries, furniture, fabrics, wallpaper and even stained glass. His work has now been used for over 150 years on many more decorative as well as functional products. The William Morris Everyday Pen Set from Galison include 3 capped pens decorated with iconic Morris patterns.

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Post-war Morris Minors survive in large numbers, but the passage of time since the first models were launched in 1948 means that many require full or partial restoration. The Morris Minor Restoration Manual provides a wealth of information about the model range, specifications, parts availability and the practical skills required to complete essential tasks. Showcasing skills gained in the restoration of a number of models, including a historically significant Morris 1000 two-door saloon, it gives advice and guidance on a range of specific restoration techniques, which are illustrated and explained in detail.

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William Morris was an outstanding character of many talents, being an architect, writer, social campaigner, artist and, with his Kelmscott Press, an important figure of the Arts and Crafts movement. Many of us probably know him best, however, from his superb furnishings and textile designs, intricately weaving together natural motifs in a highly stylized two-dimensional fashion influenced by medieval conventions. William Morris Masterpieces of Art offers a survey of his life and work alongside some of his finest decorative work.

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We read the story of a young designer’s idea of a car so radical that over fifty years later, it would still be part of our lives. From the car’s launch at Earl’s Court in 1948 to the passion of restorer’s who are making this classic available for a new generation, read how this car became woven into the fabric of our lives. We read how the original design was inspired by pre-war cars and how the Minor was cut in two and widened. The book covers how adaptable the car was and shows how the van version of the Minor became such a workhorse in its day. The book shows us examples of the adaptations that were made and how it was used in all areas of society. Modern cars have central control units and have to be hooked to a computer. This makes DIY repairs virtually impossible. Cars of the 60’s and 70’s can be taken apart with a spanner. That is a huge part of the appeal for the Minor and why it has been so popular and why it is gaining popularity with young people who are too young to remember it in its heyday. It can be customised and we see various examples and some are works of automobile art. This is a fascinating tale of an iconic motor car.

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V&A Pattern: William Morris highlights both popular and lesser-known patterns designs by the most famous designer of the Arts and Crafts Movement. A source of inspiration for designers from William Morris to Alexander McQueen, the V&A holds over three million designs for textiles, decorations, wallpapers and prints. Now beautifully re-presented, the bestselling V&A Pattern series invites you to appreciate the work of some of the greatest names and styles in design history, highlighting interesting and imaginative works that are all too rarely seen. Each pocket-sized book features 66 carefully selected patterns, and has a concise expert introduction, making these an invaluable source of inspiration for creatives - and the perfect gift for pattern-lovers.

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Specializing in the most-prized gemstones, from Colombian emeralds to sapphires found in the remote hills of Kashmir, David Morris celebrates color, flawless craftsmanship, and unique creativity in jewelry design. This is the jewelry house s first major book.

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