Search results for ""Author Molly Rogers""

When was Christianity born? When was it that Christianity, born as a particular current within Judaism, constituted itself as a religion different and separate from the Jewish religion? The question has been asked, and the problem has therefore been considered, since the historical-critical investigation of Christian origins began. However the problem has become acute only in the last few decades, because of the occurrence of a whole series of circumstances and of reflections that have deeply changed the historiographic understanding regarding Judaism in the first century, and thus the origins of Christianity as well. Traditional opinion considered the founders of Christianity to be Jesus of Nazareth and Paul of Tarsus. Recent studies however affirm that a Christian religion as distinct from the Jewish religion can be spoken of only much later, and that for the entire first century, and for at least a part of the second century, Christianity was nothing more than a sect within Judaism. Dealing with the problem from an historical point of view, and thus considering not only Christianity of Jewish origin but also that of gentile origin, Giorgio Jossa demonstrates that the birth of a Christian identity as distinct from Jewish identity must actually be dated back to the first period of life of the community of Jesus.

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To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the history of photography: fifteen daguerreotypes of Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty—men and women of African descent who were enslaved in South Carolina. Photographed by Joseph T. Zealy for Harvard professor Louis Agassiz in 1850, they were rediscovered at Harvard’s Peabody Museum in 1976. This groundbreaking multidisciplinary volume features essays by prominent scholars who explore such topics as the identities of the people depicted in the daguerreotypes, the close relationship between photography and race, and visual narratives of slavery and its lasting effects. With over two hundred illustrations, including new photography by Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent engagement. Copublished by Aperture and Peabody Museum Press

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