Search results for ""Author Mimi Haddon""

Popular music in the US and UK during the late 1970s and early 1980s was wildly eclectic and experimental. 'Post-punk', as it was retroactively labeled, is not an easily definable musical category. How do electro-pop melodies, distorted guitars, avant-garde industrial sounds, and reggae beats fit under the same categorical umbrella? What post-punk is not is as interesting a question as what it is.What Is Post-Punk? combines a close reading of the late-1970s music press discourse with musical analyses and theories of identity to unpack post-punk's status as a genre. Mimi Haddon traces the discursive foundations of post-punk across publications such as Sounds, ZigZag, Melody Maker, the Village Voice, and the NME, and presents case studies of bands including Wire, PiL, Joy Division, the Raincoats, and Pere Ubu. By positioning post-punk in relation to genres such as punk, new wave, dub, and disco, Haddon reveals post-punk as a community of tastes and predilections rather than a stylistically unified whole. Haddon diversifies the discourse around post-punk, exploring both its gender and racial dynamics and its proto-industrial aesthetics to restore the historical complexity surrounding the genre’s terms and origins.A detailed exploration of an otherwise under-explored cultural phenomenon, What Is Post-Punk? is a significant addition to scholarship in popular music, of interest to scholars of genre theory and discourse analysis, including feminist and postcolonial discourse.

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Palace Costume is a behind-the-scenes glimpse into Palace Costume & Prop Co., an exclusive Los Angeles film-industry haven of dresses, gowns, garments, accessories, props, and jewelry featured in countless movies for more than fifty years.Envisioned and curated by owner Melody Barnett, Palace Costume is a 30,000-square-foot treasure trove of over half a million pieces and a beloved and legendary collection exclusively for costumers, stylists, and designers. Barnett's journey in retro clothing is movie-worthy itself. Her first boutique in Los Angeles in the early 1970s attracted the likes of Diana Ross and Joni Mitchell and many other legends from the era. This inspired her to transition the business into a to-the-trade-only rental service enabling her to hold onto and care for these vintage gems. Since then, hundreds of classic films have featured clothing from Palace over the years, including Bonnie and Clyde, Chinatown, and T

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