Search results for ""Author Milan Kundera""

With the same dazzling mix of emotion and idea that characterizes his novels he illuminates the art and artists who remain important to him and whose work helps us better understand the world. An astute and brilliant reader of fiction, Kundera applies these same gifts to the reading of Francis Bacon's paintings, Leos Janácek's music, the films of Federico Fellini, as well as to the novels of Philip Roth, Dostoyevsky, and García Márquez, among others. He also takes up the challenge of restoring to their rightful place the work of major writers like Anatole France and Curzio Malaparte who have fallen into obscurity.Milan Kundera's signature themes of memory and forgetting, the experience of exile, and his spirited championing of modernist art mark these essays. Art, he argues, is what we have to cleave to in the face of evil, against the expression of the darker side of human nature. Elegant, startlingly original and provocative, Encounter follows Kundera's essay collections, The Art of the Novel, Testaments Betrayed and The Curtain.

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A young woman is in love with a successful surgeon; a man torn between his love for her and his womanising. His mistress, a free-spirited artist, lives her life as a series of betrayals; while her other lover stands to lose everything because of his noble qualities.

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The classic of literary criticism from one of the world's greatest novelists.In seven independent, but closely related chapters, Milan Kundera presents his personal conception of the European novel, which he describes as 'an art born of the laughter of God'.'Invigoratingly suggestive . . . Kundera's map of the development of the European novel is outlined with the reckless brevity of the man who knows exactly what and where the salient points are.' London Review of Books'Kundera is the saddest, funniest and most loveable of authors.' The Times

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The people of Central Europe cannot be separated from European history; they cannot exist outside it; but they represent the wrong side of this history; they are its victims and outsiders.In a moment of historic peril and uncertainty in mainland Europe, Milan Kundera makes the case for Central Europe as the nucleus of European values and as a lightning rod for its potential dangers.For the countries that make up this region where democracy is under continued threat from Russian oppression, language and culture play an active role in affirming national identity. And each of these countries - Hungary, Poland, the Czech Republic and Slovakia - has been historically overlooked by the major powers of Western Europe. But Kundera cautions that this blindness puts Europe's cultural and political independence at risk, a warning that feels increasingly relevant to our current moment, and our future.

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Kundera's essay has been written like a novel. In the course of nine separate sections, the same characters meet and cross paths with each other. Stravinsky and Kafka with their odd friends Ansermet and Brod; Hemingway with his biographer; Janácek with his little nation; and Rabelais with his heirs - the great novelists.In the light of their wisdom this book examines some of the great situations of our time. The moral trial of the twentieth century's art, from Celine to Mayakovsky; the passage of time which blurs the boundaries between the 'I' of the present day and the 'I' of the past; modesty as an essential concept in an age based on the individual and indiscretion which, as it becomes the habit and the norm, heralds the twilight of individualism; the testaments, the betrayed testaments - of Europe, of art, of the art of the novel and of artists.

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The last novel by the international superstar and author of The Unbearable Lightness of Being.'Kundera is the saddest, funniest, and most lovable of authors.' TimesCasting light on the most serious of problems and at the same time saying not one serious sentence; being fascinated by the reality of the contemporary world and at the same time completely avoiding realism-that's The Festival of Insignificance. Readers who know Kundera's earlier books know that the wish to incorporate an element of the "unserious" in a novel is not at all unexpected of him. In Immortality, Goethe and Hemingway stroll through several chapters together talking and laughing. And in Slowness, Vera, the author's wife, says to her husband: "you've often told me you meant to write a book one day that would have not a single serious word in it... I warn you: watch out. Your enemies are lying in wait."Now, far from watching out, Kundera is finally and fully realizing his old aesthetic dream in this novel that we could easily view as a summation of his whole work. A strange sort of summation. Strange sort of epilogue. Strange sort of laughter, inspired by our time, which is comical because it has lost all sense of humor. What more can we say? Nothing. Just read.

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A dazzling collection of stories - originally banned in 1968 Prague - by the author of modern classic The Unbearable Lightness of Being.Milan Kundera is a master of graceful illusion and illuminating surprise. In one of these stories a young man and his girlfriend pretend that she is a stranger he picked up on the road-only to become strangers to each other in reality as their game proceeds. In another a teacher fakes piety in order to seduce a devout girl, then jilts her and yearns for God. In yet another girls wait in bars, on beaches, and on station platforms for the same lover, a middle-aged Don Juan who has gone home to his wife. Games, fantasies, and schemes abound in all the stories while different characters react in varying ways to the sudden release of erotic impulses.

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Jacques and His Master is a deliciously witty and entertaining 'variation' on Diderot's novel Jacques le fataliste, written for Milan Kundera's 'private pleasure' in the aftermath of the Russian invasion of Czechoslovakia. When the 'heavy Russian irrationality' fell on Czechoslovakia he felt drawn to the spirit of the eighteenth century - 'And it seemed to me that nowhere was it to be found more densely concentrated than in that banquet of intelligence, humour and fantasy, Jacques le Fataliste'.This translation by Simon Callow has delighted Kundera's admirers throughout the English-speaking world.

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'A masterpiece' (Salman Rushdie) by the author of modern classic The Unbearable Lightness of Being.'[It] calls itself a novel, although it is part fairy tale, part literary criticism, part political tract, part musicology, and part autobiography. It can call itself whatever it wants to, because the whole is genius.' New York TimesWhat readers are saying:'Kundera embrace politics, sex, philosophy and history, with a seen-it-all cynicism that nevertheless manages to be fascinating and even uplifting ... It was addictive and fun, sexy and cool, easy to read, and made me feel brighter, switched on, and more alive.''You must read this novel. Can't tell you about it, you just have to do it yourself. Its bonkers-brilliant! Phantasmagoric originality like this comes very seldom in a reader's so-sweet life.''Kundera's unique writing style comes as a revelation ... This holds a special place in my reading history as the one book that I instantly began re-reading as soon as I finished it.''Absolutely enchanted me. It's such an unique novel. It speaks of so many things, from communism and regimes to love and art. For me personally, it is a perfect book.''I am not going to spoil the story here, but while the story is not supernatural in any way, it takes on a fantastical flavor, full of mysteries and strange emotions ... It is obvious that Kundera has thought a lot about life, about the meaning of life, and lets the reader in on his secrets.''Such a unique writer, Kundera! What a way he has to shine the brightest light on the deepest corners of human psyche.'

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Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. A chance encounter leads a man to spend the afternoon with an older woman, now a widow, who escaped him fifteen years earlier. Neither of them doubts that the day will end in disgust, but for one intimate moment each finds a way to overcome mortality.Written in 1969, before Milan Kundera was known to English-speaking readers, this story renders male and female characters painful equals, and prompted Philip Roth to admire its 'detached Chekhovian tenderness'.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

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A philosophical masterpiece by the author of modern classic The Unbearable Lightness of Being.In a narrative as intense as it is brief, a moment of confusion sets in motion a complex chain of events which forces the reader to cross and recross the divide between fantasy and reality.Sometimes - perhaps only for an instant - we fail to recognise a companion; for a moment their identity ceases to exist, and thus we come to doubt our own. The effect is at its most acute in a couple where our existence is given meaning by our perception of a lover, and theirs of us.With his astonishing skill at building on and out from the significant moment, Kundera has placed such a situation and the resulting wave of panic at the core of the novel. In a narrative as intense as it is brief, a moment of confusion sets in motion a complex chain of events which forces the reader to cross and recross the divide between fantasy and reality. Profound, sad and disquieting but above all a love story, Identity provides further proof of Kundera's astonishing gifts as a novelist.

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40th anniversary edition of the bestselling modern classic: Milan Kundera's iconic novel of love and politics in communist Czechoslovakia.'Shamelessly clever ... Exhilaratingly subversive and funny.' Independent'A modern classic ... As relevant now as when it was first published. ' John BanvilleA young woman is in love with a successful surgeon: a man torn between his love for her and his womanising. His mistress, a free-spirited artist, lives her life as a series of betrayals, while her other lover stands to lose everything because of his noble qualities. In a world where lives are shaped by choices and events, and everything occurs but once, existence seems to lose its substance and weight - and we feel 'the unbearable lightness of being'.Kundera's classic provoked a whole generation, encompassing passion and philosophy, body and soul, infidelity and ideas, the Prague Spring and modern America, political acts and private desires, comedy and tragedy - in fact, all of human existence.What readers are saying:'Some books change your mind, some change your heart, the very best change your whole world ... A mighty piece of work, that will shape your life forever.''One of the best books I've ever read ... A book about love and life, full of surprises. Beautiful.''This book is going to change your life ... It definitely leaves you with a hangover after you're done reading.''Kundera writes about love as if in a trance so the beauty of it is enchanting and dreamy ... Will stay with you.'

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The bestselling masterpiece tale of love and exile in Prague by the author of modern classic The Unbearable Lightness of Being.'An artist, clearly one of the best to be found anywhere.' Salman RushdieA man and a woman meet by chance while returning to their homeland, which they had abandoned twenty years earlier when they chose to become exiles. Will they manage to pick up the thread of their strange love story, interrupted almost as soon as it began and then lost in the tides of history? The truth is that after such a long absence 'their memories no longer match.' We always believe that our memories coincide with those of the person we loved, that we experienced the same thing. But this is just an illusion as the memory records only 'an insignificant, minuscule particle' of the past, 'and no one knows why it's this bit and not any other bit.' We live our lives sunk in a vast forgetting, and we refuse to see it. Only those who return after twenty years, like Ulysses returning to his native Ithaca, can be dazzled and astounded by observing the goddess of ignorance first-hand. Milan Kundera has taken these dizzying concepts of absence, memory, forgetting, and ignorance, and transformed them into material for a novel, masterfully orchestrating them into a polyphonic and moving work.

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The New York Times bestseller by the author of modern classic The Unbearable Lightness of Being.'An artist, clearly one of the best to be found anywhere.' Salman RushdieKundera's sixth novel springs from a casual gesture of a woman to her swimming instructor, a gesture that creates a character in the mind of a writer named Kundera. Like Flaubert's Emma or Tolstoy's Anna, Kundera's Agnès becomes an object of fascination, of indefinable longing. From that character springs a novel, a gesture of the imagination that both embodies and articulates Kundera's supreme mastery of the novel and its purpose: to explore thoroughly the great themes of existence.

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Befriend a budding poet and his adoring mother in this seductive early novel - winner of the Prix Médicis - by the author of The Unbearable Lightness of Being.'An artist, clearly one of the greatest to be found everywhere.' Salman RushdieMilan Kundera initially intended to call this early novel The Lyrical Age. The lyrical age, according to him, is youth, and this novel, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct values: childhood, motherhood, revolution, and even poetry. He takes us through the young man's fantasies and love affairs in a characteristic tour de force, alive with wit, eroticism and ideas.Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed and (literally) to his deathbed. A ridiculous and touching character, horrifying and totally innocent ("innocence with its bloody smile"!), Jaromil is at the same time a true poet. He's no creep, he's Rimbaud. Rimbaud entrapped by the communist revolution, entrapped in a somber farce: an artist as a young man.

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The first novel by author of modern classic The Unbearable Lightness of Being, of which Salman Rushdie wrote: 'It is impossible to do justice here to the subtleties, comedy and wisdom of this very beautiful novel.'All too often, this brilliant novel of thwarted love and revenge miscarried has been read for its political implications. Now, more than a quarter century after The Joke was first published and several years after the collapse of the Soviet-imposed Czechoslovak regime, it becomes easier to put such implications into perspective in favor of valuing the book (and all Milan Kundera 's work) as what it truly is: great, stirring literature that sheds new light on the eternal themes of human existence.

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