Search results for ""Author Mikhail Afanasevich Bulgakov""

Young Dr. Bromgard has come to a small country town to assume a new practice. No sooner has he arrived than he receives word that a colleague, Dr. Polyakov, has fallen gravely ill. Before Bromgard can go to his friend’s aid, Polyakov is brought to his practice in the middle of the night with a self-inflicted gunshot wound, and, barely conscious, gives Bromgard his journal before dying. What Bromgard uncovers in the entries is Polyakov’s uncontrollable and merciless descent into morphine addiction — his first injection to ease his back pain, the thrill of the drug as it overtakes him, the looming signs of addiction, and the feverish final entries before his death.

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Mikhail Bulgakov’s The Life of Monsieur de Moliere is a fascinating portrait of the great French seventeenth-century satirist by one of the great Russian satirists of our own century. For Bulgakov, Moliere was an alter ego whose destiny seemed to parallel his own. As Bulgakov’s translator, Mirra Ginsburg, informs us: "There is much besides their craft that links these two men across the centuries. Both had a sharp satirical eye and an infinite capacity for capturing the absurd and the comic, the mean and the grotesque: both had to live and write under autocracies: both were fearless and uncompromising in speaking of what they saw, evoking storms with each new work: and shared what Bulgakov calls ’the incurable disease of passion for the theater.’" The life of Moliere, born Jean-Baptiste Poquelin, is a story of struggle and dedication, and Bulgakov tells it with warmth and compassion. Indeed, for all Bulgakov’s careful attention to historical detail, his vivid recreation of seventeenth-century France makes The Life of Monsieur de Moliereread more like a novel than a formal biography. Mikhail Bulgakov (1891-1949) is best known in the West for his monumental novel The Master and Margarita. His The Life of Monsieur de Moliere, completed in 1933, was not published until 1962. Mirra Ginsburg’s translation of this neglected masterpiece will find a welcome readership among devotees of the theater and of modern Russian literature.

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Begun in 1920 while Bulgakov was employed in a hospital in the remote Caucasian outpost of Vladikavkaz, and continued when he started working for a government literary department in Moscow, Notes on a Cuff is a series of journalistic sketches which show the young doctor trying to embark on a literary career among the chaos of war, disease, politics and bureaucracy. Stylistically brilliant and brimming with humour and literary allusion, Notes on a Cuff is presented here in a new translation, along with a collection of other short pieces by Bulgakov, many of them - such as 'The Cockroach' and 'A Dissolute Man' - published for the first time in the English language.

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