Search results for ""Author Michael Reynolds""

A full account of the making, during 1909-10, of Der Rosenkavalier with emphasis on its derivation from a French opérette of 1907, L'Ingenu libertin. L'Ingenu libertin was seen in Paris by Count Harry Kessler and formed the basis of the opera then to be written by Hofmannsthal and Strauss. Previous scholarship has credited the narrative and characters of Der Rosenkavalier to much older French sources known to and studied by Hofmannsthal, but this book shows clearly how every element in L'Ingenu libertin is in fact taken (and transformed) by Kessler and Hofmannsthal into the work that made fortunes for Hofmannsthal and Strauss, but left Kessler on the sidelines. Michael Reynolds casts a major new light on Strauss's most popular operatic success, highlighting in particular how it was that Hofmannsthal - who had not until then had any theatrical success as an original playwright - was advised and empowered by Kessler to produce a work that succeeded onstage from its very first performance and went rapidly on to conquer the stages of the world. Michael Reynolds is an established writer on opera, a translator and an online music critic, an interest that he sustained throughout thirty years in the world of international diplomacy. His previous book for Boydell, About Suffolk, was an anthology of writing about his adopted county.

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Much has been written about Jochen Peiper, though it is unlikely he would have been heard of outside Germany but for the infamous massacre near Malmedy, Belgium, with which his name has been forever associated. Initially shunned and even despised in the years following Germany's surrender, Peiper is now revered and generally accepted as a brilliant solider. This meticulously researched book explores Peiper's youth, his career with the SS, the now famous trial of the officers and soldiers of the Leibstandarte, who were accused of war crimes, and Peiper's murder in France over thirty years later.

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This is the story of the two divisions: the American 29th and the British 3rd. After describing the agonies suffered by the Americans on Omaha, and the difficulties that faces the British in overcoming strongpoints at Sword Beach on D-Day, the author traces both divisions as they try to break through the German defences.It was to take the GI's nearly six weeks to reach their objective, whilst the Tommies were forced into a concurrent holding operation redolent of the trench warfare experience of World War One. The main part of Caen, the central communication point and respective objective was eventually captured on the 9th July, but by this point, the two Allied divisions had suffered more than 10,000 casulaties, and several thousands of French civilians had been killed.Michael Reynolds has written extensively on the Second World War and has had a profound military career.

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Michael Reynolds was the supreme biographer of Ernest Hemingway. HBO’s film concentrates on Hemingway’s years with his third wife, the adventurous journalist Martha Gellhorn. This book brings together Reynolds’s Hemingway: The 1930s and Hemingway: The Final Years.

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Steel Inferno provides a unique insight into the experiences of 1st SS Panzer Corps, one of only two units in the German Army which bore Hitler's name, during their fight against their Allied adversaries in Normandy. This meticulously researched book also explores the origins, formation and organisation of the unit, and examines some of their more remarkable achievements during this bitter fight. It also lays to rest the myth that these two remarkable Waffen-SS divisions were annihilated in Normandy. In fact, though the Allies could never forget or forgive the attrocities the Wehrmacht and SS troops commited, many admired the Panzer Corps, and one compared fighting with them to 'fighting with tigers'.

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Encuadernación: Rústica.

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A full account of the making, during 1909-10, of Der Rosenkavalier with emphasis on its derivation from a French opérette of 1907, L'Ingenu libertin. L'Ingenu libertin was seen in Paris by Count Harry Kessler and formed the basis of the opera then to be written by Hofmannsthal and Strauss. Previous scholarship has credited the narrative and characters of Der Rosenkavalier to much older French sources known to and studied by Hofmannsthal, but this book shows clearly how every element in L'Ingenu libertin is in fact taken (and transformed) by Kessler and Hofmannsthal into the work that made fortunes for Hofmannsthal and Strauss, but left Kessler on the sidelines. Michael Reynolds casts a major new light on Strauss's most popular operatic success, highlighting in particular how it was that Hofmannsthal - who had not until then had any theatrical success as an original playwright - was advised and empowered by Kessler to produce a work that succeeded onstage from its very first performance and went rapidly on to conquer the stages of the world. Michael Reynolds is an established writer on opera, a translator and an online music critic, an interest that he sustained throughout thirty years in the world of international diplomacy. His previous book for Boydell, About Suffolk, was an anthology of writing about his adopted county.

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