Search results for ""Author Michael Pursglove""

Coming back to the "nest" of his family home in Russia after years of fruitless endeavours away from his roots, Lavretsky decides to turn his back on the vacuous salons of Paris and his frivolous and unfaithful wife Varvara Pavlovna. On his return he meets Liza, the daughter of one of his cousins, whom he had known when they were children and who rekindles in him long-smothered feelings of love. News of Varvara's death arrive from France, offering Lavretsky the prospect of a new life, but a cruel twist threatens to shatter his dreams and forces him to re-evaluate his plans. Hailed as a masterpiece of Russian literature, A Nest of the Gentry - Turgenev's most successful and widely read novel, here presented in a new translation by Michael Pursglove - deals with the personal struggles of the individual in a period of turbulent social change.

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On his way back to Russia after some years spent in the West, Grigory Mikhailovich Litvinov, the son of a retired official of merchant stock, stops over in Baden-Baden to meet his fiancee Tatyana. However, a chance encounter with his old flame, the manipulative Irina - now married to a general and a prominent figure in aristocratic expatriate circles - unearths feelings buried deep inside the young man's heart, derailing his plans for the future and throwing his life into turmoil.

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Driven to his deathbed by an incurable disease, the thirty-year-old impoverished gentleman Chulkaturin decides to write a diary looking back on his short life. After describing his youthful disillusionment and his family’s fall from grace and loss of status, the narrative focuses on his love for Liza, the daughter of a senior civil servant, his rivalry with the dashing Prince N. and his ensuing humiliation. These pages helped establish the archetype of the “superfluous man”, a recurring figure in nineteenth-century Russian literature. First published in 1850, ‘The Diary of a Superfluous Man’ was initially censored by the authorities, as some of its passages were deemed too critical of Russian society. This volume also includes two other masterly novellas, also touching on the theme of disappointed love: ‘Asya’ and ‘First Love’.

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One of the pillars of nineteenth-century Russian prose fiction alongside towering figures such as Gogol, Dostoevsky and Tolstoy, Ivan Turgenev started his writing career as a poet, gaining much critical acclaim and renown in that field. The title piece of this collection, Parasha, which brought the young author to the attention of the influential critic Vissarion Belinsky and established his reputation, is a humorous narrative poem in the vein of Pushkin’s Eugene Onegin or Lermontov’s Sashka, telling the story of a young woman’s marriage to her dull, unromantic neighbour and the couple’s humdrum and more or less happy life ever after. Also contained in this volume are four other narrative poems by Turgenev – Andrei, A Conversation, The Landowner and The Village Priest – all showing the author’s early interest in ordinary stories of Russian life and all displaying the wit and stylistic versatility that we have come to associate with his more famous prose works.

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On the eve of the Crimean War, the young, headstrong Yelena, the daughter of aristocratic Russian parents, falls in love with a revolutionary from Bulgaria named Insarov. Facing the wrath and disapproval of her family, Yelena abandons her home to follow Insarov to Bulgaria. Their fateful match sets in motion a series of tragic events which challenge notions of love, revolution and idealism. A highly controversial work upon its original publication, Ivan Turgenev’s On the Eve is now recognized as one of the masterpieces of Russian literature and an essential document of the upheaval that dominated Russian society in the years prior to the Crimean War. Turgenev’s restrained, nuanced prose is rendered beautifully in Michael Pursglove’s new translation.

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Fathers and Children, arguably the first modern novel in the history of Russian literature, shocked readers when it was first published in 1862 - the controversial character of Bazarov, a self-proclaimed nihilist intent on rejecting all existing traditional values and institutions, providing a trenchant critique of the established order. Turgenev's masterpiece investigates the growing nihilist movement of mid-nineteenth-century Russia - a theme which was to influence Dostoevsky and many other European writers - in a universal and often hilarious story of generational conflict and the clash between the old and the new.

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Turgenev’s final novel, Virgin Soil traces the destinies of several middle-class revolutionaries who seek to “go to the people” by working on the land and instilling democratic ideas in the countryside’s locals. They include the daydreaming impoverished young tutor Nezhdanov – employed by the liberal councillor Sipyagin and his vain and beautiful wife Valentina – the naive young radical Maryanna and the progressive factory manager Solomin. Their liaisons, intrigues and conspiracies, set against the backdrop of Tsarist Russia, form the matter of Turgenev’s most ambitious and elaborate work, which cemented the author’s place in the West as Russia’s foremost novelist while at the same time proving controversial at home – culminating in the arrest of fifty-two real-life revolutionaries barely a month after it was published.

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