Search results for ""Author Michael Plekon""

Living Icons presents an intimate portrait of holiness as exemplified in the lives and thoughts of ten people of faith in the Eastern Orthodox Church. In this inspiring volume, Michael Plekon introduces readers to a diverse and unusual group of men and women who strove to put the Gospel of Christ into action in their lives. The “living icons” Plekon describes were, among other things, priests, theologians, writers, and caregivers to the homeless and poor. One was an artist who became the greatest icon painter in this century; another was assassinated for his teachings in post-Soviet Russia. These remarkable people of faith lived through times of great suffering: forced emigration, the Great Depression, World War II, and the Cold War. Many of them were criticized, if not condemned, by ecclesiastical opponents and authorities. Yet each demonstrate a unique pattern for holiness, illustrating that the path to sainthood is open to all. With the fall of state socialism, Eastern Orthodox churches and monasteries are being reopened and receiving renewed interest from believers and nonbelievers alike. Plekon calls to our attention people like Saint Seraphim of Sarov (1759–1832), a monk, mystic, counselor, healer, and visionary; Father Alexander Men (1935–1990), a Russian whose writings after Glasnost ultimately led to his tragic assassination; Mother Maria Skobtsova (1891–1945), a painter, poet, and political activist who was killed in a concentration camp for hiding her Jewish neighbors; and Father Lev Gillet (1893–1980), one of the twentieth century’s greatest spiritual teachers. Living Icons, which includes a foreword by Lawrence S. Cunningham, brings to life the beautiful, and often unfamiliar, spirituality of the Eastern Orthodox Church through some of its most remarkable members. It shows with simplicity and clarity that Christ and the Gospel are often manifested in extraordinary ways in the lives of ordinary people.

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In his new book, Saints As They Really Are, priest and scholar Michael Plekon traces the spiritual journeys of several American Christians, using their memoirs and other writings. These “saints-in-the-making” show all their doubts and imperfections as they reflect on their search for God and their efforts to lead holy lives. They are gifted yet ordinary women and men trying to follow Christ within their flawed and broken humanity—“saints as they really are,” as Dorothy Day put it. Saints As They Really Are is the third book in Plekon’s critically acclaimed series on saints and holiness in our time. He draws on the autobiographical work of Dorothy Day, Peter Berger, Thomas Merton, Kathleen Norris, and Barbara Brown Taylor, among others, as well as from his own experiences as a Carmelite seminarian and brother. Plekon shares the power of these individuals’ stories as they unfold. The book offers a strong argument that our failings and weaknesses are not disqualifications to holiness. Plekon further confronts the institutional church and its relationship to individuals seeking God, focusing on some of the challenges to this search—the destructive potential of religion and religious institutions, as well as our personal tendencies to extremism, overwork, pious obsessions, and legalism. But he also underscores the healing qualities of faith and the spiritual life. Plekon's insights will help readers better understand their own spiritual pilgrimages as they learn how others have dealt with the trials and joys of their path to everyday holiness.

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Living Icons presents an intimate portrait of holiness as exemplified in the lives and thoughts of ten people of faith in the Eastern Orthodox Church. In this inspiring volume, Michael Plekon introduces readers to a diverse and unusual group of men and women who strove to put the Gospel of Christ into action in their lives. The “living icons” Plekon describes were, among other things, priests, theologians, writers, and caregivers to the homeless and poor. One was an artist who became the greatest icon painter in this century; another was assassinated for his teachings in post-Soviet Russia. These remarkable people of faith lived through times of great suffering: forced emigration, the Great Depression, World War II, and the Cold War. Many of them were criticized, if not condemned, by ecclesiastical opponents and authorities. Yet each demonstrate a unique pattern for holiness, illustrating that the path to sainthood is open to all. With the fall of state socialism, Eastern Orthodox churches and monasteries are being reopened and receiving renewed interest from believers and nonbelievers alike. Plekon calls to our attention people like Saint Seraphim of Sarov (1759–1832), a monk, mystic, counselor, healer, and visionary; Father Alexander Men (1935–1990), a Russian whose writings after Glasnost ultimately led to his tragic assassination; Mother Maria Skobtsova (1891–1945), a painter, poet, and political activist who was killed in a concentration camp for hiding her Jewish neighbors; and Father Lev Gillet (1893–1980), one of the twentieth century’s greatest spiritual teachers. Living Icons, which includes a foreword by Lawrence S. Cunningham, brings to life the beautiful, and often unfamiliar, spirituality of the Eastern Orthodox Church through some of its most remarkable members. It shows with simplicity and clarity that Christ and the Gospel are often manifested in extraordinary ways in the lives of ordinary people.

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In Hidden Holiness, Michael Plekon challenges us to examine the concept of holiness. He argues that both Orthodox and Catholic churches understand saints to be individuals whose lives and deeds are unusual, extraordinary, or miraculous. Such a requirement for sainthood undermines, in his view, one of the basic messages of Christianity: that all people are called to holiness. Instead of focusing on the ecclesiastical process of recognizing saints, Plekon explores a more ordinary and less noticeable “hidden” holiness, one founded on the calling of all to be prophets and priests and witnesses to the Gospel. As Rowan Williams has insisted, people of faith need to find God’s work in their culture and daily lives. With that in mind, Plekon identifies a fascinatingly diverse group of faithful who exemplify an everyday sanctity, as well as the tools they have used to enact their faith. Plekon calls upon contemporary writers—among them, Rowan Williams, Kathleen Norris, Sara Miles, Simone Weil, and Darcey Steinke—as well as such remarkable and controversial figures as Mother Teresa, Thomas Merton, and Dorothy Day—to demonstrate ways to imagine a more diverse and everyday holiness. He also introduces four individuals of "hidden holiness": a Yup'ik Alaskan, Olga Arsumquak Michael; the artist Joanna Reitlinger; the lay theologian Elisabeth Behr-Sigel; and human rights activist Paul Anderson. A generous and expansive treatment of the holy life, accessibly written for all readers, Plekon's book is sure to inspire us to recognize and celebrate the holiness hidden in the ordinary lives of those around us.

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In Hidden Holiness, Michael Plekon challenges us to examine the concept of holiness. He argues that both Orthodox and Catholic churches understand saints to be individuals whose lives and deeds are unusual, extraordinary, or miraculous. Such a requirement for sainthood undermines, in his view, one of the basic messages of Christianity: that all people are called to holiness. Instead of focusing on the ecclesiastical process of recognizing saints, Plekon explores a more ordinary and less noticeable “hidden” holiness, one founded on the calling of all to be prophets and priests and witnesses to the Gospel. As Rowan Williams has insisted, people of faith need to find God’s work in their culture and daily lives. With that in mind, Plekon identifies a fascinatingly diverse group of faithful who exemplify an everyday sanctity, as well as the tools they have used to enact their faith. Plekon calls upon contemporary writers—among them, Rowan Williams, Kathleen Norris, Sara Miles, Simone Weil, and Darcey Steinke—as well as such remarkable and controversial figures as Mother Teresa, Thomas Merton, and Dorothy Day—to demonstrate ways to imagine a more diverse and everyday holiness. He also introduces four individuals of "hidden holiness": a Yup'ik Alaskan, Olga Arsumquak Michael; the artist Joanna Reitlinger; the lay theologian Elisabeth Behr-Sigel; and human rights activist Paul Anderson. A generous and expansive treatment of the holy life, accessibly written for all readers, Plekon's book is sure to inspire us to recognize and celebrate the holiness hidden in the ordinary lives of those around us.

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The Church of the Holy Spirit, written by Russian priest and scholar Nicholas Afanasiev (1893–1966), is one of the most important works of twentieth-century Orthodox theology. Afanasiev was a member of the “Paris School” of émigré intellectuals who gathered in Paris after the Russian revolution, where he became a member of the faculty of St. Sergius Orthodox Seminary. The Church of the Holy Spirit, which offers a rediscovery of the eucharistic and communal nature of the church in the first several centuries, was written over a number of years beginning in the 1940s and continuously revised until its posthumous publication in French in 1971. Vitaly Permiakov's lucid translation and Michael Plekon's careful editing and substantive introduction make this important work available for the first time to an English-speaking audience.

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Elisabeth Behr-Sigel (1907-2005) was one of the most important Orthodox theologians of the twentieth century. For seventy years she helped her church, dispersed and uprooted from its cultural heritage, adapt to a new world. Born in Alsace, France, to a Protestant father and a Jewish mother, Behr-Sigel received a master's degree in theology from the Protestant Faculty of Theology at Strasbourg and began a pastoral ministry. It lasted only a year. Already attracted by the beauty of its liturgy and by its characteristic spirituality, Behr-Sigel officially embraced the Orthodox faith at age twenty-four. During World War II her family (husband André Behr and their three children) lived in Nancy, France, where Behr-Sigel taught in the public school system. She later referred to this time as her real apprenticeship in ecumenism, when people of different traditions came together in opposition to Nazism, hiding Jews and providing escape routes. After the war she took advantage of courses at St. Sergius Theological Institute in Paris, where she later joined the faculty. Behr-Sigel also taught at the Catholic Institute of Paris, the Dominican College of Ottowa, and the Ecumenical Institute of Tantur near Jerusalem. She wrote and published books in Orthodox theology, spirituality, and the role of women in the Orthodox Church. In her retirement she continued to work on behalf of women and of the ecumenical movement. Published in 2007 in France as Vers le jour sans déclin, this biography by the Orthodox writer Olga Lossky will bring to English-speaking readers of all religious persuasions the life and career of a remarkable and admirable woman of faith. Behr-Sigel fully cooperated with this biography, meeting with Lossky weekly during the last year of her life and giving Lossky access to her journal and personal letters.

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The Church of the Holy Spirit, written by Russian priest and scholar Nicholas Afanasiev (1893–1966), is one of the most important works of twentieth-century Orthodox theology. Afanasiev was a member of the “Paris School” of émigré intellectuals who gathered in Paris after the Russian revolution, where he became a member of the faculty of St. Sergius Orthodox Seminary. The Church of the Holy Spirit, which offers a rediscovery of the eucharistic and communal nature of the church in the first several centuries, was written over a number of years beginning in the 1940s and continuously revised until its posthumous publication in French in 1971. Vitaly Permiakov's lucid translation and Michael Plekon's careful editing and substantive introduction make this important work available for the first time to an English-speaking audience.

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