Search results for ""Author Michael Patrick Gillespie""

A study that must be read by all scholars and students of Joyce. Since its appearance in 1922, James Joyce's novel Ulysses has remained extremely popular, never having gone out of print. Since the expiration of its copyright in the early 1990s, almost every major press in the US and England has produced an edition of the novel. This widespread public interest, in turn, has led well-known literary critics--from T. S. Eliot and Ezra Pound to Terry Eagleton and Homi Bhabha--to attempt to explain the intricacies of the great novel. Debate continues over even the most fundamental aspects of its plot, characterization, and themes. Every year, more and more scholars offer insights into the structure and style of Joyce's writing, the significanceof his imagery, the consequences of his ideological dispositions, the association between his fictional representations and a myriad of cultural, social, and communal institutions and beliefs. Merely remaining cognizant of the range of views of Ulysses now offered has become a daunting task for any student of Joyce, especially in view of the explosion of critical viewpoints available to today's critics. While no single work could fully synthesize all that has been written on Ulysses, this book distinguishes the features of major methodological trends and important critical studies that have shaped our sense of Joyce's novel in recent years.

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“Backgrounds” includes essays on Wilde and the 1890s by prominent cultural critics Karl Beckson, Sharon Marcus, and Michael Patrick Gillespie. “Early Reviews and Reactions” collects contemporary responses to The Importance of Being Earnest, including George Bernard Shaw’s famous dissenting review and other commentary by H. G. Wells, Hamilton Fyfe, and William Archer. “Essays in Criticism” includes seven diverse assessments—six of them new to the Second Edition—of Wilde and the play by E. H. Mikhail, Burkhard Niederhoff, Christopher S. Nassaar, Clifton Snider, Brigitte Bastiat, Eibhear Walshe, and Maneck H. Daruwala. A chronology and selected bibliography are also included.

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This Norton Critical Edition includes: The 1890 (Lippincott’s Magazine) version and the 1891 (book) version of the novel. Under the editorial guidance of Wilde scholar Michael Patrick Gillespie, students have the opportunity to comparatively read and analyse both texts of this controversial novel. Editorial matter by Michael Patrick Gillespie. “Backgrounds” and “Reviews and Reactions” sections that allow readers to gauge The Picture of Dorian Gray’s sensational reception and to consider the heated public debate over art and morality that followed—including Oscar Wilde’s vehement replies to individual critics. Seven critical essays—six of them new to the Third Edition—that address the novel’s major themes: aestheticism, decadence and vice. Contributors include Joseph Carroll, Nils Clausson, Emily Eells, Michael Patrick Gillespie, Richard Haslam, Donald L. Lawler and Ellen Scheible. A chronology and a selected bibliography.

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