Search results for ""Author Michael Irwin""

With an Introduction, Bibliography and Glossary by Michael Irwin, Professor of English Literature University of Kent at Canterbury. Thomas Hardy started composing poetry in the heyday of Tennyson and Browning. He was still writing with unimpaired power sixty years later, when Eliot and Yeats were the leading names in the field. His extraordinary stamina and a consistent individuality of style and vision made him a survivor, immune to literary fashion. At the start of the twenty-first century his reputation stands higher than it ever did, even in his own lifetime. He is now recognised not only as a great poet, but as one who is widely loved. He speaks with directness, humanity and humour to scholarly or ordinary readers alike.

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Introduction and Notes by Michael Irwin, Professor of English Literature, University of Kent at Canterbury. Set in Hardy's Wessex, Tess is a moving novel of hypocrisy and double standards. Its challenging sub-title, A Pure Woman, infuriated critics when the book was first published in 1891, and it was condemned as immoral and pessimistic. It tells of Tess Durbeyfield, the daughter of a poor and dissipated villager, who learns that she may be descended from the ancient family of d'Urbeville. In her search for respectability her fortunes fluctuate wildly, and the story assumes the proportions of a Greek tragedy. It explores Tess's relationships with two very different men, her struggle against the social mores of the rural Victorian world which she inhabits and the hypocrisy of the age. In addressing the double standards of the time, Hardy’s masterly evocation of a world which we have lost, provides one of the most compelling stories in the canon of English literature, whose appeal today defies the judgement of Hardy’s contemporary critics.

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With an Introduction and Notes by Michael Irwin, Professor of English Literature, University of Kent at Canterbury This selection of Carroll's works includes Alice's Adventures in Wonderland and its sequel, Through the Looking-Glass, both containing the famous illustrations by Sir John Tenniel. No greater books for children have ever been written. The simple language, dreamlike atmosphere, and fantastical characters are as appealing to young readers today as ever they were. Meanwhile, however, these apparently simple stories have become recognised as adult masterpieces, and extraordinary experiments, years ahead of their time, in Modernism and Surrealism. Through wordplay, parody and logical and philosophical puzzles, Carroll engenders a variety of sub-texts, teasing, ominous or melancholy. For all the surface playfulness there is meaning everywhere. The author reveals himself in glimpses.

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With an Introduction and Notes by Michael Irwin, Professor of English Literature, University of Kent at Canterbury. The Diary of a Nobody is so unassuming a work that even its author, George Grossmith, seemed unaware that he had produced a masterpiece. For more than a century this wonderfully comic portrayal of suburban life and values has remained in print, a source of delight to generations of readers, and a major literary influence, much imitated but never equalled. If you don’t recognise yourself at some point in The Diary you are probably less than human. If you can read it without laughing aloud you have no sense of humour.

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Introduction and Notes by Michael Irwin, Professor of English Literature, University of Kent at Canterbury. Wessex Tales was the first collection of Hardy's short stories, and they reflect the experience of a novelist at the height of his powers. These seven tales, in which characters and scenes are imbued with a haunting realism, show considerable diversity of content, form and style, and range from fantasy to realism and from tragedy to comedy. In insisting on the unusual nature of any story worth the telling, and with his gift for irony and compassion, Hardy achieves more in the genre of the short story than any English novelist before him.

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With an Introduction, Notes and Bibliography by Michael Irwin, Emeritus Professor of English, University of Kent, Canterbury. The young Thomas Hardy, working as an architect, but fired with literary ambition, tried for years to get into print. He finally succeeded with Desperate Remedies, a 'sensation novel' in the mode of Wilkie Collins. Here was a racy specimen of the genre, replete with sudden death, dark mysteries, intriguing clues, fire and storm, flight and pursuit. Anyone who enjoys The Woman in White is likely to enjoy Desperate Remedies. But that is only half the story. Hardy contrived also, in this unlikely context, to give a first airing to various of the ideas and technical experiments which were to characterise his later fiction. The result is an exhilaratingly uneven work: at any point in the narrative some brilliant passage of description or metaphor may burst out like a firework. Desperate Remedies can be relished both for what it is and for what it promises.

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With an Introduction and Notes by Michael Irwin, Professor of English Literature, University of Kent at Canterbury. None of the great Victorian novels is more vivid and readable than The Mayor of Casterbridge. Set in the heart of Hardy's Wessex, the 'partly real, partly dream country' he founded on his native Dorset, it charts the rise and self-induced downfall of a single 'man of character'. The fast-moving and ingeniously contrived narrative is Shakespearian in its tragic force, and features some of the author's most striking episodes and brilliant passages of description.

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