Search results for ""Author Michael Hicks""

This book illuminates Warwick's character and motivation, showing that he was an emotional, charming, and popular man with a strong sense of family loyalty. It is the first full study of this compelling figure within the context of political life in late medieval England.

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Author of New Musical Resources and a teacher of John Cage, Lou Harrison, and Burt Bacharach, Henry Cowell is regarded as an innovator, rebel, and genius. Celebrated for the novelty of his playing, Cowell popularized a series of experimental piano-playing techniques that included pounding his fists and forearms on the keys and plucking the piano strings directly to achieve the exotic, dissonant sounds he desired. Michael Hicks shows how the maverick composer, writer, teacher, and performer built his career on the intellectual and aesthetic foundations of his parents, community, and teachers--and exemplified the essence of bohemian California. Hicks traces Cowell's radical ideas to teachers like Charles Seeger, Samuel Seward, and E. G. Stricklen, his childhood in the tightknit artistic communities in the San Francisco Bay area, and the immeasurable influence of his parents. Focusing on Cowell's formative and most prolific years, Hicks examines the philosophical fervor that fueled the artist's whirlwind compositions and the ways his irrepressible spirit helped foster an appreciation in the United States and Europe for a new brand of American music.

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This book illuminates Warwick's character and motivation, showing that he was an emotional, charming, and popular man with a strong sense of family loyalty. It is the first full study of this compelling figure within the context of political life in late medieval England.

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The Wars of the Roses (1455–85) were a major turning point in English history. But the underlying causes for the successive upheavals have been hotly contested by historians ever since. In this original and stimulating new synthesis, distinguished historian Michael Hicks examines the difficult economic, military, and financial crises and explains, for the first time, the real reasons why the Wars of the Roses began, why they kept recurring, and why, eventually, they ceased. Alongside fresh assessments of key personalities, Hicks sheds new light on the significance of the involvement of the people in politics, the intervention of foreign powers in English affairs, and a fifteenth-century credit crunch. Combining a meticulous dissection of competing dynamics with a clear account of the course of events, this is a definitive and indispensable history of a compelling, complex period.

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The Wars of the Roses were quarrels within the Plantagenet family, of which Richard’s dynasty, the House of York, was one branch. They were about family trees – the capacity of family relationships both to unite and to divide – and notoriously about the slaughter of cousins, in-laws, brothers, and nephews. The House of York won the first war, with Richard’s elder brother becoming king as Edward IV. The 1460s are about the explosion of King Edward IV’s family – his brothers (including Richard), his wife and in-laws, and his own offspring – and end in a trial of strength between them. The 1470s are about a second explosion of the House of York, its division into separate nuclear families competing against each other, about the kings’ preferences, and in 1483 a sudden violent resolution following Edward IV’s death. Richard III claimed to be his brother’s heir. The Yorkist establishment refused and shared in Richard’s destruction. With the recent discovery of Richard III’s skeleton, Professor Michael Hicks, described by BBC HISTORY MAGAZINE as ‘the greatest living expert on Richard III’, reassesses the family ties and entrails of his wayward and violent family. Many thousands of descendants of Richard’s siblings survive, some more interested in their lineage than others, and the book will conclude with an analysis of Richard’s DNA and his ‘family’ as it exists today.

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Richard III has been written off in history as one of England's evil kings. His usurpation of the throne from his nephew Edward V and then subsequent generations of pro-Tudor historians ensured his fame as the disfigured murderer portrayed by Shakespeare. In the twentieth century, Richard found his apologists, those who saw him as more sinned against than sinning. This biography - by the leading expert on Richard - strips away the propaganda of the centuries to rescue Richard from his critics and supporters alike, providing a balanced and compelling portrait of this most infamous of kings.

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Music has flourished in the Mormon church since its beginning. Michael Hicks examines the direction that music's growth has taken since 1830. He looks closely at topics including the denomination's first official hymnals; the views of Joseph Smith and Brigham Young on singing; the Mormon Tabernacle Choir; and the changing attitudes of church officialdom and laity toward popular and non-Western music styles.

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A first-of-its-kind history, The Mormon Tabernacle Choir tells the epic story of how an all-volunteer group founded by persecuted religious outcasts grew into a multimedia powerhouse synonymous with the mainstream and with Mormonism itself. Drawing on decades of work observing and researching the Mormon Tabernacle Choir, Michael Hicks examines the personalities, decisions, and controversies that shaped "America's choir." Here is the miraculous story behind the Tabernacle's world-famous acoustics, the anti-Mormonism that greeted early tours, the clashes with Church leaders over repertoire and presentation, the radio-driven boom in popularity, the competing visions of rival conductors, and the Choir's aspiration to be accepted within classical music even as Mormons sought acceptance within American culture at large. Everything from Billboard hits to TV appearances to White House performances paved the way for Mormonism's crossover triumph. Yet, as Hicks shows, such success raised fundamental concerns regarding the Choir's mission, functions, and image.

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Unlike their rock 'n' roll predecessors, many rock musicians of the mid-sixties came to consider themselves as artists--self-consciously presenting themselves as creators of a new sonic medium.Sixties Rock offers a provocative look at these artists and their innovations in two pivotal rock genres: garage rock and psychedelic music. Delving into everything from harmony to hardware, Michael Hicks shows what makes this music tick and what made it unique in its time. Looking at bands like the Doors, the Rolling Stones, the Yardbirds, and Love, Hicks puts legends and flashes in the pan alike through a rigorous analysis that places their music within rock history while exploring its place in the oft-swirling contexts of the time.

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An "excellent new biography" (Keith Thomas, New York Review of Books) of the wily and formidable prince who unexpectedly became monarch—the most infamous king in British history“An intricately detailed account of Richard’s every recorded move on his journey from younger son of the powerful Duke of York to the last of England’s mediaeval monarchs.”—Mark Jones, Albion Magazine The reign of Richard III, the last Yorkist king and the final monarch of the Plantagenet dynasty, marked a turning point in British history. But despite his lasting legacy, Richard only ruled as king for the final two years of his life. While much attention has been given to his short reign, Michael Hicks explores the whole of Richard’s fascinating life and traces the unfolding of his character and career from his early years as the son of a duke to his violent death at the battle of Bosworth. Hicks explores how Richard—villainized for his imprisonment and probable killing of the princes—applied his experience to overcome numerous setbacks and adversaries. Richard proves a complex, conflicted individual whose Machiavellian tact and strategic foresight won him a kingdom. He was a reformer who planned big changes, but lost the opportunity to fulfill them and to retain his crown.

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In this first interpretive narrative of the life and work of Christian Wolff, Michael Hicks and Christian Asplund trace the influences and sensibilities of a contemporary composer's atypical career path and restless imagination. Written in full cooperation with Wolff, including access to his papers, this volume is a much-needed introduction to a leading avant-garde composer still living, writing music, and speaking about his own work. Wolff has pioneered various compositional and notational idioms, including overtly political music, indeterminacy, graphic scores, and extreme virtuosity. Trained as a classicist rather than a musician, Wolff has never quite had both feet in the rarefied world of contemporary composition. Yet he's considered a "composer's composer," with a mind ensconced equally in ancient Greek tragedy and experimental music and an eccentric and impulsive compositional approach that eludes a fixed stylistic fingerprint. Hicks and Asplund cover Wolff's family life and formative years, his role as a founder of the New York School of composers, and the context of his life and work as part of the John Cage circle, as well as his departures from it. Critically assessing Wolff's place within the experimental musical field, this volume captures both his eloquence and reticence and provides insights into his broad interests and activities within music and beyond.

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Essays offering a guide to a vital source for our knowledge of medieval England. The Inquisitions Post Mortem (IPMs) at the National Archives have been described as the single most important source for the study of landed society in later medieval England. Inquisitions were local enquiries into the lands heldby people of some status, in order to discover whatever income and rights were due to the crown on their death, and provide details both of the lands themselves and whoever held them. This book explores in detail for the first time the potential of IPMs as sources for economic, social and political history over the long fifteenth century, the period covered by this Companion. It looks at how they were made, how they were used, and their "accuracy",and develops our understanding of a source that is too often taken for granted; it answers questions such as what they sought to do, how they were compiled, and how reliable they are, while also exploring how they can best be usedfor economic, demographic, place-name, estate and other kinds of study. Michael Hicks is Professor of Medieval History, University of Winchester. Contributors: Michael Hicks, Christine Carpenter, Kate Parkin, Christopher Dyer, Matthew Holford, Margaret Yates, L.R. Poos, J. Oeppen, R.M. Smith, Sean Cunningham, Claire Noble, Matthew Holford, Oliver Padel.

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Conspicuous consumption in the 15th century both offers causes for revolt and allows reconstruction of regional supply and trading networks. The essays in this volume focus on the sources and resources of political power, on consumption (royal and lay, conspicuous and everyday) on political revolution and on economic regulation in the later middle ages. Topics range from the diet of the nobility in the fifteenth century to the knightly household of Richard II and the peace commissions, while particular case studies, of Middlesex, Cambridge, Durham Cathedral and Winchester, shed new light on regional economies through an examination of the patterns of consumption, retailing, and marketing.Professor MICHAEL HICKS teaches at King Alfred's College at Winchester.Contributors: CHRISTOPHER WOOLGAR, ALASTAIR DUNN, SHELAGH MITCHELL, ALISON GUNDY, T.B. PUGH, JESSICA FREEMAN, JOHN HARE, JOHN LEE, MIRANDA THRELFALL-HOLMES, WINIFRED HARWOOD, PETER FLEMING.

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Essays exploring the potential of the Inquisitions post mortem to shed important new light on the medieval world. The Inquisitions post mortem (IPMs) are a truly wonderful source for many different aspects of late medieval countryside and rural life. They have recently been made digitally accessible and interrogatable by the Mappingthe Medieval Countryside project, and the first fruits of these developments are presented here. The chapters examine IPMs in connection with the landscape and topography of England, in particular markets and fairs and mills;and consider the utility of proofs of age for everyday life on such topics as the Church, retaining, and the wine trade. MICHAEL HICKS is Emeritus Professor of Medieval History at the University of Winchester. Contributors: Katie A. Clarke, William S. Deller, Paul Dryburgh, Christopher Dyer, Janette Garrett, Michael Hicks, Matthew Holford, Gordon McKelvie, Stephen Mileson, Simon Payling, Matthew Tompkins, Jennifer Ward.

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A valuable resource on the social and economic life of medieval England Inquisitions post mortem are the single most important source for the history of medieval English landed society and are indispensable to social, economic, and political historians of the later middle ages; they were compiled with the help of jurors from the area, as a county-by-county record of a deceased individual's land-holdings and associated rights, where the individual held land directly of the crown. It is this explicit connection with land and locality - in economic, social, political, and topographical terms - that makes these documents of such comprehensive interest. This volume calendars the inquisitions and related documents from the short reigns of Edward V and Richard III, from the protectorate to the battle of Bosworth (1483-1485). It looks at 101 individuals across 181 inquisitions and includes valuable information and detailed returns on the estates of the greater aristocracy, among them Henry Bourchier, earl of Essex and William Lord Hastings [d. 1483], alongside lesser landholders, jurors' names and full manorial extents. The volume incorporates not only inquisitions post mortem but also assignments of dower and a proof of age from across the counties of England and the Marches of Wales. It is especially rich in inquisitions relating to the lands of the royal justices and widowed dowagers and documents how many landholders had conveyed lands to trustees, thus escaping royal wardship and prompting remedial legislation by Richard's parliament. Standard information includes medieval descriptions of towns and villages and the charting of land and its descent at all social levels. The volume also provides comprehensive indexes of jurors, persons, places, and subjects.

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