Search results for ""Author Michael Henderson""

'For those who fear the worst for the sport they love, this is like cool, clear water for a man dying of thirst. It's barnstorming, coruscating stuff, and as fine a book about the game as you'll read for years' Mail on Sunday'Charming . . . a threnody for a vanished and possibly mythical England' Sebastian Faulks, Sunday Times'Lyrical . . . [Henderson's] pen is filled with the romantic spirit of the great Neville Cardus . . . This book is an extended love letter, a beautifully written one, to a world that he is desperate to keep alive for others to discover and share. Not just his love of cricket, either, but of poetry and classical music and fine cinema' The Times'To those who love both cricket and the context in which it is played, the book is rather wonderful, and moving' Daily Telegraph'Philip Larkin's line 'that will be England gone' is the premise of this fascinating book which is about music, literature, poetry and architecture as well as cricket. Henderson is that rare bird, a reporter with a fine grasp of time and place, but also a stylist of enviable quality and perception' Michael ParkinsonNeville Cardus once said there could be no summer in England without cricket. The 2019 season was supposed to be the greatest summer of cricket ever seen in England. There was a World Cup, followed by five Test matches against Australia in the latest engagement of sport's oldest rivalry. It was also the last season of county cricket before the introduction in 2020 of a new tournament, The Hundred, designed to attract an audience of younger people who have no interest in the summer game. In That Will Be England Gone, Michael Henderson revisits much-loved places to see how the game he grew up with has changed since the day in 1965 that he saw the great fast bowler Fred Trueman in his pomp. He watches schoolboys at Repton, club cricketers at Ramsbottom, and professionals on the festival grounds of Chesterfield, Cheltenham and Scarborough. The rolling English road takes him to Leicester for T20, to Lord's for the most ceremonial Test match, and to Taunton to watch an old cricketer leave the crease for the last time. He is enchanted at Trent Bridge, surprised at the Oval, and troubled at Old Trafford. 'Cricket,' Henderson says, 'has always been part of my other life.' There are memories of friendships with Ken Dodd, Harold Pinter and Simon Rattle, and the book is coloured throughout by a love of landscape, poetry, paintings and music. As well as reflections on his childhood hero, Farokh Engineer, and other great players, there are digressions on subjects as various as Lancashire comedians, Viennese melancholy and the fil

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Included in the Financial Times best books of 2020 selection'For those who fear the worst for the sport they love, this is like cool, clear water for a man dying of thirst. It's barnstorming, coruscating stuff, and as fine a book about the game as you'll read for years' Mail on Sunday'Charming . . . a threnody for a vanished and possibly mythical England' Sebastian Faulks, Sunday Times'Lyrical . . . [Henderson's] pen is filled with the romantic spirit of the great Neville Cardus . . . This book is an extended love letter, a beautifully written one, to a world that he is desperate to keep alive for others to discover and share. Not just his love of cricket, either, but of poetry and classical music and fine cinema' The Times (best summer books)'To those who love both cricket and the context in which it is played, the book is rather wonderful, and moving' Daily Telegraph'Philip Larkin's line 'that will be England gone' is the premise of this fascinating book which is about music, literature, poetry and architecture as well as cricket. Henderson is that rare bird, a reporter with a fine grasp of time and place, but also a stylist of enviable quality and perception' Michael ParkinsonNeville Cardus once said there could be no summer in England without cricket.The 2019 season was supposed to be the greatest summer of cricket ever seen in England. There was a World Cup, followed by five Test matches against Australia in the latest engagement of sport's oldest rivalry. It was also the last season of county cricket before the introduction in 2020 of a new tournament, The Hundred, designed to attract an audience of younger people who have no interest in the summer game.In That Will Be England Gone, Michael Henderson revisits much-loved places to see how the game he grew up with has changed since the day in 1965 that he saw the great fast bowler Fred Trueman in his pomp. He watches schoolboys at Repton, club cricketers at Ramsbottom, and professionals on the festival grounds of Chesterfield, Cheltenham and Scarborough. The rolling English road takes him to Leicester for T20, to Lord's for the most ceremonial Test match, and to Taunton to watch an old cricketer leave the crease for the last time. He is enchanted at Trent Bridge, surprised at the Oval, and troubled at Old Trafford.'Cricket,' Henderson says, 'has always been part of my other life.' There are memories of friendships with Ken Dodd, Harold Pinter and Simon Rattle, and the book is coloured throughout by a love of landscape, poetry, paintings and music. As well as reflections on his childhood hero, Farokh Engineer, and other great players, there are digressions on subjects as various as Lancashire comedians, Viennese melancholy and the films of Michael Powell.Lyrical and elegiac, That Will Be England Gone is a deeply personal tribute to cricket, summer and England.

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Additional burial areas for the parish of St James Westminster in the 17th to 18th century were excavated in 2008–9. As the northern part of the parish around Soho grew and its population increased from the mid 17th century, pressure mounted on burial space in the churchyard on Piccadilly and on existing support structures for the least fortunate members of society. In response, the lower ground (the early extramural burial ground, 1695–1733) and the upper ground (the later extramural burial ground, 1733–90) were opened in succession, along with the new workhouse complex (1725–1913) and the workhouse burial ground (1733–93). In the later 19th to 20th century public baths were constructed over part of the site and the workhouse was repurposed and then redeveloped.The three burial areas were used intensively and a total of 2553 burials were recorded. Intra-site comparisons exploring demographic and health profiles show a higher proportion of adult females in the workhouse population and a disproportionately low number of childhood deaths across all three grounds. Full osteological analysis of 1786 skeletons revealed the wide range of conditions afflicting the buried population. Higher overall rates of pathological bone conditions, including infectious disease and trauma, were identified, however, in the workhouse burials when compared to the extramural grounds. Together with historical and archaeological evidence, these results and those from comparative contemporary sites help place the lives of the urban poor and destitute within the wider context of the 17th and 18th centuries.

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Modern Liverpool Street was once on the margins of London: the story of its development – from the medieval marsh of Moorfields to municipal, non-parochial, burial ground and later suburb – is illustrated by archaeological investigations undertaken as part of the Crossrail Central development. Excavation also recovered a wealth of well-preserved artefactual evidence for the local inhabitants, from the 16th century to the 19th-century households of Brokers Row.The New Churchyard, or 'Bethlem' as it was later known, was established after the severe plague of 1563 and was in use from 1569 to 1739; archaeological evidence suggests c 25,000 people in total were buried here. Contemporary accounts and parish registers, combined with tombstones and detailed osteological analysis of one quarter of the 3354 burials excavated, enable the reconstruction of some of their lives, and their deaths. They included migrants, many of the city's poor and those on the fringes ofsociety. Some were the victims of recurrent epidemics and outbreaks of plague – confirmed by the identification of the plague pathogen in five skeletons – when mass, but orderly, graves were dug

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