Search results for ""Author Michael Clemens""

Robert Ellis James-Robertson (but always known as Ellis) lived at Worcester from the mid-1950s and travelled extensively around the country building up a large railway archive. In the early 1960s a few of Ellis’s photographs were published in books and magazines and the credit ‘R. E. James-Robertson’ may be familiar to some. This book of mainly unpublished colour and black and white photographs has been created entirely from Ellis’s collection within about a 35 miles radius of Worcester, it will appeal to railway enthusiasts, modellers, and those with an interest in local history. The time period covered is from the mid-1950s through to the mid-1960s, steam is the predominant traction throughout together with occasional shots of early diesel power. Coverage includes much of Herefordshire, Gloucestershire, Warwickshire, and Worcestershire, plus the Birmingham area. Ellis and his wife Norah celebrated their diamond wedding anniversary in 2013, and Ellis passed on in April 2015 aged 92. Their daughters, Louisa and Fiona, contacted filmmaker and author Michael Clemens whose late father was a friend of Ellis’s. Ellis’s collection lives on today at films shows around the country given by the author and now in this first of a number of books using his photographic archive.

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Robert Ellis James-Robertson (always known as Ellis) was born in Wales but lived at Worcester from the mid-1950s and travelled extensively around the country building up a large railway collection. In the 1960s a few of Ellis’s photographs were published in books and magazines and the credit ‘R. E. James-Robertson’ may be familiar to some. This book of mainly unpublished colour and black & white photographs has been created entirely from Ellis’s North Wales archives, it will appeal to railway enthusiasts, modellers, and those interested in local history. The time period covered is from the mid-1950s through to the mid-1960s with steam being the predominant motive power. Much of North Wales is covered and in addition to BR standard-gauge lines, the narrow-gauge Penrhyn and Padarn slate systems are also seen. Ellis and his wife Norah celebrated their diamond wedding anniversary in 2013, and Ellis passed on in April 2015 aged 92. Their daughters, Louisa and Fiona, contacted film-maker and author Michael Clemens whose late father was a friend of Ellis’s. Ellis’s collection lives on today at films shows around the country given by the author and now in this second of a number of books using his photographic archive.

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Scottish Railways in the 1960s makes a broadly clockwise journey around the country visiting many long-closed railways, branch lines, a few industrial locations, plus the locomotives that worked over them. Locations seen include: Alloa, Alva, Auchtermuchty, Ayr, Ballachulish, Beattock, Brechin, Burghead, Dumfries, Callander, Carstairs, Castle Douglas, Coalburn, Douglas, Drongan, Duns, Edinburgh, Elgin, Fort William, Georgemas Junction, Glasgow, Gleneagles, Greenock, Hawick, Helmsdale, High Blantyre, Inverness, Killin, Kilmarnock, Larkhall, Lennoxtown, Lesmahagow, Lugar, Montrose, Muirkirk, Paisley, Rannoch, Stonehouse, Stranraer, Tburso, & Turriff. The time period is mainly between 1958 and 1966. Steam motive power largely dominates except in the far north. Scottish Railways in the 1960s will appeal to railway enthusiasts, modellers and those interested in local history. Virtually all of the photographs, a mixture of black & white and colour, have never previously been published and all were taken by the author, his father, and their friend Alan Maund. An extensive and informative commentary accompanies the photographs.

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`The Last Years of Steam Across Somerset and Dorset' gives an excellent photographic study of yesteryear and the iconic steam locomotive at work. The renowned Somerset & Dorset Railway is covered in detail as are other railway locations across the two counties such as Bath, Bournemouth, Bridgwater, Bristol, Burnham, Chard, Clevedon, Dorchester, Dulverton, Evercreech Junction, Frome, Radstock, Shepton Mallet, Swanage, Taunton, Templecombe, Wells, Weymouth, Yatton and Yeovil. A captivating time capsule from the author's private collection from the mid-1950s to the end of steam in the 1960s. The Last Years of Steam Across Somerset and Dorset contains many previously unpublished photographs by an internationally renowned authoritarian figure on steam locomotives and their history.

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`The Last Years of Steam Around the East Midlands’ covers most of the railways across the county and the locomotives that worked over them. In the main, the time period covers the ten years or so from the late 1950s up to the end of steam working in the East Midlands. In addition to steam locomotives, their diesel replacements will also be shown. A number of industrial locations will also be visited, and in particular, the book explores the now-closed Ironstone Railways of the East Midlands. The photographs, a mixture of colour and black and white, come mostly from those taken by the author and his late father, with the balance coming from his father’s old friends. Most of the photographs have never been published, with all images accompanied by an extensive and informative commentary.

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The documentaries produced by the National Film Board of Canada, an institution profoundly woven into Canada’s cultural fabric, not only influenced cinematic language, but their stunning portrayals of the landscape shaped our perception of the environment and our place in it. Screening Nature and Nation examines how Canadians have engaged with these films and how the depictions of the land and its people have reflected the prevailing attitudes of the times. In the years following the establishment of the NFB in 1939, author Michael Clemens demonstrates how production practices often supported the views of the government regarding the uses and limits of the environment. But, like most institutions, the films evolved, and by the beginning of the 1960s NFB documentaries began to express much broader social concerns. Certain filmmakers began to use their cameras as a means of challenging the dominant modes of thinking about the environment—not as a resource to be exploited but as a dynamic ecosystem. Films were produced that privileged Indigenous perspectives by focusing on the physical, cultural, and spiritual lives of the nation’s first people, offering audiences a glimpse into a social history they may have known little about. Many of the seminal films created in the 1960s and 1970s by the National Film Board of Canada would go on to be adored by audiences world-wide for their portrayal of the landscape and indigenous culture, as well as inspiring a burgeoning environmental activist movement.

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