Search results for ""Author Michael Berenbaum""

"The World Must Know by Michael Berenbaum is a skillfully organized and clearly told account of the German Holocaust that consumed, with unparalleled malevolence, six million Jews and millions of innocent others-Protestants, Catholics, Poles, Russians, Gypsies, the handicapped, and so many others, adults and children. This important book, a vital guide through the unique corridors of the United States Holocaust Memorial Museum in Washington, D.C., merits the widest of audiences."-Chaim Potok, author of The Chosen and The Promise The World Must Know documents the compelling human stories of the Holocaust as told in the renowned permanent exhibition of the United States Holocaust Memorial Museum in Washington, D.C. Drawing on the museum's extensive collection of artifacts, archives, and eyewitness testimonies, and augmented with more than two hundred period photographs, this book serves as an enduring reminder of the moral obligations of societies and individuals. This revised edition is enhanced with new insights and updates based on archival information that had been inaccessible to researchers until after the collapse of the Soviet Union and the Communist regimes of Eastern and Central Europe. It includes new photographs, redrawn charts, a new section on the Holocaust in Greece, an updated bibliography, and a new foreword by the museum director. Published on behalf of the United States Holocaust Memorial Museum

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Today e-mail, Facebook, and Twitter are sometimes used to spread hateful messages and slurs masking as humor. In the late nineteenth and early twentieth centuries postcards served this purpose. The images collected in this volume make it painfully clear that anti-Semitic propaganda did not simply begin with the Nazis. Nor was it the sole province of politicians, journalists, and rabble-rousers. One of the most virulent forms of anti-Semitism during this time was spread by quite ordinary people through postcards. Of the millions of postcards exchanged during their heyday of 1890 through 1920, a considerable percentage carried the anti-Semitic images that publishers churned out to meet public demand, reflecting deep-seated attitudes of society. Over 250 examples of such postcards, largely from the pre-Holocaust era, are reproduced here for the first time—selected, translated, and historically contextualized by one of the world’s foremost postcard collectors. Although representing but a small sample of the many thousands that were in print, these examples nonetheless offer a disturbing glimpse—one shocking to the modern sensibility—into the many permutations of anti-Semitism eagerly circulated by millions of people. In so doing, they help us to better understand a phenomenon still pervasive today.

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The haunting true stories of over 350 Holocaust survivors in their own words. In the shouted words of a woman bound for Auschwitz to a man about to escape from a cattle car, “If you get out, maybe you can tell the story! Who else will tell it?”Our Crime Was Being Jewish contains 576 vivid memories of 358 Holocaust survivors. These are the true, insider stories of victims, told in their own words. They include the experiences of teenagers who saw their parents and siblings sent to the gas chambers; of starving children beaten for trying to steal a morsel of food; of people who saw their friends commit suicide to save themselves from the daily agony they endured. The recollections are from the start of the war—the home invasions, the Gestapo busts, and the ghettos—as well as the daily hell of the concentration camps and what actually happened inside. Six million Jews were killed in the Holocaust, and this hefty collection of stories told by its survivors is one of the most important books of our time. It was compiled by award-winning author Anthony S. Pitch, who worked with sources such as the United States Holocaust Memorial Museum to get survivors’ stories compiled together and to supplement them with images from the war. These memories must be told and held onto so what happened is documented; so the lives of those who perished are not forgotten—so history does not repeat itself.

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"This learned volume is about as chilling as historiography gets." —Walter Laqueur, The New Republic" . . . a one-volume study of Auschwitz without peer in Holocaust literature." —Kirkus Reviews" . . . a comprehensive portrait of the largest and most lethal of the Nazi death camps . . . serves as a vital contribution to Holocaust studies and a bulwark against forgetting." —Publishers WeeklyMore than a million people were murdered at Auschwitz, of whom 90 percent were Jews. Here leading scholars from around the world provide the first comprehensive account of what took place at Auschwitz.

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Mel Gibson's The Passion of the Christ topped box office charts and changed the American religious conversation. The controversies it raised remain unsettled. In After The Passion Is Gone: American Religious Consequences, leading scholars of religion and theology ask what Gibson's film and the resulting controversy reveal about Christians, Jews, and the possibilities of interreligious dialogue in the United States. Landres and Berenbaum's collection moves beyond questions of whether or not the film was faithful to the gospels, too violent, or antisemitic and explores why the debate focused on these issues but not others. The public discussion of The Passion shed light on a wide range of American attitudes—evangelical Protestant, mainline Protestant, Roman Catholic, and Jewish—about media and faith, politics and history, Jesus and Judaism, fundamentalism and victimhood. After The Passion Is Gone takes a unique view of vital points in Christian-Jewish relations and contemporary American religion.

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The theme of the 23rd Annual Scholars' Conference on the Holocaust and the German Church Struggle, 'The Uses and Abuses of Knowledge,' emphasized the epistemic dimensions of what happened in the Shoah and the accompanying church struggle along with the hermeneutical issues which arise from them. The major plenaries and accompanying panels examined a variety of related topics with particularly focused opportunities for examining how knowledge, as well as power, have been used and abused in the past in addition to raising questions about the ways we remember and attend to our world in the present. Throughout this book, the conference theme is approached from a number of perspectives in varying styles and voices. Individually and collectively, they make it abundantly clear that knowledge is power and consequently what we know as well as how we know are questions we must continually investigate if we are to use the power of knowing wisely and responsibly.

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The extraordinary experiences of ordinary people—their suffering and their unimaginable bravery—are the subject of Judy Glickman Lauder’s remarkable photographs. Beyond the Shadows responds to the world’s looking the other way as the Nazis took power and their hate-fueled nationalism steadily turned to mass murder. In the context of the horror of the Holocaust, it also tells the uplifting story of how the citizens and leadership of Denmark, under occupation and at tremendous risk to themselves, defied the Third Reich to transport the country’s Jews to safety in Sweden. Over the past thirty years, Glickman Lauder has captured the intensity of death camps in Germany, Poland, and Czechoslovakia, in dark and expressive photographs, telling of a world turned upside down, and, in contrast, the redemptive and uplifting story of the “Danish exception.” Including texts by Holocaust scholars Michael Berenbaum and Judith S. Goldstein, and a previously unpublished original text by survivor Elie Wiesel, Beyond the Shadows demonstrates passionately what hate can lead to, and what can be done to stand in its path. “This is photography and storytelling for our times, about what hate leads to, and how we can stand up to it. Beyond the Shadows is powerful and revealing, and sharply relevant to all of us who believe in the human family.” — Sir Elton John

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