Search results for ""Author Max Jacob""

The most important prose-poem collection of the 20th century, available in a trade publication for the first time Max Jacob’s role in French modernity was essential, and with this second volume of his work from Wakefield Press, it can now be fully and properly assessed. First published in 1917, The Dice Cup stands alongside Baudelaire’s Paris Spleen, Rimbaud’s Illuminations and Pierre Reverdy’s Prose Poems as one of the most important and foundational books of prose poetry. Jacob has been identified as a “cubist poet,” but this collection and its shifting style escape any such easy definition: dream accounts are rendered in playful prose that thumbs its nose at the fabular tradition of Baudelaire and Mallarmé and the Romantic disorder of Rimbaud, and subverts both poetic and narrative expectations in favor of dream logic, allusion, transformed autobiography and nonsensical parody. At once mystical and burlesque, the prose poems of Dice Cup are consciously constructed, yet as unstable and unfixed as both Jacob’s personality and our own. Max Jacob (1876–1944) was a French poet, painter, writer and critic. A key figure of bohemian Montmartre and the Cubist era, he rubbed shoulders with Apollinaire and Modigliani and was a lifelong friend to Picasso, Gris and Cocteau. Jacob converted from Judaism to Christianity in 1915. Arrested by the Gestapo in 1944, he died in a deportation camp of pneumonia. Rosanna Warren's critically acclaimed biography of Jacob was published in 2020.

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The first English translation of the Cubist poet’s most important collection of verse poems—a wild grab bag of contradictory styles When Max Jacob published The Central Laboratory in 1921, Parisian Dada had just officially come to an end and Surrealism was yet to be born. The poetic scene in Paris was between definitions, and Jacob embodied that moment. The Central Laboratory is distinctly modern, yet utterly discordant with anything else that had been published before: a grab bag of popular genres, operettas, Breton folk song, nonsense poetry, nursery rhyme, doggerel, parody and puns in which sound often trumps sense and Jacob changes register on a dime. Employing Symbolist obscure reference, Cubist fracturing of perspective and Dadaist discontinuity, Jacob’s art of mixed signals and mocked allegory formulates a camp sensibility, a “queering” of literary style as riddled with contradiction as Jacob himself had been in his lifetime. A century after its initial publication in French, the book remains utterly peculiar and lost for too long in the shadow of Jacob’s more famous book of prose poems, The Dice Cup. Jacob himself said of The Central Laboratory: “it sums up 20 years and reflects 20 states of soul, often 20 styles either suffered or created by me.” Max Jacob (1876–1944) was a French poet, painter, writer and critic. A key figure of bohemian Montmartre and the Cubist era, he rubbed shoulders with such figures as Apollinaire and Modigliani, and was a lifelong friend to Picasso, Gris and Cocteau. Jacob converted from Judaism to Christianity in 1915. Arrested by the Gestapo in 1944, he died in a deportation camp of pneumonia. Rosanna Warren's critically acclaimed biography of Jacob was published in 2020.

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