Search results for ""Author Matthew J Bruccoli""

Peter Wolfe's study of Penelope Fitzgerald's canon illuminates writings he characterizes as possessing unerring dramatic judgment, a friendly and fluid style, and lyrical and precise descriptive passages. In this survey of Fitzgerald's life and career, Wolfe explains how the British novelist brings resources of talent and craft, thought and feeling, courage and vulnerability, to the biographies and novels that have earned her renown. With readings of a broad range of her published works, including her final novel, The Blue Flower, Wolfe describes the unfolding of Fitzgerald's writing as a subtle, ongoing process. He maintains that the novels, though plain and rambling at first glance, grow fuller, stranger, and more stirring the more we invest in them. He details Fitzgerald's skill at sequencing events so as to unsettle readers and her ability to enhance motifs by not leaning too hard on them. Wolfe suggests that Fitzgerald's refusal to overplay effects and emotions, while at first puzzling in its disdain for drama, turns out to be one of her chief virtues, for she enables larger associations to emerge as she keeps big dramatic scenes from interfering with wider patterns. While enumerating Fitzgerald's many talents, Wolfe ultimately attributes much of her success to her style. He concludes that her exceptionally disciplined prose, which gives voice to her candor and compassion, imbues her work with a sense of mood, place, and character.

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Conversations with F. Scott Fitzgerald assembles over thirty interviews with one of America's greatest novelists, the author of The Great Gatsby and Tender Is the Night. Although most of these are not standard interviews in the modern sense, the quotes from Fitzgerald and the contemporary journalistic reaction to him reveal much about his writing techniques, artistic wisdom, and life. Editors Matthew J. Bruccoli, the foremost Fitzgerald scholar, and Judith S. Baughman have collected the most usable and articulate pieces on Fitzgerald, including a three-part 1922 interview conducted for the St. Paul Daily News. Fitzgerald (1896-1940) died before the authorial interview became a literary subgenre after World War II. Although Fitzgerald enjoyed his celebrity, as is clear in these pieces, he had a poor sense of public relations and provided interviewers with opportunities to trivialize him. As a result, Fitzgerald was often treated condescendingly in the press. Seven of his interviews-five printed before 1924-have flapper in their headlines. In the Jazz Age-a term Fitzgerald coined-he was regarded as a spokesman for rebellious youth, as a playboy, as an authority on sex and marriage, as an expert on Prohibition, and as an immensely popular writer for his work published in the Saturday Evening Post. Yet his literary ambitions were sizable and his impact on American fiction immeasurable. Matthew J. Bruccoli is Jefferies Professor of English at the University of South Carolina. He has written or edited thirty volumes on Fitzgerald, including the standard biography, Some Sort of Epic Grandeur: The Life of F. Scott Fitzgerald. Judith S. Baughman, who works in the department of English at the University of South Carolina, has written the F. Scott Fitzgerald volume in the Gale Study Guides series and has edited American Decades: 1920-1929.

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This is a collection of Wolfe's earliest publications from his college years.The ""Magical Campus"" collects for the first time Thomas Wolfe's earliest published works - including poems, plays, short fiction, news articles, speeches, and essays - both signed and unsigned, assembled in chronological order. The collegiate career of Wolfe began at UNC Chapel Hill in 1916, at the age of fifteen, with a freshman year marked by obscurity and loneliness. By his junior year, he had emerged as a recognized and popular figure in campus life, a central participant in numerous organizations and fraternities, and the editor of several student publications. Wolfe began in these apprenticeship years his ascendancy to iconic literary status.Included in ""The Magical Campus"" is Wolfe's first published work, the poem ""A Field in Flanders"" from the November 1917 issue of the University of North Carolina Magazine. Here too is the poem ""The Challenge,"" Wolfe's first piece to be subsequently reprinted off campus in his hometown newspaper. ""A Cullenden of Virginia"" marked his inaugural foray into the realm of published fiction and his folk plays, such as ""The Return of Buck Gavin"" and ""Deferred Payment,"" are illustrative of his unrealized ambitions to be a playwright. Though they lack the sophistication and scale of the grand fictions that now define Wolfe's place in literature, his student publications speak to the potential he had tapped into.

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This pictorial autobiography of Scott and Zelda Fitzgerald documents two lives that have become legendary. The book draws almost entirely from the scrapbooks and photograph albums that the Fitzgeralds scrupulously kept as their personal record and provides a wealth of illustrative material not previously available. The book offers: Fitzgerald's thoughts about his early loves in St Paul, Minnesota; a photograph of the country club in Montgomery, Alabama, where the two met; reviews of ""This Side of Paradise""; poems to the couple from Ring Lardner; snapshots of their trips abroad; Fitzgerald's careful accounting of his earnings; a photograph of the house on Long Island where ""The Great Gatsby"" was conceived; postcards with Fitzgerald's drawings for his daughter. These rare photographs and memorabilia combine into a narrative augmented by selections from Scott's and Zelda's own writings, conveying the spirit of particuular moments in their lives.

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